We may all be acting, but the fact that more musicians have successfully worked in film than actors have successfully launched careers in music suggests that, of the two disciplines, music is more challenging.
In Gwyneth Paltrow's current movie, Country Strong, writer/director Shana Feste wanted as much realism as possible, so she stacked Gwyneth's band with Nashville regulars, including Jim Lauderdale on acoustic, Bucky Baxter on steel, yours truly on bass, and a few other recognizable faces in the country-music scene filling out the rest of the band. The entire gig consisted of us playing a few concerts, with the band faking it onstage to pre-recorded tracks while Paltrow sang live.
Paltrow has a compelling voice and sang really well both live and in the studio. I've worked with many major-label acts that would not have sounded nearly as good under these circumstances. During a break, I asked, "So, if you end up having a big ol' hit song from this movie, would you tour?"
She thought about it for a few beats, then smiled and said, "I really like singing, but . . . I don't know." I appreciated her hesitance, because it revealed a deeper understanding of what it means to be a musician. Paltrow's husband fronts the mega-selling band Coldplay, so she gets it. For most of us, music starts as a quaint hobby. But, like all addictions, it subtly begins to grow under your skin and eventually fuses with your identity.
But, lacking this awareness, many actors see music as a yet-to-be-exploited revenue source. They look at their trophy case and think, "A Grammy and a platinum record would look nice next to my People's Choice and Emmy. I'll just call my manager and have him arrange it." These actors have this incredible, unwavering belief that because they are successful in one area, they can do anything. This kind of self-confidence produces some interesting work.
William Shatner's 1968 album, The Transformed Man, remains one of my desert-island records. To hear him emote with immeasurable conviction, shouting "Mr. Tambourine Man" as if he is teetering on the head of a pin, madness on one side, agony on the other—well, that's just pure Shat. One has to admire his confidence.
Leonard Nimoy's 1968 album, the ironically titled The Way I Feel, does not connect emotionally (which is to be expected from a green-blooded Vulcan), but remains a joy to hear. His somewhat subdued performance and lackluster sales did not prevent him from making another five albums. When it comes to music, the crew of the Enterprise boldly goes where no man has gone before.
David Hasselhoff displays definite Shat-esque confidence with his music, the kind of confidence that enables a man to do a photo shoot wearing nothing but a Speedo, an open leather jacket, a thick mane of chest hair, and a "Come hither" glare. The Hoff enjoyed two No. 1 hits in Germany and just released his 17th album, A Real Good Feeling. For me, hearing the Hoff evokes a real good feeling much like hearing the Shat. Part of that feeling may be envy for their unwavering self-assurance and thick head and body hair. Check out the music of Steven Seagal—it, too, is pure Shat that will make you shiver.
But one can't really applaud the actor/musician who lacks conviction—those of the Paris Hilton, Lindsay Lohan, and Joaquin Phoenix variety. It doesn't matter that they can't sing or rap—plenty of platinum-selling acts can't. But clearly these forays into music began with a PR team hounding the media while pounding the 'net, and then ended in damage control, redirections, and, in Joaquin's case, leaving himself an ambiguous out: If the music career works, great, he's an artist. If not, it's an edgy hoax and you're too stupid to get it.
I admire the actors who, like many of us, love playing music but don't make a big deal out of it. Gary Sinise, a long-time bass player, is a passionate supporter of American troops. He wanted to help, so he started his "Lieutenant Dan Band" and has since performed at military bases around the world. After a lifetime of playing music for fun, Jeff Bridges has started doing shows on the strength of his film Crazy Heart. Nothing heavy or ego driven—just a dude and his friends who put their band back together. I know a couple of the guys who play in Kevin Costner's band. They say it's a fun, no-pressure, feel-good gig—often with excellent catering.
Undeniably, showmanship usually helps a music career. When a musician works the stage, trying to connect with the audience, isn't that acting? I don't think B.B. King is honestly moved by all of his solos, but if you watch his face you'd swear every note slashes a razor across his heart.
As the bard said:
All the world's a stage, And all the men and women merely players; They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages.
—William Shakespeare, from As You Like It
We may all be acting, but the fact that more musicians have successfully worked in film than actors have successfully launched careers in music suggests that, of the two disciplines, music is more challenging.
[Updated 8/18/21]
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Four-time Grammy Award-winning guitarist Gary Clark Jr. announces his 2025 North American tour.
Kicking off at Grand Sierra Resort and Casino in Reno, NV on February 19, the tour will continue with shows in Houston, Atlanta, Nashville, Charlotte, and more before concluding on March 15 in Hollywood, FL at Hard Rock Live at Seminole Hard Rock Hotel & Casino Hollywood.
Artist presale will begin tomorrow, October 2 at 10am local time, with public on-sale to follow on Friday, October 4 at 10am local time. Sign up now at https://www.garyclarkjr.com/ for a first chance at tickets.
JPEG RAW is Clark's first album since 2019’s critically lauded This Land, which became his third consecutive top 10 on the Billboard 200 chart and garnered three Grammy Awards, including Best Rock Song and Best Rock Performance ("This Land") and Best Contemporary Blues Album (This Land). Clark’s first Grammy win was awarded in 2014 for Best Traditional R&B Performance ("Please Come Home").
Since its release, the singer-songwriter has toured extensively and stretched his wings as an actor, playing American blues legend Arthur "Big Boy" Crudup in Baz Luhrmann’s Elvis, which received eight Academy Award nominations. Clark also served as the official Music Director for Jon Stewart's acceptance of the 23rd Annual Mark Twain Prize for American Humor in the Kennedy Center Concert Hall. In addition to programming the event, he delivered a powerful tribute on stage, which aired on PBS nationwide.
Now, as Clark prepares to hit the road once more in support of JPEG RAW, this new era continues for the acclaimed performer—one with ever-expanding horizons, and music that needs to be heard live and in person.
Tour Dates
Bold indicates newly announced dates
*With Eric Clapton
^With St. Vincent
2024
Sep 26 — Rio De Janeiro, Brazil — Farmasi Arena*
Sep 28 — São Paulo, Brazil — Vibra São Paulo*
Sep 29 — São Paulo, Brazil — Allianz Parque*
Oct 15 — London, UK — O2 Forum Kentish Town
Oct 16 — Manchester, UK — New Century Hall
Oct 17 — Bristol, UK — SWX
Oct 19 — Birmingham, UK — O2 Institute Birmingham
Oct 21 — Utrecht, Netherlands — TivoliVredenburg
Oct 23 — Luxembourg, Luxembourg — Den Atelier
Oct 24 — Basel, Switzerland — Baloise Session^
2025
Feb 19 — Reno, NV — Grand Sierra Resort and Casino
Feb 20 — Las Vegas, NV — Brooklyn Bowl Las Vegas
Feb 24 — El Paso, TX — Abraham Chavez Theatre
Feb 28 — San Antonio, TX — Aztec Theatre
Mar 1 — Houston, TX — 713 Music Hall
Mar 4 — Atlanta, GA — The Eastern
Mar 7 — Nashville, TN — Ryman Auditorium
Mar 9 — Knoxville, TN — Tennessee Theatre
Mar 10 — Charlotte, NC — Ovens Auditorium
Mar 11 — North Charleston, SC — North Charleston Performing Arts Center
Mar 13 — Tampa, FL — Seminole Hard Rock Tampa Event Center
Mar 14 — Orlando, FL — Hard Rock Live Orlando
Mar 15 — Hollywood, FL — Hard Rock Live at Seminole Hard Rock Hotel & Casino Hollywood
Revv Amplification's limited-edition G-Series V2 pedals offer three fresh flavors of boutique Canadian tone, with V2 circuit revisions.
Celebrating 10 years of Revv & 5 years since the release of the G2, Revv is debuting V2 circuit revisions of the G2, G3, & G4, implementing new designs for more tone in 3 little pedals, in a limited edition colorway.
The Revv Amplification 5th Anniversary G-Series V2 Lineup features:
- 3 Fresh Flavors of Boutique Canadian Tone - G-Series pedals are sonic recreations of 3 of Revv’s boutique amp channels used by Nashville session stars & metal touring artists alike.
- The Standard, Redefined - V2 circuit revisions are based on the Generator 120 MK3 Rev. B & incorporate new design elements for the most tube-like response & tone ever.
- Limited Edition - Exclusive new colorway featuring a black enclosure w/ custom graphics, embossed Revv badge, & color-coded knobs.
- Find Your Sound - The G2 is a powerful & versatile overdrive capable of everything from touch-sensitive boost to organic vintage stack tones, taken from Revv’s Green Channel.
- High Gain Clarity - The G3 utilizes Revv’s legendary Purple Channel, a tight & responsive high gain tone perfect for drop tuning & cutting through any mix.
- Fat Solo Tones - The G4 is based on Revv’s thick & saturated Red Channel, the ideal sound for chewy crunch, modern rock wall of sound, & liquid sustaining solos.
- Made in Canada - 100% analog circuit w/ top jacks, true bypass, & 2 year warranty.
Revv’s G-Series pedals have a street price of $229 & can be ordered immediately through many fine dealers worldwide.
For more information, please visit revvamplification.com.
Revv G3 Purple Channel Preamp/Overdrive/Distortion Pedal - Anniversary Edition
G3 Purple Ch Preamp/Hi-Gain Pedal - AnniversaryThe Texan rocker tells us how the Lonestar State shaped his guitar sounds and how he managed to hit it big in Music City.
Huge shocker incoming: Zach Broyles made a Tube Screamer. The Mythos Envy Pro Overdrive is Zach’s take on the green apple of his eye, with some special tweaks including increased output, more drive sounds, and a low-end boost option. Does this mean he can clear out his collection of TS-9s? Of course not.
This time on Dipped in Tone, Rhett and Zach welcome Tyler Bryant, the Texas-bred and Nashville-based rocker who has made waves with his band the Shakedown, who Rhett credits as one of his favorite groups. Bryant, it turns out, is a TS-head himself, having learned to love the pedal thanks to its being found everywhere in Texas guitar circles.Bryant shares how he scraped together a band after dropping out of high school and moving to Nashville, including the rigors of 15-hour drives for 30-minute sets in a trusty Ford Expedition. He’s lived the dream (or nightmare, depending on the day) and has the wisdom to show it.
Throughout the chat, the gang covers modeling amps and why modern rock bands still need amps on stage; the ins and outs of recording-gear rabbit holes and getting great sounds; and the differences between American and European audiences. Tune in to hear it all.
Get 10% off your order at stewmac.com/dippedintone
Oasis Live '25 world tour announces North American dates with Cage The Elephant as special guest. Oasis commented, “America. Oasis is coming. You have one last chance to prove that you loved us all along.”
The North American leg, produced by Live Nation and SJM, will see Oasis play stadiums in Toronto, Chicago, East Rutherford, Los Angeles and Mexico City next summer with Cage The Elephant as the special guest across all dates.
The news comes 16 years since their last performance in North America. Oasis commented,
“America.
Oasis is coming.
You have one last chance to prove that you loved us all along.”
The previously announced dates on the Oasis Live ‘25 tour sold out immediately, with over 10 million fans from 158 countries queuing to buy tickets. Days after their return, the band claimed their 8th UK No. 1 album with the 30th anniversary of their electrifying debut album Definitely Maybe, while at the same time occupying two other spots in the top 5 UK albums chart.
Oasis remain a huge draw in the streaming era, with over 32 million monthly listeners on Spotify alone – an increase of almost 50% since the announcement of their return – and nearly 12.5 billion streams to date across platforms.
Registration for the presale is currently open at oasisinet.com until Tuesday, October 1st at 8 am EST. General ticket sale will begin Friday, October 4th at 12pm local time and will be available from Ticketmaster.
Plans are underway for Oasis Live ’25 to go to other continents outside of Europe and North America later next year.
JULY 2025
4th - Cardiff, UK - Principality Stadium (SOLD OUT)
5th - Cardiff, UK - Principality Stadium (SOLD OUT)
11th - Manchester, UK - Heaton Park (SOLD OUT)
12th - Manchester, UK - Heaton Park (SOLD OUT)
16th - Manchester, UK - Heaton Park (SOLD OUT)
19th - Manchester, UK - Heaton Park (SOLD OUT)
20th - Manchester, UK - Heaton Park (SOLD OUT)
25th - London, UK - Wembley Stadium (SOLD OUT)
26th - London, UK - Wembley Stadium (SOLD OUT)
30th - London, UK - Wembley Stadium (SOLD OUT)
AUGUST 2025
2nd - London, UK - Wembley Stadium (SOLD OUT)
3rd - London, UK - Wembley Stadium (SOLD OUT)
8th - Edinburgh, UK - Scottish Gas Murrayfield Stadium (SOLD OUT)
9th - Edinburgh, UK - Scottish Gas Murrayfield Stadium (SOLD OUT)
12th - Edinburgh, UK - Scottish Gas Murrayfield Stadium (SOLD OUT)
16th - Dublin, IE - Croke Park (SOLD OUT)
17th - Dublin, IE - Croke Park (SOLD OUT)
24th - Toronto, ON - Rogers Stadium (JUST ADDED)
28th - Chicago, IL - Soldier Field (JUST ADDED)
31st - East Rutherford, NJ - MetLife Stadium (JUST ADDED)
SEPTEMBER 2025
6th - Los Angeles, CA - Rose Bowl Stadium (JUST ADDED)
12th - Mexico City, MX - Estadio GNP Seguros (JUST ADDED)
27th - London, UK - Wembley Stadium (SOLD OUT)
28th - London, UK - Wembley Stadium (SOLD OUT)