april 2011

Glenn Hughes, Devin Townsend, Ripper Owens, and Dee Snider take on Sinatra classics

Various Artists
Armoury Records

Ready for some metal versions of Frank Sinatra classics? Glenn Hughes, Devin Townsend, Ripper Owens, and Dee Snider are among the 12 notable artists lending their vocal talents to songs like “I’ve Got You Under My Skin,” “New York, New York,” “Witchcraft,” and “It Was a Very Good Year.” Unfortunately, some stellar vocal performances and righteous guitar and bass riffery by Bob Kulick, Richie Kotzen, and Billy Sheehan end up falling flat due to the project’s humor-bent focus and the use of keyboards. I get the dilemma—you can’t just delete Nelson Riddle horn lines and string swells from something paying tribute to Sinatra. Regardless, the keyboard tones simply kill this otherwise brave mashup, grating on your skull much like the brass-mocking keyboard in Europe’s “The Final Countdown.” Too bad. Some moments of legit darkness that breathe interesting new life into these charts get overshadowed by all the cheese.

Guitar store staff have better things to do than clean your instrument, so a well-loved but unsoiled 6-string like this is going to command a higher trade-in value than one that comes in covered in years of residue.

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There's an overwhelming amount of activity in the guitar market these days, and the sheer amount of demand has left some manufacturers struggling to keep up. But rather than wait around for stores to re-stock, more and more customers are shopping for used and vintage guitars. You might wonder, where do all those used guitars come from?

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How jangle, glam, punk, shoegaze, and more blended to create a worldwide phenomenon. Just don’t forget your tambourine.



  • Learn genre-defining elements of Britpop guitar.
  • Use the various elements to create your own Britpop songs.
  • Discover how “borrowing” from the best can enrich your own playing.
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When considering the many bands that fall under the term “Britpop”–Oasis, Blur, Suede, Elastica, Radiohead’s early work, and more–it’s clear that the genre is more an attitude than a specific musical style. Still, there are a few guitar techniques and approaches that abound in the genre, many of which have been “borrowed” (the British music press’ friendly way of saying “appropriated”) from earlier British bands of the 1960s, ’70s, and ’80s.

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