The variations on a classic stompbox bring you tonal versatility and more!
Xotic XW-2 Wah Pedal
The Xotic XW-2 Wah Pedal is a high-quality, versatile stomp that creates a ’70s-style “throaty” wah sound.
xotic.us
Sonicake FlipWah
The FlipWah combo pedal combines a classic wah and active volume pedal in one, with a footswitch to select between the two modes. A Q knob adds even more versatility.
sonicake.com
$79 street
McCon-O-Wah McWah
The McWah-2B delivers classic tone with modern upgrades. Handwired, adjustable, and durable, it features a custom pot and true bypass for optimal sound. Inspired by the original, legendary wah pedal.
mcconowah.com
$428 street
Dunlop Jerry Cantrell Rainier Fog Cry Baby Wah
This Cry Baby signature model complements Jerry Cantrell’s sound with a dark, punchy voice, a wide sweep, and a control on the side for fine-tuning the toe-down frequency.
jimdunlop.com
Dunlop CBJ95 Cry Baby Junior Wah Pedal
The Cry Baby Junior Wah features front-mounted jacks and an 8" housing for clean configurations on the world’s most popular boards.
jimdunlop.com
Dunlop Cry Baby Daredevil Fuzz Wah Pedal
A collaboration with Daredevil Pedals, this Cry Baby Wah combines the bright, aggressive vocality of a modded Cry Baby Wah with a custom fuzz circuit that’s downright gnarly.
jimdunlop.com
- Stompbox Shopping with Robert Quine ›
- Confessions of a Pedal Nerd ›
- Stomp School: What's Inside Your Pedals? ›
- DIY: How to Repair a Wet Pedal ›
Neil Young’s ’70s hits are some of the most recognizable radio rock jams of all time. But Neil’s guitar playing continued to grow over the ensuing decades, as he traversed styles from blues to country to electronic to rockabilly and beyond, eventually developing one of the most tonally decadent, fully formed improvisational voices in the entire guitar universe.
Like any discography that’s been growing over the course of more than half a century, it can be hard to decode Young’s work. And with such an adventurous spirit, it could be easy to make some missteps and miss out on his best guitar works. In this episode, Nick guides Jason through some of his hero’s finest moments.
More news from Neil always seems to be on the horizon, so here’s your chance to catch up.
This episode is sponsored by Gibson.
This Japan-made Guyatone brings back memories of hitchin’ rides around the U.S.
So, as I’m prone to do, I started digging around hitchhiking culture and stories. Surprisingly, there are organized groups that embrace the hitching life, but the practice remains on the fringe in the U.S. Back in the 1950s, writer Jack Kerouac wrote the novel On the Road, which celebrated hitchhiking and exposed readers to the thrill of maverick travel. Heck, even Mike Dugan (the guitarist in all my videos) hitched his way to California in the 1960s. But seeing that fellow on the side of the road also sparked another image in my brain: Yep, it always comes back to guitars.
Let me present to you a guitar that’s ready to go hitching: the Guyatone LG-180T, hailing from 1966. The “thumbs-up” headstock and the big “thumb” on the upper bout always made me think of thumbing a ride, and I bought and sold this guitar so long ago that I had forgotten about it, until I saw that hitchhiking dude. Guyatone was an interesting Japanese company because they were primarily an electronics company, and most of their guitars had their wooden parts produced by other factories. In the case of the LG-180T, the bodies were made by Yamaha in Hamamatsu, Japan. At that time, Yamaha was arguably making the finest Japanese guitars, and the wood on this Guyatone model is outstanding. We don’t often see Guyatone-branded guitars here in the U.S., but a lot of players recognize the early ’60s label Kent—a brand name used by an American importer for Guyatone guitars.
With a bit of imagination, the LG-180T’s “thumbs up” headstock seems to be looking for a roadside ride.
Kent guitars were extremely popular from the early ’60s until around 1966. The U.S. importer B&J fed the American need for electric guitars with several nice Kent models, but when the Guyatone contract ended, so did most of the Kent guitars. After that, Guyatone primarily sold guitars in Japan, so this example is a rare model in the U.S.
“Unless you are a master at guitar setups, this would be a difficult player.”
This headstock is either the ugliest or the coolest of the Guyatone designs. I can’t decide which. I will say, no other Japanese guitar company ever put out anything like this. You have to give the Guyatone designers a thumbs up for trying to stand out in the crowd! Guyatone decided to forgo an adjustable truss rod in this model, opting instead for a light alloy non-adjustable core to reinforce the neck. Speaking of the neck, this instrument features the most odd-feeling neck. It’s very thin but has a deep shoulder (if that makes any sense). Totally strange!
Another strange feature is the bridge, which offers very little adjustment because of the three large saddles, which sort of rock back and forth with the tremolo. It’s a shame because these pickups sound great! They’re very crisp and have plenty of zing, but unless you are a master at guitar set-ups, this would be a difficult player.
This could be why the LG-180T only appeared in the 1966 and 1967 catalogs. After that, it disappeared along with all the other Yamaha-made Guyatone electrics. By 1969, Guyatone had gone bankrupt for the first time, and thus ended guitar production for a few decades. At least we were blessed with some wacky guitar designs we can marvel at while remembering the days when you could play in the back end of an explosive 1973 AMC Gremlin while your mom raced around town. Two thumbs up for surviving our childhoods! PG
