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Quick Hit: Spector Timbre Review

Quick Hit: Spector Timbre Review

An acoustic bass guitar from Spector that marries sophisticated looks with a build designed for responsiveness.

When revered bass designer Stuart Spector went to work conceiving a new acoustic bass guitar, strength and responsiveness were at the front of his mind. In turn, the jumbo-sized Timbre is constructed with laminated mahogany for the back and sides, and Spector went with an offset-soundhole design and ladder bracing—rather than X-bracing—for the solid Sitka top. Outside of some minor scratches on and around our tester’s neck-joint bolts, the build quality was tight and clean from top to bottom.

Unplugged, the Timbre produced a clean, dry tone across the rosewood fretboard. It’s one of the louder acoustic bass guitars I’ve had my hands on in recent memory, and the sound projected well across my not-huge living room, but I was also on my own. As with other instruments in this category, you’ll be plugging in if you’re playing with others and want to be heard.

The Fishman Presys+ preamp is capable of wide-ranging tone shaping through its 3-band EQ and brilliance dial. Rich, earthy tones came forth with the Timbre plugged in, and I especially liked what I heard with the mids dialed down and the bass, treble, and brilliance set around 1 o’clock. The clean, woody sound had plenty of thump for walking bass lines along the Timbre’s comfy neck. If you’re after acoustic low-end tones without the heft and hassle of an upright and you like the idea of an acoustic bass guitar with an aesthetic different than most others, a Timbre tryout could be time well spent.

Test gear: Gallien-Krueger 800RB, Orange OBC212, Focusrite Scarlett 2i4

Recorded direct with Focusrite Scarlett 2i4 interface into GarageBand.
Clip 1 - Preamp settings: bass 2 o’clock, middle 11 o’clock, treble 2 o’clock, brilliance noon, phase off, notch at noon.

Ratings

Pros:
Good build. Top-notch electronics. Nice tones. Visually striking.

Cons:
A touch pricey compared to others in its class.

Street:
$699

Spector Timbre
spectorbass.com

Tones:

Ease of Use:

Build/Design:

Value:

Day 6 of Stompboxtober is here! Today’s prize? A pedal from Revv Amplification! Enter now and check back tomorrow for the next one!

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Beauty and sweet sonority elevate a simple-to-use, streamlined acoustic and vocal amplifier.

An EQ curve that trades accuracy for warmth. Easy-to-learn, simple-to-use controls. It’s pretty!

Still exhibits some classic acoustic-amplification problems, like brash, unforgiving midrange if you’re not careful.

$1,199

Taylor Circa 74
taylorguitars.com

4.5
4.5
4.5
4

Save for a few notable (usually expensive) exceptions, acoustic amplifiers are rarely beautiful in a way that matches the intrinsic loveliness of an acoustic flattop. I’ve certainly seen companies try—usually by using brown-colored vinyl to convey … earthiness? Don’t get me wrong, a lot of these amps sound great and even look okay. But the bar for aesthetics, in my admittedly snotty opinion, remains rather low. So, my hat’s off to Taylor for clearing that bar so decisively and with such style. The Circa 74 is, indeed, a pretty piece of work that’s forgiving to work with, ease to use, streamlined, and sharp.

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The evolution of Electro-Harmonix’s very first effect yields a powerful boost and equalization machine at a rock-bottom price.

A handy and versatile preamp/booster that goes well beyond the average basic booster’s range. Powerful EQ section.

Can sound a little harsh at more extreme EQ ranges.

$129

Electro-Harmonix LPB-3
ehx.com

4
4
4
4.5

Descended from the first Electro-Harmonix pedal ever released, the LPB-1 Linear Power Booster, the new LPB-3 has come a long way from the simple, one-knob unit in a folded-metal enclosure that plugged straight into your amplifier. Now living in Electro-Harmonix’s compact Nano chassis, the LPB-3 Linear Power Booster and EQ boasts six control knobs, two switches, and more gain than ever before.

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Photo by Artem Podrez: https://www.pexels.com/photo/a-person-holding-an-electric-guitar-6270138/

Intermediate

Intermediate

• Learn classic turnarounds.

• Add depth and interest to common progressions.

• Stretch out harmonically with hip substitutions.

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Get back to center in musical and ear-catching ways.

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