The BB Plus is a versatile, gimmick-free pedal
A while back I reviewed the AC Plus from Xotic Effects and was impressed enough to add it my pedalboard. I love the sound of an overdriven tube amp, but I also love the distinct timbre only my Tele’s single coils can deliver. Until I plugged into Xotic Effects, I didn’t think it was possible to love them both at the same time unless I bypassed the pedalboard altogether.
The AC Plus is without a doubt the most transparent, organic-sounding booster/overdrive I’ve ever used. It’s got a way of augmenting the sound I’ve worked hard to get from my gear without reducing its tonal complexity – and it’s so versatile it’s become the keystone of my stage rig.
Along comes the new BB Plus, and with it a whole new frontier of tone potential. The BB Plus is based on the famous BB preamp, which produces a more focused attack, a harmonically richer lead tone, and a tighter, more “singing” sustain. Slightly more aggressive, it adds meat and muscle to your signal, but still doesn’t force you to sacrifice tonal complexity for gain.
The thing that makes the folks at Xotic Effects seem more like alchemists than first-class effects producers, though, is the way they’ve managed to get around the dilemma most buyers face when searching for that “just right” addition to the signal chain: do you want something that sounds really great, or do you want something with genuine versatility? With the BB Plus you get both.
When I say it sounds really great, I mean sincerely superb! And you can set it up as two independent distortion effects, or use one channel for clean volume boost and the other as an overdrive/lead boost, or set one for distortion and use the other as a boost – whatever you like – and you can mix them together as you please. It’s like having a custom pedal on your board.
Just like the AC Plus, the BB Plus consists of two separate boost/preamp channels, each with its own volume and gain control. But the two channels are also stackable in either direction: B > A or A > B. The flexibility in cascading gain structures is seriously cool business, but with the addition of hard and soft compression settings and independent tone controls for each channel (single tone control for Channel A, and 3-band EQ for Channel B), there doesn’t seem to any particular flavor of overdrive or distortion that’s out of reach for this pedal. From clean boost and gritty blues to face-melting wail or fuzz mayhem: if you can imagine it, this pedal can produce it. And these tones are convincing, not just close approximations.
What’s really outstanding about the pedals in the Xotic Effects line is that they’re not the slightest bit gimmicky. Unlike a lot of products on the market now that are aimed at recreating a ‘vintage’ feel or imitating the sounds of a particular amp or a famous player, the flexibility of the BB Plus allows you the freedom to craft your own distinctive overdrive tone, or several of them. If you want a vintage Plexi feel, a Vox-y sizzle, creamy brown sound, tweedy crunch, or even just a very transparent volume boost, it’s all there – but you’re not limited to that.
Both channels are true bypass and independently switchable. Channel A, with the heart of the original BB preamp, has a rich, open sound that goes from clean to mean without losing complexity or clarity. Its single tone control works mostly on the mid and treble frequencies, so there’s not as much tonal versatility here as in the other channel, but it is remarkably transparent at every gain setting. The hard compression setting (button down) has a 500hz corner frequency for deeper bass, while the soft comp (button up), with its 1khz cutoff, creates tighter distortion with a brighter sustain. The difference between comp options is more pronounced at higher gain settings.
Channel B, with its 3-band EQ, offers greater tonal control, especially over low end. The controls themselves are highly interactive, offering a cornucopia of precise tonal flavors. You can create a signature tone for yourself, or recreate a recognizable classic when you’re sitting in with your favorite tribute band. It even does a very nice “scooped” tone, which is not usually something I go for. The compression option in this channel works much like the one in Channel A, but with a bit more gain and different corner frequencies (350hz for “hard” and 500hz for “soft”).
I found the versatility really helpful when I used the BB Plus in two different playing situations. Playing in a trio, I set up one channel for rhythm with a deeper low end and ramped up mids, and used the other channel as a lead boost with more focused bottom and crisper highs. This enabled me to cover a wider frequency range with my rhythm playing to make the trio sound fuller, without dramatically changing the tone when I boosted up for leads. Then, while playing along with an acoustic guitar and keyboard, I was able to tighten up the low frequencies and reign in the mids to avoid creating “boominess” in the overall sound. This left the other channel free for a super-clean boost when I needed to cut through the mix without blasting into overdrive.
Like the AC Plus, the BB Plus came with documentation offering a few example setups, including a persuasive pair of sixties-era British blues rock tones, but honestly it’s a lot more fun to find the sweet spots that work for your gear on your own, and it’s dead easy to do. And like its counterparts in the Xotic lineup, the BB plus will make even a dull amp sound warmer and more alive, and it will enhance any pickup selection without masking the characteristic colors of the different pickup settings.
While I’d recommend sticking with the super-transparent AC Plus if you’re mainly a single-coil player, the BB Plus will definitely put a deliciously rich, complex palette of tone options right at your feet at a price that won’t make you blush. While it might not be the last boost/overdrive pedal you ever buy, it will certainly be the last one you’ll ever think about selling.
Buy if...
you want top-notch tone and versatility in an attractive, sturdy, easy-to-use package
Skip if...
you’re tone deaf, or slightly daft
Rating...
MSRP $280 - Xotic Effects - prosoundcommunications.com |
Stompboxtober continues! Enter below for your chance to WIN today's featured pedal from LR Baggs: The Align Series Reverb! Come back each day during the month of October for more chances to win!
LR Baggs Align Reverb Acoustic Reverb Pedal
The Align Series Reverb was built from the ground up to complement the natural body dynamics and warmth of acoustic instruments that we love so much. The circuit seamlessly integrates the wet and dry signals with the effect in side chain so that it never overwhelms the original signal. We shaped the reverb with analog EQ to reflect the natural voice inherent in acoustic instruments. Additionally, the tone control adds versatility by sweeping from warm and muted to open and present. The result is an organic reverb that maintains the audiophile purity of the original signal with the controls set in any position.
A classic-voiced, 3-knob fuzz with power and tweakability that surpass its seemingly simple construction.
A classic-voiced, well-built fuzz whose sounds, power, and tweakability distinguish it from many other 3-knob dirt boxes.
None, although it’s a tad pricey.
$249
SoloDallas Orbiter
solodallas.com
You’ve probably seen me complain about the overpopulation of 3-knob fuzz/OD pedals in these pages—and then promptly write a rave review of some new triple-knobber. Well, I’m doing it again. SoloDallas’ Orbiter, inspired by the classic circuit of the 1966 Dallas Arbiter Fuzz Face, stings and sings like a germanium Muhammad Ali. Mine’s already moved to my pedalboard full-time, because it delivers over-the-top fuzz, and allows my core tones to emerge.
But it also generates smooth, light distortion that sustains beautifully when you use an easy touch, punches through a live mix with its impressive gain, and generates dirt voices from smooth to sputtering, via the bias dial. All of which means you can take gnarly fuzz forays without creating the aural mudslides less-well-engineered Fuzz Face spinoffs can produce.
“Fuzzy forays are gnarly as desired without sacrificing tonal character or creating the aural mudslides less wisely engineered Fuzz Face spinoffs can produce.”
The basics: The 4 3/4" x 2 1/2" x 1 1/2" blue-sparkle, steel enclosure is coolly retro, abetted by the image of a UFO abduction on the front—an allusion to the flying saucer shape of the original device. Inside, a mini-pot dials in ideal impedance response for your pickups. I played through single-coils, humbuckers, Firebird humbuckers, and gold-foils and found the factory setting excellent for all of them. There’s also a bias knob that increases voltage to the two germanium transistors when turned clockwise, yielding more clarity and smooth sustain as you go. Counterclockwise, the equally outstanding sputtering sounds come into play. For a 3-knob fuzz box it’s a tad costly, but for some players it might be the last stop in the search for holy grail Fuzz Face-style sounds.
MayFly’s Le Habanero Boost and Fuzz pedal, designed with input from Trevor May and Lucas Haneman, offers a wide range of tonal options from clean to scream. Responsive to player touch and guitar volume, stack the Boost and Fuzz for endless sustain and harmonics. Perfect for exploring your inner David Gilmour.
MayFly’s Trevor May and LH Express’ Lucas Haneman have been cooking upsomething real good. Le Habanero is a dual boost and fuzz pedal specifically designed to be very responsive tothe player’s picking hand and the guitar’s volume control. With Lucas’ input, the pedal was specifically tweakedto give a ton of tonal options, from clean to scream, by just using your fingers. It heats up your tone with a tastyboost, scorching lead tones with the fuzz, tantalizing tastes of extreme heat when boost and fuzz are combined.
The boost side is designed to ride the edge between clean and grit. Keep the drive below 12 o’clock for cleanboost but with active treble and bass controls, or push the gain for clear/clean sustain with great note definition.
The fuzz side is tuned to match the tonality of the boost side and offers a load of sustain and harmonics. The fuzz features a unique two-pole filter circuit and deep switch to help match it with single coils or humbuckers.
Stacking the Boost and Fuzz gives you even more. Want to explore your inner David Gilmour? Switch both onand turn up the volume! Want to switch to Little Wing? Turn the volume back down.
- Combination Boost and Fuzz pedal, designed to work well together.
- Very responsive to guitar volume and player’s touch.
- Use Boost and Fuzz independently, or stack them.
- Boost features Treble, Bass, Volume, and Drive controls.
- Fuzz features a two pole Tone filter, Deep switch, Fuzz and Volume controls.
- Stack them to create endless sustain and plenty of harmonics.
- Wide form factor for better footswitch control live.
- Full bypass using relays, with Mayfly’s Failsafe circuitry.
- Suggested Pairing: add a dash of Le Habanaro to spice up a MayFly Sunrise guitar amp simulator!
MAP price: $185
For more information, please visit mayflyaudio.com.
Introducing: the Mayfly Le Habanero!! - YouTube
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.Darkglass introduces the Luminal Booster Ultra for bass guitar, combining the Harmonic Booster with adjustable frequency range parallel compression, 6-band EQ, gain reduction meter, and 7 custom Impulse Responses. With versatile controls, including a +/- 20dB BOOST and CHARACTER selection, this pedal offers precision and unmatched tonal control for bass players.
Darkglass introduces the Luminal Booster Ultra for bass guitar. The Luminal Booster Ultra combines the rich tone of Darkglass’ Harmonic Booster with the unmatched control of an adjustable frequency range parallel compression, 6-band EQ, gain reduction meter, and the choice to load seven custom Impulse Responses via USB.
The layout of the pedal is straight forward. Across the top, from left to right, is an adjustable lowpass FILTER knob for the compressed signal, a COMP knob to adjust the amount of compression applied, a BLEND knob to blend between the clean and compressed signal, and LEVEL knob to adjust the level of the compressor after the blend control. Added controls include a +/- 20dB BOOST, a CHARACTER control to allow selection between seven Impulse Responses, a MID GAIN +/- 20dB, and MID FREQUENCY from 250Hz to 2.5kHz.
The 6-band EQ uses faders for precision control. The bass Low shelf is +/- 13dB at 80Hz, the mid bands are +/- 13dB at 250Hz, 500Hz, 1.5kHz, and 3kHz. The treble is a high shelf of +/- 13dB at 5 kHz. The EQ is flanked by a MASTER fader of +/- 12dB to set the overall volume of the unit.
Input and outputs provide a player with maximum versatility. Traditional ¼” input and outputs are complimented by and 3.5mm AUX IN for practicing with backing tracks via a smartphone or laptop, a stereo headphone out, a balanced XLR direct out, USB C to connect to PC/Mac to utilizing the desktop version of the Darkglass Suite of available Impulses Responses or custom / third party impulses, and a 9V DC adapter input. A ground lift and Cab Sim round out the feature of the unit.
"This marks our entry into new sonic territories, in our search to connect with jazz and clean-tone bass players on a deeper level,” says Marcos Barilatti, Managing Director of Darkglass Electronics. “With the Luminal Booster Ultra, we've created the ultimate tool for bass players across all genres, delivering precision, versatility, and unmatched tonal control.”
Street Price is $499
For more information, please visit darkglass.com.