february 2009

Designed by Klaus Voorman (Beatles Revolver cover) and sporting eight strings, the Vootar is unlike any we''ve ever seen.

Last month we displayed our love and admiration for double-neck guitars… er, harps. This month we scale things back and return to a single-neck instrument but keep peculiarity at a high. While the Cassandra Elk Designs Vootar does have only one neck, it’s far from ordinary. The Vootar is half bass, half guitar and all German design and craftsmanship. It’s a combination of famed artist, musician and producer Klaus Voorman’s eye for design (he also designed the Beatles’ Revolver cover) and luthier Stuart Malcolm Bilcock’s ability to transform Voorman’s idea from pen and paper to bass and guitar.

The Vootar comes loaded with eight strings (top four are bass and bottom four are guitar), six pickups and two stereo inputs, so you can play bass and guitar at the same time. The front pickup responds to all eight strings. The middle and rear pickups separate the two sets of instrument strings so they can be activated with mini-switches in three different positions. All the pickups except the neck are custom-made and handwound by Harry Häusel of Häusel Pickups, and the guitar features custom-made ETS single bridges. The neck and body are made of Brazilian cedar.

By using a stereo output, you can play the Vootar through a guitar and bass amp separately. “This instrument is particularly useful for when you play in a small band,” says Klaus Voorman. “You can accompany the guitarist with bass and rhythm guitar whilst the drummer is freaking out.” There are currently only three Vootars in existence: one is owned by Klaus Voorman, another by Sir Paul McCartney, and the third (shown here) is at Redbone Guitar Boutique in San Antonio, TX.

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Photo 1

All photos courtesy SINGLECOIL (www.singlecoil.com)

We're getting close to the end of our journey. We've aged most of the metal parts on our project guitar, so now let's take care of the output jack, knobs, back plate, and pickguard.

Hello and welcome back to Mod Garage. This month, we'll continue with the aging process of our Harley Benton DC-Junior project guitar (which is a copy of a 1958 Les Paul Junior Double Cut), taking a closer look at the pickguard while aging the rest of the hardware discussed in the last part of this series ["DIY Relic'ing: Harley Benton DC-Junior Electronics"]. If you need a refresher on our aging process for hardware, refer back to "DIY Relic'ing: Break the Shine" for guidance. You can see the parts we'll be discussing today in their "finished" form, aka relic'd, in Photo 1.

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