july 2013

Stop wondering whether your tone is as “good” as Bonamassa’s or Eddie’s or Joe Pass’ or whoever’s.


If you spend any amount of time on a computer, mobile phone, or tablet thingy these days, chances are you’re inundated with links to videos of someone doing something amazing or face-slappingly unexpected. As awesome as it can be to waste time on these things, in this ol’ bastard’s opinion there are also downsides.

Don’t get me wrong—I’m not saying I don’t dig a lot of the crap digital circuits enable us to do. But sometimes it’s worth stopping to think a little deeper about how they affect us. To me, one of the biggest downsides of technology’s instant gratification is that it exponentially increases our already unhealthy tendencies to see the “best” of what’s out there in the world—whether it’s music, sports, or whatever—and then immediately measure our own worth relative to it.

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How jangle, glam, punk, shoegaze, and more blended to create a worldwide phenomenon. Just don’t forget your tambourine.

Intermediate

Beginner

  • Learn genre-defining elements of Britpop guitar.
  • Use the various elements to create your own Britpop songs.
  • Discover how “borrowing” from the best can enrich your own playing.
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When considering the many bands that fall under the term “Britpop”–Oasis, Blur, Suede, Elastica, Radiohead’s early work, and more–it’s clear that the genre is more an attitude than a specific musical style. Still, there are a few guitar techniques and approaches that abound in the genre, many of which have been “borrowed” (the British music press’ friendly way of saying “appropriated”) from earlier British bands of the 1960s, ’70s, and ’80s.

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John 5 on How He Gets Old-School Tones from His Metal-Friendly Tele | The Big 5

Plus, find out which guitar hero the Rob Zombie sideman “begs and pleads” with you to listen to.

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