Dream Theater’s twin shred deities—guitarist John Petrucci and bassist John Myung—discuss the hoopla over founding drummer Mike Portnoy’s departure, their tendon-thrashing hand workouts, and the recording of their latest epic, A Dramatic Turn of Events.
Chris Welch takes us on a visual tour through every aspect of the blues god’s long career and unearths some rare photographs and memorabilia that will make even the most jaded Slowhand aficionados take notice.
Made in Japan, the guitar features all the custom appointments that differentiated Harrison’s guitar from other Duo Jets of the late ’50s and early ’60s.
The Brit school is a bit more of a mix of major and minor blues scales, as opposed to the straight minor blues sound that’s associated with Texas blues.
While the DV40 pumps out tones that run a wide gamut, it regularly—and impressively—evoked at least four of my favorite tones: a 1980s Jim Kelley combo, Ty Tabor’s Gretchen Goes to Nebraska tones, Sheer Heart Attack-era Brian May saturation and sustain, and the sounds of a cranked ’70s Orange OR120.
