Revv was looking to create an amp that sits between their Generator 120 and the G20. The result was this feature-packed G50. It’s a 3-channel monster that includes many of the features found in the 120, but at a more affordable price. It dropped today for $2,099.
Need big-time tones without the heft? Here's a good place to start.
It's no longer necessary to break your back lugging around a huge, heavy amp just to get your high-gain fix. This collection features lunchbox-sized heads that offer a wealth of big-time features in handy and portable packages.
Orange Dual Terror
Packed with two individual Tiny Terror circuits, this 30-watt outfit is loaded with EL84 tubes, individual tone, volume, and gain controls, and a half-power mode. Around back you have a switch that allows you to move between using 2 or 4 power tubes.
Based on the famed circuit that was favored by Adam Jones and James Hetfield, this mini-sized version packs 30 watts. Naturally, it includes Diezel's popular deep and presence controls, along with an effects loop.
The flagship feature of this lunchbox amp is the built-in Two notes technology that allows you to use a variety of different virtual cabs, mics, and effects–and even load your own! The 2-channel 6V6 setup features a 3-band EQ plus aggression and wide voice switches to give added dimension to your tone.
Bogner Ecstasy Mini
A pint-sized version of, arguably, the company's most beloved model. In addition to the 3-band EQ, volume, gain, and presence controls, this 30-watt monster features a switchable variac control. A trio of switches also affects the gain, mid frequencies, and post-EQ options.
The famed purveyors of British-style crunch offer a mini 1-watt amp that punches well above its weight class. It comes loaded with onboard reverb, classic gain and ultra gain channels, line output with cab emulation, and two different power modes.
EVH 5150III LBXII
King Edward's arena-sized tone from the green and blue channels of the company's flagship amp have been squeezed into this 15-watt package. Both channels share a 3-band EQ but have individual gain and volume controls.
MESA/Boogie Mini Rectifier 25
The sound of '90s metal becomes way more portable with this EL84-based, 2-channel/4-mode monster. Each footswitchable channel has independent controls, power scaling, and a shared buffered effects loop.
PRS Mark Tremonti MT15
Designed in conjunction with one of modern rock's biggest gearheads, this 15-watt head houses two channels (clean and dirty) and is powered by a set of JJ 5881 tubes. Each channel has individual EQ controls, while the dirty side includes a built-in boost.
Peavey 6505 MH
The company's flagship metal machine carries on with this mini version that features an all-tube preamp and power amp. It can scale between 20 watts and 1 watt and can also record direct via USB or feed FOH with a cab-simulated output.
The latest iteration of the British company's mini head offers digital reverb, direct out with cab emulation, USB, effects loop, and an aux input. The 5-watt package can scale down to .5 watts in addition to independent voices for both the clean and overdrive channels.
A backwards Strat, a radical Jetsons-y guitar, Def Leppard's secret weapon, and more pedals than currently listed on Reverb fill this YouTuber's tone lounge.
He's played with Santana, Stevie Wonder, and a host of other greats, and his lessons and demos on YouTube have garnered more than 15-million views—so there's a good chance you already know this Nashville-based guitarist.
Now, take a look inside his studio and eyeball an impressive armada of guitars, amps, and effects with PG's John Bohlinger.
[Brought to you by D'Addario XPND Pedalboard: https://www.daddario.com/XPNDRR]
(Ronquillo has a lot of 6-strings, but we narrowed down this Rundown to a few favorites that do most of the heavy lifting.)
Pretty in Pink
This Nash S-81 features an EMG SL20 Pro Series Steve Lukather signature set of pickups, and it's strung with a D'Addario NYXL .010–.046 set.
This is one of Nashville builder Jeff Senn's Fullerton S-styles, with Lollar pickups, a Vega-Trem tremolo, and a set of D'Addario NYXL .010–.046s.
In for the Pun
Yes, Senn thinks this is funny, too.
Bet on the Knaggs
Here's a Doug Rappaport signature Knaggs Kenai DR, featuring a Seymour Duncan Slash neck pickup and a Duncan Custom Shop '78 in the bridge. Ronquillo added a String Butler tuning stabilizer. Once again: D'Addario NYXLs, .010–.046.
This Novo Custom Serus J features a one-of-a-kind "Ron-Tealio" finish with Brandonwound P-90s. Same D'Addario NYXLs. Cool speed dials and whammy bar tip, yes?
S-Style with a Twist
And now for something completely different, here's an RS Guitarworks Twisted. The guitar has an alder body and a rosewood neck, with Fralin Woodstock pickups. RJ uses a Stringjoy Hendrix set: .010, .013, .015, .026, .032, and .038. The lighter G string supposedly provides a more balanced tone.
Make Way for Junior
Here's another axe with history in its genes: a Grez Mendocino Junior. In classic Junior form, it has a 1-piece body, but it is made from reclaimed old-growth redwood. The neck is solid Honduran mahogany with a Macassar ebony fretboard. The pickup is a dog ear Wolftone MeanerP90. This one sports RJ's usual D'Addario NYXLs.
A Barney—Not the Purple One
This cherry sunburst 1964 Gibson Barney Kessel Custom is all stock, replete with bow-tie inlays and elegant binding. For a bit more beef, it's strung with Thomastik-Infeld George Benson strings: .012, .016, .020w, .028, .039, and .053. Note the cool badge at the bottom of the tailpiece.
RJ has a lot of amps, so we narrowed it down to those in "Tonehenge," the part of his studio that houses his amplifiers that are in current heavy rotation.
Want classic American amp tone? Here's your pony. This 35W head uses two 5881 power tubes, two 12AV7s, and a GZ34 rectifier.
This Pete Thorn signature has three channels, an effects loop, four EL-34 power tubes, six 12AX7 preamp tubes, and is set up for MIDI control.
This Friedman Twin Sister uses 40 watts to go for classic British tone. It's inspired by the Marshall JTM 45. Each channel has a bright switch and a 3-position gain switch, and there are two 5881s and five 12AX7s lurking inside.
Sultan of String
With a nod to Howard Dumble, here's Amplified Nation's Steel String Sultan—a 25 watt version of this custom build. As you'd expect, the Boston-area company has packed it chock full of top-of-the-line components, including orange drop and NTE caps, and Classic Tone and Heyboer transformers.
White Box of Rock
Helping Ronquillo have even more options when it comes to recording and routing, he employs this Two Notes Torpedo Captor X Stereo Reactive Load Box.
The Chains We Forge in Tone
RJ is a pedal guy. His rig flows through a series of boards, but the signal from his guitar firsts lands here, at a JAM Pedals Wahcko wah and a Sabbadius Funky-Vibe Fillmore East edition.
Like a Peach
From there, the signal hits his "Fuzz Board," which includes a One Control Iguana Tail Loop 2 switcher feeding a King Tone MiniFuzz germanium, a Wes Jeans Texas Fuzz silicon fuzz face clone, an Expresso FX Fuzz Bender Mk 1, a Wren and Cuff Small Foot Box of War muff-style, a J.Rockett .45 Caliber overdrive, and an MXR CAE buffer.
Switch It Up
Since there are three more pedalboards in RJ's setup, this Boss ES-5 Switcher is sensible
The Main Vein
A lot goes down here. When that Boss switcher sends the guitar signal this way, it encounters a Peterson StroboStomp HD tuner, a DigiTech Drop, a DryBell Unit 67 EQ/boost/comp, a King Tone Octaland mini octave pedal, an AnalogMan Sun Face, a Pogo Pedals Zen Ray overdrive, a Nobels ODR-1, his signature Mythos Susmaryosep! boost/overdrive/echo, an LPD Eighty 7 distortion, a Vertex Boost, a Roland EV-5 expression pedal, a GFI Synesthesia multi-modulator, JAM's Harmonius Monk tremolo, and a Boss FRV-1 '63 Fender Reverb.
Currently to the right of the main board, these: a Voodoo Lab Micro Vibe, Fulltone's Ultimate Octave, a King Tone Duellist dual overdrive, MXR's FET Driver, and a LPD Seventy4 overdrive.
But Wait, There's More
You ain't seen nuthin' yet. Okay, you've seen a lot. But there's also, to the left of the main board: a Mythos High Road mini fuzz, a Beetronics Vezzpa Octave Stinger Fuzz, a Cornerstone Gladio dual overdrive. a Vertex Ultra Phonix Overdrive, and a Vertex Ultra Phonix HRM overdrive. He uses Truetone, Cioks, and T-Rex power supplies.
And Even More!!
Another board is home to four filthy boxes—a Metropoulos Supa Boost, Hudson Electronics Broadcast-AP preamp (Ariel Posen signature), Lovepedal Tchula Boost, and an Analogman Beano Boost.