Producer Ken Scott works hard at the mixing board circa 1968 while working on the Beatles’ White Album at Abbey Road Studios. Photo courtesy of Ken Scott It almost
Besides playing on so many sessions and hits that they called him “Mr. 2500,” Cornell Dupree was a favorite of major-label producers and superstars alike because he could come in and lay down tight, soulful tracks for Aretha Franklin, and then show up the next day to hit a home run for Paul Simon or Miles Davis.
In the first of our two-part interview, producer Ken Scott tells stories from inside the studio with the Beatles, and shares his approach to mic''ing guitars and drums.
