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Hooked: Does It Doom?'s Steve Reis on Black Sabbath's "Black Sabbath"

Does It Doom?'s Steve Reis on Black Sabbath's "Black Sabbath" | Hooked

The envoy of evil honors Tony Iommi's ominous opening odyssey that is a foreboding fight between light and dark that ultimately sparked several subgenres of metal.


Steve Reis's Does It Doom? website features guitar lessons and gear demos in the stoner, doom, and sludge metal genres.

On his YouTube channel you will find weekly breakdowns of your favorite stoner, doom, and sludge metal songs; demos of badass doom gear; and the occasional dip into music theory and other guitar related items. His passion is to help you learn and understand songs by your favorite doom metal artists in hopes that it will leave you with a better understanding of the genre as a whole, and a greater ability to write killer songs of your own.

The Return of Johnny Cash—John Carter Cash Interview
The Return of Johnny Cash—John Carter Cash Interview on Johnny’s New Songwriter Album

The Man in Black returns with the unreleased Songwriter album. John Carter Cash tells us the story.

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This 1968 Epiphone Al Caiola Standard came stocked with P-90s and a 5-switch Tone Expressor system.

Photo courtesy of Guitar Point (guitarpoint.de)

Photo courtesy of Guitar Point (guitarpoint.de)

The session ace’s signature model offers a wide range of tones at the flip of a switch … or five.

Hello and welcome back to Mod Garage. Not long ago, I came home late from a band rehearsal, still overly excited about the new songs we played. I got myself a coffee (I know, it's a crazy procedure to calm down) and turned on the TV. I ended up with an old Bonanza episode from the ’60s, the mother of all Western TV series. Hearing the theme after a long time instantly reminded me of the great Al Caiola, who is the prolific session guitarist who plays on the song. With him in mind, I looked up the ’60s Epiphone “Al Caiola” model and decided I want to talk about the Epiphone/Gibson Tone Expressor system that was used in this guitar.

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Slinky playability, snappy sounds, and elegant, comfortable proportions distinguish an affordable 0-bodied flattop.

Satisfying, slinky playability. Nice string-to-string balance. Beautiful, comfortable proportions.

Cocobolo-patterned HPL back looks plasticky.

$699

Martin 0-X2E
martinguitar.com

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Embracing the idea of an acoustic flattop made with anything other than wood can, understandably, be tricky stuff. There’s a lot of precedent for excellent-sounding acoustics built with alternative materials, though. Carbon-fiber flattops can sound amazing and I’ve been hooked by the sound and playability of Ovation and Adamas instruments many times.

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The GibsonES Supreme Collection (L-R) in Seafoam Green, Bourbon Burst, and Blueberry Burst.

The new Gibson ES Supreme offers AAA-grade figured maple tops, Super Split Block inlays, push/pull volume controls, and Burstbucker pickups.

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