Walrus Audio Fundamental Series Distortion
- Controls: Gain, Tone, Volume
- Modes: Dark, Silicon, LED
- Power Requirements: 100mA minimum
Positive Grid Spark Mini 10W Portable Smart Guitar Amp & Bluetooth Speaker
- Portable guitar amp & Bluetooth speaker with powerful, multi-dimensional sound. Rechargeable battery delivers up to 8 hrs of listening or play time.
- Free accompanying smart app included (iOS or Android) with Auto Chords, video creation & access to 50,000+ tones and more for never-ending inspiration.
- A mini guitar amp that jams along with you: All-new Smart Jam Live uses machine learning technology to build bass and drum backing tracks based on your playing style.
D'Addario Guitar Strings - XL Nickel Electric Guitar Strings - 10-46 Regular Light, 5-Pack
- BESTSELLING SET – XL Nickel are our best-selling electric guitar strings, revered by players since 1974.
- VERSATILE, BRIGHT TONE – Nickel-plated steel wrap wire provides a bright, versatile electric guitar tone, great for a variety of musical genres.
- FOR THE ULTIMATE PERFORMANCE – Like all D’Addario electric guitar strings, XL Nickel are made with our proprietary Hex-Core, ensuring perfect intonation, consistent feel, and reliable durability.
Fender Squier 3/4-Size Kids Mini Strat Electric Guitar - Surf Green Bundle
- 3/4-size body; 22.75" scale length
- Ideal size for children ages 6 to 12 years
- Three single-coil Stratocaster pickups with five-way switching, and vintage-style hardtail Stratocaster bridge
- Bundle includes Guitar, Amplifier, Instrument Cable, Tuner, Strap, Picks, Fender Play Online Lessons, and Austin Bazaar Instructional DVD
Dunlop MXR Micro Chorus
- All analog circuitry with bucket brigade technology
- Rich chorus textures
- True bypass
Fender Dreadnought Acoustic Guitar - Sunburst Bundle
- This guitar also features scalloped "X"-bracing, mahogany neck.
- It features a durable dark-stained maple fingerboard to give you an instrument that looks as good as it sounds.
- With its slim, easy-to-play neck and full-bodied dreadnought tone, the SA-150 is an ideal choice for all rookie strummers.
STRICH TSUNAMI Overdrive
- WARM & HOT OVERDRIVE MODES: Easily switch between warm and hot overdrive tones. Warm mode delivers rich, bluesy overdrive, while Hot mode offers more aggressive drive.
- PRECISE CONTROL: Dial in your perfect sound with VOL, GAIN, and TONE knobs for volume, distortion level, and tone
- COMPACT & PRACTICAL: Utilizes an aluminum alloy sturdy, tough, and stable casing. The compact cigar-box design saves pedalboard space and facilitates portability for performances.
Fender Professional Series Tweed Instrument Cable, Daphne Blue, 18.6ft
- 8mm outer diameter wire jacket
- 22 AWG
- 95% OFC spiral shielding
- Nickel-plated connectors
Sennheiser Professional e 609 Silver Super-Cardioid Instrument Microphone
MOOER GE100 Multi-Effects Guitar Pedal
72PCS Guitar Tool Kit
- 【Multifunctional Use】Available for changing strings, setting intonation, adjusting action or checking string height, perfect for stringed instrument cleaning, maintenance and repair.Dedicated to the most common guitar repairs and adjustments.
- 【Widely Application Area】72 Pcs tool set is a superb choice for most guitar repairs.Ideal for electric guitars, basses, mandolins, banjos, Hawaiian ukuleles, and other stringed instruments for necessary measurements and adjustments.
- 【Tool Bag Included】 Assortment of necessary tools are in one bag. We not only provide a large package, we also provide each accessory with a small individual package. You can protect and store these tools well to prevent loss and mess.
LAVA ME AIR Portable Carbon Fiber Electric-Acoustic Guitar, Travel Guitar for Beginners
- htweight at 4.3 lb, thin and portable
- Capable magnetic pickup, clear sound & low feedback
- Customizable digital knobs and presets
Features
- Monitor Correction powered by Sonarworks* - Apollo X users can now import Sonarworks SoundID correction profiles directly to ApolloDSP to precisely calibrate their monitors, headphones, and room in real-time for consistent mixes and masters. Available Q4 2024 for Apollo X Gen 1 and Gen 2.
- Assistive Auto-Gain - Fast, one-click level setting across all input channels, including Unison mic preamp emulations from API, Neve, and SSL.
- Subwoofer Bass Management - Add a subwoofer for full-range stereo and surround monitoring, featuring trim, mute, solo, and crossover controls per speaker.
- Alt Monitoring for Surround Modes - New modes for alternate monitoring allow immersive users to easily switch between immersive and stereo monitoring setups.
- Plug-In Scenes - Perfect for using Apollo onstage, Apollo users can instantly change plug-in settings across multiple UAD Console channels manually or via MIDI.
- Gen 2 Thunderbolt rackmount and desktop audio interfaces with HEXA, QUAD, DUO Core DSP plug-in processing
- Elite-class Apollo X | Gen 2 converters with 24-bit / 192 kHz resolution
- Enhanced D/A for critical monitoring and playback with the widest dynamic range and lowest distortion of any Apollo
- Unison mic preamps, Hi-Z instrument inputs, optical Toslink I/O (ADAT or S/PDIF), AESI/O and Dante I/O on select models
- Updated UAD Console app featuring Monitor Correction powered by Sonarworks,*Assistive Auto-Gain, Subwoofer Bass Management, Plug-in Scenes, and more
- Fully-featured monitor controller with alternate speaker switching and integrated talkback for easy communication with talent
- ALT monitoring support in all monitor modes (2 x ALT mon for stereo, 1 x ALT mon for immersive)
- Onboard DSP supports over 200 UAD plug-ins via VST, AU, and AAX 64 formats in all major DAWs
- Includes up to 100+ UAD plug-ins with Essentials+, Studio+ or Ultimate+ Editions
- Compatible with LUNA, Logic Pro, Pro Tools, Cubase, Ableton Live, and more
- Expandable with Thunderbolt Apollo interfaces or select models over Dante
- Free industry-leading technical support from knowledgeable audio engineers
For more information, please visit uaudio.com.
"We believe that the very best audio tools can 'disappear,' and feel like they are simply a part of the creative process," said Bill Putnam, UA founder and CEO. "The new Apollo X interfaces are about pushing that concept further — bringing the best of analog and digital sounds together in a way that's both inspiring and seamless, to let your music take center stage."
Epiphone Firebird I
When Gibson debuted the Firebird I and Firebird V in 1963, the design was as innovative as it was radical. Like the Flying V and Explorer, the Firebird seemed Martian—or at least like a work of futurist art, with its offset body shape, extended lower and upper bouts, reverse headstock, and through-body neck.
Firebirds came in three versions: The single-pickup Firebird I, the two-humbucker Firebird V, and the three-pickup Firebird VII, with the latter two featuring a Vibrola tailpiece, trapezoid inlays, and neck binding. The first time I saw a Firebird in action, it was in the hands of Johnny Winter, who gave no quarter as he ripped conflagrant solos from its fretboard, but Brian Jones, Clapton, Allen Collins, Paul Stanley, and Phil Manzanera also helped make the model a legend. Original ’60s Firebird V’s sell for as much as $35,000, and reissues peak at nearly $10,000 for the Gibson Custom Shop’s ’63 Firebird V. That’s a lot of dough to look badass on stage. But now, Epiphone—in collaboration with Gibson’s Custom Shop—has taken high-quality reissues of the 1963 Firebird I and V into a more affordable realm. They’re still pricey for an Epi’, at $1,299 and $1,699, respectively, but undeniably brimming with panache.
“I was surprised by how sweet and heavy Gibson’s Firebird Mini Humbuckers sound. There is nothing mini about their tone.”
An’ a I, an’ a V
Our review Firebirds arrived impeccably set up, with action low enough for speed, but high enough for slide—my comfort zone, coincidentally. They are handsome guitars too. The I is finished in gleaming cherry, while the V is decked out in vintage sunburst and a shiny Vibrola tailpiece.
The necks are the not-so-secret weapons on these models. They are 9-ply mahogany and walnut (original Firebirds have a 5-ply neck), sandwiched between mahogany wings, but both guitars are still fairly light. The I is 7 1/2 pounds and the V weighs about 9 pounds due to the additional pickup and bridge hardware. There are 22 comfortable, medium-jumbo frets, which allow easy navigation and elegant bends, a Graph Tech nut, dot neck inlays on the I and trapezoids on the V, a classic Gibson-scale neck length of 24 3/4", and an Indian laurel fretboard. The banjo-style Kluson Planetary tuners, as well as the reverse headstock, take time to get to use to, but contribute to the instruments sleek, clean lines. The Firebird I’s electronics are simply a master volume and tone, with CTS pots and Mallory caps inside, in service of a warm-to-cutting single alnico 5 Gibson USA Firebird Mini Humbucker. The V offers more ways to shape your tone: The Vibrola is cool and vibey and there’s a classic four-dial Gibson control set (also routed through Mallory caps and CTS pots), a 3-way pickup switch on the lower bout, and a pair of those Gibson USA Firebird Mini Humbuckers.
Epiphone Firebird V
Trial by Firebird
I was sure I would prefer the Firebird V playing experience, because I am typically a neck-pickup player, but both guitars revealed sonic charms through Carr Vincent and Telstar amps running in stereo, my vintage Marshall Super Lead, and a Positive Grid Spark.
Low-action setups on both accommodate everything from campfire chords to screaming single-note playing past the 12th fret, with the perfectly smooth fret ends and comfortable neck making it all a pleasure. The neck broadens to 2 1/4" at the body, from 1 3/4" at the nut, making it easy to hit high notes accurately. But what really excited me, besides how artful these guitars look, is the power and sound of the pickups.
I was surprised by how sweet and heavy Gibson’s Firebird Mini Humbuckers sound. There is nothing mini about their tone, whether slashing and growling through the Marshall or pouring thick honey out of the Carrs. And through the Spark, a highly pleasing snarl and juicy warmth were all on tap. Despite my predilection for neck pickups, I became really excited by the Firebird I. The simplicity and elegance of its look, streamlined controls, clean surface, and light weight made the I a joy to play, especially with the treble rolled to near-zero. There, early Clapton-esque tone was a cinch to find, and for blues and pseudo-jazz-licks (the best I can muster in that genre), the warmth and clarity were delightful. Despite its basic construction, the Epiphone Firebird I is assuredly more than a rock machine.
Sure, having the addition of a neck pickup on the Firebird V provides a wider selection of tones, but the voices achievable on the I were no less winning and, honestly, I could not find any pickup-and-dial configuration on the V that sounded all that different or better than those available on the I. But, ah, a Vibrola is a very nice appointment—not just for its grand appearance, which is like some antiquarian treasure, but for the subtle bends its enables. If atmospheric guitar tones from the Ventures to Hermanos Gutiérrez are your passion, you’d want the Vibrola, which stays remarkably in tune, given its relatively primitive design.
The Verdict
Make no mistake: With their uncommonly proportioned offset bodies and reverse headstocks, guitars like the Epiphone Firebird I and V require time to get acquainted. But if you’re unafraid to stand out from the crowd, these instruments will serve you visually and sonically. Both play well and offer a good scope of vintage tones—from aggressive to dark maple sugar—with simple dial adjustments. And while many other Epiphone models sell for less, these well-crafted copies of original Gibson designs provide custom-shop or boutique-builder quality at a much lower price. PG
