Check here for some of the latest and greatest acoustics in 2022!
Natura G550RCEL
Left-Handed Guitarists: mid-priced acoustic-electric with an Ergonomic Armrest seeking partner to make beautiful music.
“Wow, the armrest really helps keep from cutting off blood circulation when I’m practicing and feels like I’m playing a smaller instrument. Responds nicely both to some intimate playing, and has nice character when you hit it a little hard; it responds with a good full low end and is still crisp and clear.” ~ Sean Harkness, NYC
The NATURA G550RCEL is a Left-handed acoustic-electric featuring an Ergonomic Armrest for comfort. The G550RCEL is a solid Spruce top Grand Auditorium Cutaway with weight reducing Low-Mass bracing. It has a voice that is focused and harmonically complex and suitable for left-handed players looking for the volume of a full-sized instrument and the comfort of a smaller body. A Glass-fibre reinforced neck ensures a lifetime of neck stability.
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Elite Series Hanging Guitar Stand
We love metal at Gator – both the head-banging and physical types. While our metal stands are great for the stage and studio, they don’t always blend into their environment. Sometimes you need something more elegant and adaptable to the overall vibe of
your living room or studio furniture, which is exactly what the Elite Guitar Hanging Stands by Gator Frameworks provide – simplicity with an aesthetic to match any home or studio décor. These stands satisfy all types of players by providing a comfortable fit for most electric, bass and acoustic guitars. Show off your collection with style!
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BiX Instrument Preamp, EQ and DI
The Grace Design BiX preamp shares the exact same DNA of its bigger siblings, FELiX2 and ALiX, but with an intelligently streamlined feature set and a price that puts it in reach of any performer, whether on your way to the coffee shop or the Megadome. BiX delivers maximum clarity and detail for any plugged in instrument, with dead simple controls – input gain, high and low shelving EQ, and a 10dB variable boost circuit, with footswitches for mute and boost. I/O includes instrument input, separate send and return insert jacks, an unbalanced line output, and a balanced ISO DI output on XLR. And BiX is pedalboard friendly, with a 9VDC power input and a compact, rugged low-profile chassis. Visit www.gracedesign.com for complete details.
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Theo Katzman plays with a fluency and fire that makes this guitarist, producer, singer, and songwriter an MVP of modern, funk-fueled rock and pop. At a recent gig at Nashville’s Brooklyn Bowl outpost, Katzman—who’s also a member of the formidable Vulfpeck collective—invited PG’s Rig Rundown team to soundcheck, to see the gear that makes his tone sing. And Katzman’s tech, Nick “Turk” Nagurka, provided assistance.
Brought to you by D’Addario XS Strings.
Stripped Strat
Theo Katzman’s No. 1 is a Fender 1962 reissue that he’s had since he was 16. He stripped the Strat’s finish down to the bare wood, and then added an Ilitch Back Plate Hum Canceling system, which takes the noise out of the stock single-coil pickups. The Strat stays strung with D’Addario NYXL .010 sets. When Katzman plays with a pick, he uses Strum-N-Comfort SNC-ST/EXH/6 Sharktooth 1.5 mm Heavy Pearl Celluloids.
Hole-y Moley!
Katzman’s Tele is an $800 parts guitar with TV Jones pickups that he purchased on Reverb. It lives in open Eb and also has D’Addario NYXL .010s.
Black Hat Strat
This Japan-built ’62 reissue Strat has an oddball headstock, with what looks like black epoxy or resin covering most of what’s at the top of its Mike Cornwall neck. It’s tuned in open D and is used primarily for slide. The stings? Yep, D’Addario NYXL .010s.
Princeton Grad
Katzman uses two amps, sending a dry signal to his Benson Nathan Junior and a wet signal to his 1968 Fender Princeton Reverb loaded with a Celestion Greenback 12. Both amps face 90 degrees offstage, to prevent hitting the front row with a laser beam of awesome. The Princeton gets a Beyerdynamic M88, which complements the punchy midrange of the amp with a healthy proximity effect and rounds the top end out a bit.
Benson, Benson, Benson
The Benson has a bit more grind and a more controlled tone. He uses a Sennheiser 906 for a dry, clear sound with minimal proximity effect. Both amps feed into the in-ear-monitor mix, hard panned left and right. Since there’s some degree of modulation from the pedalboard, that helps Katzman enjoy a sense of space in his sound. The front-of-house mix typically uses the Benson, too, since it has a more refined sound.
Theo Katzman's Pedalboard
“I’ve played Telecasters my whole life and getting to design my own is a dream come true,” said John 5. “When it came to design, I was inspired by some of Fender’s previous collaborations, but sought to create a model that would be both visually stunning and comfortable to play. Fender helped me design a Telecaster that was different from anything else on the market and the easy-to-play all-white fretboard and unique pickguard is proof of that. The leather strap and cable match the guitar’s white aesthetic and the pick visuals are absolutely killer!”
Introducing the John 5 Ghost Telecaster. It features a top-bound alder body and 1-piece maple neck finished in an enchanting Arctic White gloss and accented by striking red appointments and a gleaming mirrored pickguard/control plate.
Along with the Telecaster, John 5 wanted to give something extra to fans, which has come to life in his signature collection of accessories. The accessories collection includes a white leather strap with red suede backing, a 10’ cable in artic white with custom molded red ends and a six-pack of 351 celluloid picks featuring John 5’s logo and graphics as twisted as his Telecaster playing.
“Over the span of his career, John 5 has shown that his guitar skills know no bounds in terms of genre or sound,” said Justin Norvell, EVP of Product at FMIC. “The Ghost Telecaster® is a celebration of his iconic style, with a killswitch that allows rapid-fire stutter effects and a chrome pickguard that completes the stunning look of this guitar. Beyond that, the signature capsule collection allows John 5 to give fans something that celebrates the whole visual experience of his artistry, not just his inventive guitar playing.”
John 5, now guitarist for Mötley Crüe, started his career as a session player before establishing himself as the ax-man for hard rock heavyweights including David Lee Roth and Rob Zombie. For almost three decades, John 5 has become one of the most in-demand guitar players on the planet, having worked with an impressive array of talent from across the industry. An eternal student of music, John 5’s expansive knowledge of various genres shows up in his bluegrass licks, sweep-picking solos and high-speed chicken-pickin’ lines – all with a Fender Telecaster® in hand. This summer, John 5 can be seen shredding on the Ghost Telecaster, giving fans worldwide the chance to catch him in action while on tour with Mötley Crüe.
Exploring the Limited Edition John 5 Ghost Telecaster | Fender Artist Signature | Fender
Fender John 5 Ghost Telecaster - Arctic White with Maple Fingerboard
The John 5 Ghost Telecaster features a top-bound alder body and 1-piece maple neck finished entirely in an enchanting Arctic White gloss and accented by striking red appointments and a gleaming mirrored pickguard/control plate. DiMarzio D Activator humbuckers deliver harmonically rich modern crunch, harnessed by a performance-oriented control set with a 3-way toggle mounted to the upper bout for swift pickup switching and pickguard-mounted master volume and arcade-style "kill switch" for rapid-fire stutter effects. Deluxe locking tuners and 6-saddle tele bridge with block steel saddles ensure rock-solid tuning stability and spot-on intonation. The John 5 Ghost Telecaster is entombed in a custom white tolex hardshell case with crushed red interior featuring John 5 Ghost embroidery.