Looking for more great gear for the guitar player in your life (yourself included!)? Check out this year's Holiday Gear Finds!
The California Tweed 2:20 expands upon the record success of MESA’s larger sized (and higher powered) California Tweed 6V6 4:40 model, which set a new standard of performance from a simple, vintage-inspired “single channel” design by providing five power amp voicing and output levels from a simple “Multi-Watt” rotary switch – It’s what MESA defines as “Vintage Expanded”. What makes the latest California-Tweed 2:20 unique is its ability to address the desire of players who prefer the most vintage-voiced tube amp sounds and feels, which were so clearly defined by smaller power amp designs and their unique sonic qualities, from 2 to 20-watts. But in the case of the new Cal-Tweed 2:20, players no longer have to settle for only one!
The PRS SE Standard 24-08 is a mahogany-body workhorse guitar with powerful humbucking and true single-coil tones in one instrument. Its PRS TCI “S” pickups are paired with a 3-way toggle switch and two mini-toggle coil split switches that individually split the humbuckers into true single coils for a total of eight pickup configurations. Players can enjoy two full octaves thanks to the 24-fret, 25” scale length rosewood fretboard and wide thin maple neck, and the PRS patented, molded tremolo gives players added flexibility and control over their playing. With sonic range and rock-solid reliability, the PRS SE Standard 24-08 will keep you playing without compromise.
Explore new guitar voicings and open tunings with the new Kaepo™, Gruv Gear's creative tuning guitar capo! Removable fretting pads can be set to any combination for nearly unlimited possibilities. Move the Kaepo quickly up and down the fretboard like a regular capo, without any tedious clamping or setup. Adjust the 7 individual fretting pads without any tools. Kaepo is also compatible with Gruv Gear's new Twistune™ rechargeable color tuner, for quick and convenient tuning on-the-fly. Works with most 6- and 7-string acoustic and electric guitars.
The Gruv Gear Kaepo is available on its own or bundled with the new Twistune tuner. Combine two or more Kaepos to open up even more tuning creativity!
The FlyBy Ultra comes packed with sleek upgrades while keeping the break-away laptop bag design of the original FlyBy. New features include an ultra-tough 1680D Ballistic Nylon exterior, reflective trim for visibility, waterproof zipper tape and new, larger compartments. The FlyBy Ultra also brings ergonomics to the next level with a luggage pass-through, and upgraded straps.
This is the tour pack that DJs and digital creators around the world carry and swear by. Get ready for the ultimate creator experience.
JBL 3 Series MKII powered studio monitors make JBL performance available to every studio. The JBL Image Control Waveguide and refined transducers offer stunning detail, precise imaging, a wide sweet-spot and dynamic range that enhances the capabilities of any workspace. Featuring patented technologies derived from the JBL 7 Series and M2 Master Reference Monitors and, sporting a sleek, modern design, JBL 3 Series delivers outstanding performance and an enjoyable mix experience at an accessible price. Special sale pricing begins Thanksgiving day with the 305PMKII at $109 EA, 306PMKII at $149 EA, 308PMKII at $199 EA, and the LSR310S subwoofer at $299.
Oh no! Stripped a tiny screw on your favorite guitar? Or even worse, scratched your guitar when the wrong screwdriver slipped? Never have that awful feeling again. StewMac has put together the ULTIMATE screwdriver set for every guitar owner. They tracked down all of those tiny specialty and hard to find bits—and we added a few of their favorite problem solvers. The StewMac Guitar Tech Screwdriver Set replaces a whole drawer full of bulky tools with exactly what you need. The set includes 36 essential bits for guitars, basses, and more, plus an easy-grip handle and extender. The included compact hard case is spill-proof and easily fits in your toolbox or guitar case (it’s a must-have for gigs). You won't find this at any hardware store—it’s only at StewMac.
Xvive’s U2, U3 and U4 wireless systems make going wireless easy, reliable and affordable, all with high-fidelity 24-bit/48kHz sound! They all recharge with any 5V USB power source, broadcast over a range of up to 90 feet, and have an imperceptible 5 ms of latency.
U2 Guitar Wireless System is the go-to plug-and-play solution for guitarists and bassists, giving you five hours of trouble-free wireless freedom on a single charge.
The U3 Microphone Wireless System turns any dynamic microphone into a wireless mic, in seconds. It can also be used to replace an XLR cable in other applications—for example between a mixer and a powered speaker cabinet!
The U4 In-Ear Monitor Wireless System gives you a beltpack receiver for your in-ears or earphones and a transmitter to connect to the mixer; up to six musicians can use the system at a time, even with separate monitor mixes.
For more info on these and other Xvive products, visit www.xvive.com and Play Free!
Engineered for great tone and long life, our proprietary, featherweight coating keeps strings sounding and feeling new for longer. Tone-killing elements like corrosion, dirt, oil, and sweat are no match for Elixir® Strings.
Our Phosphor Bronze with NANOWEB® Coating is rich and full-bodied with sparkling high-end clarity and a smooth feel.
See a line up of all of our acoustic guitar strings here - https://www.elixirstrings.com/guitar-strings#acoustic
Revolutionary Design and Features:
Optimize your pedalboard layout with durable, snug fitting, strong and lightweight risers. Tailor your pedalboard to fit your stompbox collection and your style of playing!
Space Saving, Easy Wire Routing:
Our riser footprint is virtually the same as the pedal for which it was designed. Whether it's Boss, Wampler, Strymon, MXR, Ibanez, Electro Harmonix, Walrus, Earthquaker Devices, TC Electronic, JHS or any of the popular pedals, our risers take up no more space than the pedal itself. An added benefit of the Elephant Foot design is the ease with which you can route signal and power cables. There's plenty of space under each riser and multiple attachment points for tie-wraps.
Unique Features of Elephant Foot Risers
• Strong yet lightweight
• Cables route easily underneath
• Anchor point for tie wraps
• Hidden screw holes for a super-strong connection to either wood or metal pedalboards
• Works with hook & loop, cloth cable ties or tie wraps
• Unique Pedal "Frames" for your first row of pedals
• Risers can be customized
• 3D printed from eco-friendly PLA
Available in seven standard colors and custom colors available on request.
Benefits of Elephant Foot Risers
• No more accidental pedal stomps
• No annoying pedal wobble when stomping
• No more sloppy pedalboards
• Optimized Pedalboard layouts
• Easy, neat cable routing
• Custom riser sizes available in multiple colors
• Preserve resale value of pedals
D'Addario XPND Pedalboard
XPND is the pedalboard that adapts to you. With XPND's patented telescoping technology, you can easily adjust the length of the board to add, subtract, and rearrange pedals how you want, when you want.
The original Cloudlifter® Mic Activator® adds tons of ultra-clean gain to dynamic and ribbon microphones and are the perfect stocking-friendly gift for any musician (or yourself)! Made in the USA. Get Lifted. Get Gifted!
The Horus-WB-FX is the latest model to be developed within the popular Caparison Horus range.
This newly designed fixed bridge version features a carefully considered body construction featuring a Walnut top and an Australian Blackwood back. This unique fusion produces a full rounded tone with a sweet emphasis on the upper mids ensuring clarity, focus and a distinct separation of notes, even with the most extreme gain-saturated down tunings.
When combined with an upgraded Caparison designed, sustain rich, high mass bridge (which effortlessly copes with a myriad of acute tunings and string gauges) Jescar jumbo stainless steel Frets and a specifically designed set of Caparison pickups, the Horus-WB-FX is more than capable of producing arena filling rock tones or creating more subdued, distinctively rich and bell like cleans.
The Horus-WB-FX plays like an absolute dream and features all of the beautiful aesthetic qualities that you have come to expect from Caparison Guitars. The striking body design is complimented by three stunning new finishes and also comes with a choice of either an Ebony or Maple fret board..
The Woman Tone is Aclam’s tribute to Eric Clapton’s amazing sound during his Cream era. The sound that turned him into a god. An accurate approach to the unique tone he attained with a simple yet effective combination of a P.A.F equipped Gibson and 100W Marshall stacks all the way up.
- Eric Clapton's Cream Sound in a box:
Aclam has distilled and bottled in a stompbox the key elements that shaped Eric’s rig. Reproduce his unique rhythmic and solo tones, fine-tuned using both live and studio recordings of Cream.
- Artwork by The Fool's Guitar artist: Marijke koger:
Responsible for the psychedelic decoration of Clapton’s Gibson SG nicknamed “The Fool”, Marijke has created a unique artistic interpretation of the Woman Tone that looks stunning!
- Custom humbucker pickup simulation circuit & tone control:
A pickup simulation circuit emulating the tonal characteristics of a P.A.F style pickup has been incorporated to reproduce the “Woman Tone”. With its buffered input, the guitar signal won’t be affected. Use compressors, fuzzes or whatever effect you want in front of the Woman Tone, and it will retain its tonal characteristics.
- Touch sensitive plexi-inspired overdrive using discrete components:
Inspired by Clapton’s 100W full stacks it results in a powerful overdrive with a great British character! Designed having blues-rock in mind, it will perfectly suit any guitar player seeking a vintage tone!
A hot new gear company from Canada, Templo Devices jumped on the scene with their flagship lithium-battery powered amp aimed at electric guitarists.
Focused on creating problem-solving products with tonal excellence, they've since released several small-batch pedals with wide appeal. Including SPLYCE, a versatile mini-mixer for using a microphone with a guitar rig, the atmospheric TRIPLO modulation pedal and the REEL DEAL tape preamp, as well as their exciting upcoming release, the Pocket Studio Compressor. There is always something exciting coming from this northern innovator.
With plenty of great deals for the holiday season, they have a little something for everyone.
Meet the Taylor GS Mini, one of the world's most popular acoustic guitars: a smaller body and a compact feel with a big, bold tone that punches far above its size. Based on a scaled-down version of our Grand Symphony body shape, GS Mini guitars boast solid tops and a variety of tonewood options serving up different flavors of vibrant acoustic tone. The GS Mini family is also home to the GS Mini Bass, a super-compact four-string acoustic bass with a slinky feel and a punchy response. Whether you're looking for a campfire guitar, a songwriting tool or just a great-sounding acoustic that's up for anything, the GS Mini has you covered.
DR-05X Stereo Handheld Recorder
The TASCAM DR-05X stereo handheld recorder is a great-sounding portable recording solution with helpful workflow options. Use the TASCAM DR-05X's built-in omnidirectional condenser microphones to capture vibrant stereo recordings anywhere, anytime. Use Auto Recording mode to automatically engage recording when audio signals reach a certain level. Use the Overwrite function to make easy punch-in audio replacements. Or use the TASCAM DR-05X as a 2-input/2-output USB audio interface with your Mac or PC. Whatever your portable 2-channel recording needs are, the TASCAM DR-05X has you covered. It's a fantastic and easy way to record your ideas, rehearsals, or gigs. Simply remove the SD card and pop it into your computer and send your song ideas to bandmates or collaborators. It's small enough to take with you everywhere and fits easily in a guitar case or small bag.
The cardioid MD 421 has been one of Sennheiser’s most popular dynamic microphones for decades. The large-diaphragm, dynamic capsule handles high sound pressure levels, making it a natural for recording guitars and drums. The MD 421's full-bodied cardioid pattern and five-position bass control make it an excellent choice for most instruments, as well as group vocals or radio broadcast announcers. One listen and you'll know why it’s a classic.
Every once in a while, a product comes out that makes you go “Wait… WHAT?!?!”. Well, those words are music to our ears! This game-changing pedalboard allows you to power all your pedals, including pedals that need isolation and different voltages, with a single power source. Yep, either our rechargeable battery or AC adapter fires up all your pedals without additional power bricks. No more Velcro carpet to rip pedals off! You can literally change pedals on the fly. But the flexibility of EARTHBOARD doesn’t end there – Our Lifeline Tether carries power off the board to connect a WAH, or daisy-chain multiple EARTHBOARDs together. EARTHBOARD comes in 2 sizes: double row (holds 12 standard size pedals) and single row (holds 6 standard size pedals). They are available as Complete Pedalboard Systems (includes all necessary components to play) or as a Build-a-Board and "ala cart" accessories!
See video: https://www.youtube.com/watch?v=S3iwDgLnN6w&t=8s
The Nobels ODR-1(bc) has bass cut, 9-18 volt input, and glow-in-the-dark knobs. The ODR-1 is rated the best overdrive by Nashville studio guitarists and creates a natural, tube-amp style overdrive that is versatile, amp-like, and affordable. The ODR-1 has been on the market for over 30 years and remains the number one choice. Creates crunchy rock and blues sounds or extra boost for soloing without smothering the natural character of your guitar's tone. The Spectrum controls optimizes tones from single coil chime to powerful humbucker rock. When adjusting the Spectrum control up or down the circuit ensures you have plenty of clarity and full dynamic range.
Bass cut switch
Solid metal chassis
Nobel's remote control jack switching system
German Engineering. Made in China.
Click here for Audio Clips
Modeled after Orangewood’s full-size Oliver guitar, the Oliver Jr. is a scaled-down version of Orangewood’s best-selling grand concert model. But don’t let the small body fool you. Sporting a beautiful, woodsy solid mahogany top, this junior guitar sings a bold and bright tone that’s easy to love. Whether you’re looking for your new travel companion or simply want a compact guitar to live near your couch, you can’t go wrong with this perfect-sized guitar.
Prefer a full-size model? This holiday season, every Orangewood guitar includes a professional set up and free shipping right to your door with a premium gig bag included. Plus, get extended holiday returns until January 31st. That’s over 60 days of commitment-free playing, so you can gift a guitar that they’re sure to love.
Jump straight in and explore 100 presets, the CODE50 has all you need to start performing and recording with. 50W of power that’s portable enough for you to practice at home or in the garage. Sync with your phone or online so it’s always with you for those creative moments. This fully digital amp is loaded with 14 MST preamps, 4 MST power amps and 8 MST speaker cabinets for you to create sounds that suit you. Using the Gateway App you can connect via Bluetooth to control CODE and stream music from your iOS or Android device. MyMarshall has a global library of user presets that you can upload to and download.
Catalyst® 100 is a 100-watt, dual-channel 1x12 combo amplifier that performs like a traditional guitar amp—while providing the increased versatility of a modern amp. Catalyst 100 offers six Original Amp Designs—ranging from pristine clean to modern high-gain—crafted using our renowned HX® sound design techniques to ensure exceptional tone and feel. Ideal for stage or studio.
• 100-watt, dual-channel 1x12 combo amp (with optional LFS2 footswitch)
• Catalyst 100 operates like a traditional amp—but provides increased versatility
• 6 Original Amp Designs—pristine clean to modern high-gain
• Dedicated Boost and Reverb sections (6 reverb types), 18 Effects (3 types)
• Power attenuator (half power, 0.5 watts, Mute) for reduced volume
• XLR line output for pro connection to P.A. or recording devices
• Effects loop and Power Amp input for integrating external devices
• MIDI In via DIN connector
Every Tool You Need in One Acoustic Pedal
We created the Venue DI so you can travel light, set up fast, and sound incredible anywhere you plug in. The Venue DI gives you complete control by combining a full-isolation DI output, 5-band EQ with adjustable low & hi-mid bands, variable clean boost, and chromatic tuner all in one acoustic pedal. With its all-discrete signal path, hi-graded semiconductors, and exclusive use of audiophile grade film capacitors, the Venue DI is on par with the world’s elite preamps and provides a studio quality sound for the stage.
The LP-6 V2 is Kali's best-selling studio monitor, and it's made its mark in studios across the globe ranging from humble home setups to state-of-the-art recording facilities.
Kali's innovative 3-D imaging waveguides create a crystal-clear stereo image, and also help the speakers to perform their best in challenging acoustic spaces. Kali-programmed boundary EQs take this a step further, tailoring the sound of the speaker for its placement on stands, on a desk, or close to walls.
With accuracy and translation at the forefront, the LP-6 delivers transparent, full sound that gives you a complete picture of your mix. Whatever you mix on the LP-6, you can be sure that it will translate nicely to other speakers, earbuds and headphones, car systems, or whatever else your listeners are using for playback.
The H90 Harmonizer® is Eventide's next-generation multi-effects pedal. Whether you want high-quality bread and butter effects or experimental sounds unheard, the H90 has everything you need to inspire your creativity with an intuitive UI designed with players in mind. Discover why top artists and producers have chosen Eventide through the years with 62 effect algorithms and hundreds of Program combinations curated for a variety of instruments and genres. With its comprehensive I/O and flexible routing options, the H90 is designed to be the heart of your rig.
Wilkinson's R series range of pickups are the result of Trev Wilkinson's years of creating and listening to thousands of pickups. Time spent with legendary and iconic individuals such as Seth Lover and Leo Fender, with whom Trev questioned about all aspects of sound, construction materials and production methods. All this combined knowledge has been the template for the R Series range of pickups, a pickup range Trev is proud to place his signature on, and say " These are the finest pickups Wilkinson has produced in the history of the company".
Featuring Single Coil's for both S and T style guitars, P90 and Humbucker models, the R Series has era specific models to capture the tone and vibe of the time and the players that influenced generations of players and Hybrid designs to influence future players.
For a limited time only, get two FREE expansion packs with the purchase of a five-piece guitar rack. Showcase your collection while safely and securely storing seven to ten guitars. The Hercules GS525BP-HA205 is covered with Specially Formulated Foam rubber at all contact points and features a one-piece design that sets up and tears down easily. The guitar yoke is designed for acoustic, electric, and bass guitars with four pick slots on each yoke. This special pack comes with a total of seven guitar yokes leaving room to expand to ten. Available while supplies last.
Ultimate DSP 2 channel noise reduction pedal. Patented technology that will remove the 50Hz or 60Hz and all associated hum harmonic components with total transparency. Combined with the patented Decimator G technology and dynamic sliding low pass filter, the Hum Extractor is the pinnacle of noise reduction technology. The Hum Extractor technology is dynamic in operation which compares the level of the audio signal to the hum harmonic components. Dynamically removes hum components when they become dominant. Made in the USA.
Click here for video
With the multi-touch display integrated with HILAVA OS, the LAVA ME 3 provides easy access to play and customize tons of built-in effects and loops.
Comprising eleven of Brian Wampler’s favorite delays, the Wampler Metaverse is a full-featured, small-footprint multi delay stomp box that is fully programmable, preset capable, has stereo inputs and outputs, allows full MIDI control, and has an expression input that you can assign to ANY of the parameters. The Metaverse also comes with a software version of the pedal via a set of 11 AU and VST3 plugins compatible with most popular DAWs - FREE to all customers that register their Metaverse online.
• Studio quality conversion 48 kHz Sampling rate with 24-bit audio
• Full 20Hz to 20kHz frequency response
• 11 Studio-quality vintage and modern delay effects
• Simple user interface
• All parameters controllable via an outboard expression pedal
• 8 onboard preset locations to save your favorite patches, 128 total via MIDI
• Full MIDI control with CC and PC commands
• Stereo or Mono I/O
Gator's Transit Series acoustic gig bags provide rugged case-like protection without sacrificing the lightweight portability of a bag. The red soft-lined interior and thick foam padding safeguard your guitar from drops and bumps, just like a regular case. A weather-resistant blended fabric exterior protects against the elements and features backpack straps, each with a concealable zipper pocket to switch between backpacking and briefcase carry modes. So for the gear you love the most, Guard it with Gator.
Experience exceptional clarity and articulation in a Filter’Tron format with Lindy’s unique Fralin’Tron design. Featuring a focused single-coil vibe with a rich, warm midrange and crisp attack, you’ll wonder where this pickup has been all your life. When Lindy started designing the Fralin’Tron, he did so with a particular goal: to get as much clarity and articulation as possible out of this design.We’re thrilled with the result! Our Fralin’Tron features a scooped midrange and defined bass and highs. In addition, you can expect more nuance out of the wound strings, unlike the original design. Furthermore, the treble strings have a round, warm quality, making our Fralin’Tron perfect for all styles of music – from clean to dirty. Lastly, this pickup features a dynamic and punchy attack that gives you back what you put into it.
The DL-225 is handcrafted exclusively from all mahogany, producing a warm and brilliant sound. The soundboard of the DL-225 features a vintage bracing pattern resulting in outstanding projection and tone with brilliant highs, strong midrange and subtle but full bass. The DL-225 has an extremely bright and dynamic sound. This guitar has the sound of a large body guitar. In a fingerpicking demonstration comparison we did with a name brand dreadnought the DL-225 was +3 dB louder.
Its smaller size and depth make the DL-225 a very comfortable guitar to play.
Click here for video and audio examples
Wampler Pedals Ratsbane
If you are looking for a single pedal solution with multiple degrees of gain from light overdrive to full out saturated fuzz tones, then you’ll surely love the Ratsbane. The Ratsbane is based on a true benchmark sound amongst guitarists that has been heard on thousands of famous recordings.
In typical Wampler fashion, Brian improved the circuit’s flexibility by adding two new switches. The Gain switch offers three distinct choices. In the middle gives you the “stock” gain for this pedal. The left position offers a firm, yet smooth boost in gain, whereas the right delivers an insane level of creamy distortion. The Voice switch subtly alters the compression and clipping of this pedal. It tightens the distortion to be more manageable with greater levels of gain, while rolling back some of the fuzz qualities, to deliver a modern, high gain distortion.
Click here for video clips
For part two of our crash course in harmony for bassists, we’re talkin’ triads.
As bass players, our job is often to indicate and support what is happening rhythmically and harmonically in the music we’re playing. And to do that, it’s important for us to understand the basics of tonality and how it works. In fact, every bass player must have a strong knowledge of harmony to do their job correctly. This month, we’ll continue last month’s harmony crash course with some more ways to brush up on your ear skills, in italics below, so you can do your low-end job effectively.
The basic building block of harmony is the dyad, which gives us our basic intervals. But the basic building block of tonality is the triad, a grouping of three or more tones (root, 3rd, and 5th) that give us the four chord qualities—major, minor, diminished, and augmented—which you’re probably already familiar with.
Just as with intervals, we should train our ears to recognize chord qualities instantly. Start with two qualities (major and minor). Once you can identify those two correctly about 95 percent of the time, add another. Keep going until you can identify all four qualities consistently.
Another great exercise is to take a melody (either major or minor) and convert it to the opposite quality. Start out with something you know well, like “Twinkle, Twinkle, Little Star.” This may take a while at first, but the goal is to keep on doing these until you can convert most stuff on the fly instantly.
“This feeling of resolution, in some ways, is the whole point.”
Each chord quality has its own distinct sound, but major and minor are related, and both feel very grounded. Because of the 5th in each, our ears can easily hear which note in the chord is strongest (the root), which gives major and minor a sense of gravity. This feeling persists even if we change the order of the notes (invert the chord).
Have a friend or an app play inversions of major or minor triads. Find the root of each chord by singing it. Work towards being able to identify these triads in root position (root in the bass), first inversion (3rd in the bass), or second inversion (5th in the bass).
Pay attention to bass lines that land on a root, 3rd, or 5th on the first beat of the bar and then practice coming up with your own examples.
Diminished and augmented triads are much more ambiguous. Without a perfect fifth (diminished has a b5 and augmented has a #5), no tone in particular sounds strongest. Thus, both chords lack gravity. In fact, to most of us, every tone sounds equal, like being lost in the woods where every direction appears the same. Both seem to want to move towards something else more stable. When this occurs, it gives a sense of release, or resolution. This feeling of resolution, in some ways, is the whole point.
The top part of a dominant seventh or V7 chord is a diminished triad. For example, a C7 consists of the notes C–E–G–Bb. If you remove the C, we’re left with an E diminished triad. This is where the moving sound, or the desire to resolve, comes from. The important takeaway is that we’re making something very stable—a major chord—and making it less stable when we add the b7, because of the diminished sound, which in turn sets up the need to resolve.
Listening for V–I: On a guitar or keyboard play any major chord, then add a b7 (transforming I to V7) and try to hear where the progression “wants” to go next. Move to the new key (a fifth down) and repeat. After twelve V–I progressions you’ll arrive back at the original key.
The Dominant Gateway: On bass, try playing a walking bass pattern over the cycle of fifths, strategically using a b7 to move to the next key. This foreshadowing is a great voice-leading skill.
That's all for our crash course in harmony. If you take your time with these exercises, you should notice not only your ears improving, but your bass playing too!
The guitar universe gathered momentum in a big way in 2022—which is easy to see in this year’s wildly diverse parade of Premier Gear Award winners.
Here's a look at 2022’s most notable new guitars, amps, effects, and accessories, reviewed by our editors and writers:
VALCO KGB Fuzz
While it looks like the work of a Cold War-era mad scientist, this do-it-all dirt dauber is so versatile that it’s easy to overlook its big footprint. It conjures up classic tones that could satisfy Muff, Tone Bender, and maybe even Fuzz Factory fans, but the KGB is also a super-characterful, straight-ahead distortion in its own right that sings with fuzz at minimum and offers six adjustable impedance settings, creating a tonal cornucopia.
$299 street, valcofx.com
BOGNER Ecstasy Mini
Historically, big rock tones have required big hardware. However, Joe Charupakorn was quite taken with this shoebox-size ripper that aims to deliver the vibe of its (much) larger counterpart. At 30 watts, the class-D solid-state amp offers way more gain than its 4-pound weight suggests is possible. In addition to the expected EQ controls, the Ecstasy Mini offers a quartet of toggles that emulate a Variac-style control, deliver even more gain, and shape the midrange—all for the price of a boutique pedal.
$329 street, bogneramplification.com
Guitar synthesis gets the MINI Cooper treatment. There are 171 wildly tweakable sounds and 128 presets inside this rugged 5" x 4" box with an easy-on-the-eyes display and friendly layout. You want ’70s cheese or prog? Eighties Crimson? Classic Floyd? Radiohead? It’s all on tap and easily accessible with a little help from the online manual. Killer for newcomers or guit-synth veterans looking to slim down their board or rack.
$299 street, boss.info
DUNLOP Pivot Capo
Dunlop’s newest screw-tension capo didn’t solve every last problem associated with assisted fretting. It’s still not quite as convenient as a trigger capo for making changes fast. But string grip—particularly on low strings—is excellent and the variable tension solves a lot of intonation issues. If you switch between guitars with different fret sizes a lot, the Pivot could be a savior.
$29 street, jimdunlop.com
ELECTRO HARMONIX Ripped Speaker
The Ripped Speaker lives up to the promise of its name, delivering damaged tones that evoke early raw rockers. But thanks to wide-ranging fuzz, tone, and rip controls—the latter of which is a bias-starve knob—there’s a lot on tap. It’s easy to conjure everything from Fuzzrite-style distortion to gated fuzz sounds befitting a player like Adrian Belew to pure deconstructed noise sputter, making the Ripped Speaker a unique, versatile fuzz that won’t break the bank.
$110 street, ehx.com
REVEREND Flatroc Bigsby
The Flatroc Bigsby looks a lot like an homage to Gretsch on the surface. But the Retroblast humbuckers that drive the output from this versatile solidbody will probably sound and feel familiar to anyone that has the pleasure of playing a vintage-voiced, low-output PAF. Gibson-style tones are far from the only sounds on tap here, though: an awesomely practical bass contour control can re-cast the Flatroc to play the part of everything from Rickenbacker to Stratocaster to catalog 1960s Japanese instruments.
$1,119 street, reverendguitars.com
KEELEY Compressor Mini
Keeley’s experience with pedal compressors might be, forgive the pun, unparalleled. Okay, maybe he has a few rivals for the King of Comps title. But the Compressor Mini confirms that he can run the range from super flexible and feature rich to stupidly simple, as is the case here. The Compressor Mini’s simplicity belies how rich it can sound. A tone-recovery circuit preserves high-end and a parallel compression scheme sums clean signal at the output in a manner that preserves a lot of string detail. It’s also super quiet. And at $129, it’s a cool way for fans of simple compressors to elevate their output without breaking the bank.
$129 street, robertkeeley.com
Keeley Compressor Mini Demo | First Look
BLACKSTAR Dept. 10 Dual Drive
Packing an actual 12AX7 into a drive pedal not only adds the comfort of glowing glass to the experience but gives this two-headed stomp impressive versatility. The smartly designed setup allows the Dual Drive to comfortably fit at the beginning or the end of your board, due to the excellent cab sims and uncluttered layout. At $299 it’s right in the sweet spot for dual-function pedals that balance features and value.
Blackstar Dept. 10 Dual Drive Demo | First Look
UNIVERSAL AUDIO Volt 276
UA can count an enviable wealth of iconic, well-regarded high-end pieces of hardware and software among their stable. And while a legacy like that can make entry into less rarified and affordable markets tricky, UA delivered big time in the form of the Volt 276. The Volt doesn’t feature the same fancy 1176 compressor and UA-610 preamp models from UA’s Apollo and Luna operating environments. But the models here (as well as the included Marshall and Ampeg emulations) are effective tone sweeteners all the same. A clearly caring approach to the hardware design means it also looks great on a desktop, which is much more than a lot of affordable interfaces can claim.
$299 street, uaudio.com
TC ELECTRONIC SCF Gold
Talk about venerable. TC’s original Stereo Chorus Flanger appeared in 1976. And even in those nascent days of modulation stomp design, the SCF emerged in very realized form. In this newest incarnation, it remains an excellent alternative to other chorus/flanger combos. A clear top end makes it a lot less murky sounding than many other analog modulators. We suspect its relatively low price and jack-of-all-trades versatility will put a lot of fence-sitters over the top.
$149 street, tcelectronic.com
TC Electronic's 1st Pedal Reissued! SCF Gold Stereo Chorus Flanger Demo | First Look
Perhaps the ultimate modeling/IR box for space-conscious players on a budget, the IR-200 has 128 presets, eight core amp models, 244 cab and mic IRs, three reverbs, and stereo, MIDI, effects-loop, USB, headphone, auxiliary-input, and footswitch/expression-pedal connectivity. And the interface is intuitive, with top-mounted controls for gain, level, bass, and treble. If high-end modelers seem intimidating or pricey, this device could be your huckleberry.
$399 street, boss.info
SCHECTER Sun Valley Super Shredder Exotic Hardtail
Fine-tuned shred machines made Schecter Guitars’ name in the 1980s. This outlier eschews more metal elements, like a double-locking trem and active pickups. However, those omissions make the guitar more versatile than many of its counterparts. That’s also largely thanks to the ability to split the pickups in several different variations.
$1,249 street, schecterguitars.com
MAESTRO Comet Chorus
For its splashy return to the effects fray, Maestro dressed up its new pedals in some of the coolest enclosures we’ve ever seen. But the pedals distinguish themselves in terms of sound and function, too. And the Comet Chorus emerged as especially distinguished. Its ability to approximate rotary speaker sounds and generate complex compound modulations—thanks in large part to the “orbit” mode that blends in tremolo—made it one of the most distinctive modulation units we played all year.
$149 street, maestroelectronics.com
Maestro's Five New Pedals | First Look
Little amps like the Fender Champ can be superstars in the studio. Magnatone’s Starlite owes much in terms of inspiration and design to the Fender Champ. But it also offers a best-of-all-worlds take on the Champ’s familiar tune by bridging tweed, black- and silver-panel variants. Much of this flex is achieved via a tone control that adds midrange, softens transients, and adds saturation. It’s a simple fix to the intrinsic limitations in super simple circuits, but it really stretches the Starlite’s functionality and appeal—which is copious on the style side, too.
$1,299 street, magnatoneusa.com
PRS SE Silver Sky
This $849 guitar plays like a million bucks! The Indonesia-made version of PRS’ John Mayer signature S-style is truly exceptional within the vintage tradition, with superb, wide-ranging tones, a fast-action neck, an improved cutaway over many other S-type designs, and a bridge-pickup-dedicated tone pot. Smooth medium-jumbo frets, a reliable vibrato arm, and an 8 1/2" fretboard radius are among the other virtues that make the SE Silver Sky a pro instrument at a bargain price.
$849 street, prsguitars.com
PRS SE Silver Sky John Mayer Signature Demo | First Look
FROST GIANT Architect of Reality
Heads up, Sabbath fans! The Architect of Reality essentially drops the preamp section of Laney’s ’80s Advance Overdrive Response heads at your feet. These amps had an extra gain stage and a slightly darker sound that Tony Iommi put to service. And this pedal possesses destructive amounts of volume, gain, and low-end that are capable of conjuring wall-of-amps doom. To achieve this, the JFET-driven Architect pumps 9V AC up to 36 volts. It’s probably best with high-wattage/high-headroom amps, and have a noise gate handy, but rejoice in occupying the mythical space between distortion and fuzz, where destruction and chaos feel like real propositions.
$250 street, fuzzworship.com
Enough of us grew up with simple, 1-knob phasers that the Zelzah will probably scare a few old-school phase folk. True, Zelzah’s impressive under-the-hood capabilities could give a just-the-basics-please modulation user pause. But like most of Strymon’s pedals in this format, there is a basic elegance here that lets the uninitiated work fast and intuitively, too. In addition to rich 4- and 6-stage phaser colors, Zelzah also features switches for barber pole and envelope phase modes, a useful resonance switch, and a voice control that enables access to flange and chorus tones. A one-stop mod shop? Sounds like a fair assessment to me.
$349 street, strymon.net
First Look: Strymon Zelzah Multidimensional Phaser
At heart, the Cloak is a straightforward, huge-sounding room reverb with a minimalist control set: room size, high-cut, mix, and shimmer knobs, and an internal slider for selecting between trails and true-bypass operation. But with its highly adaptable nature—the pedal paired beautifully with single-coils and humbuckers, overdrives, and several amps—and lovely fidelity, the range of possible sounds is wide. Shawn Hammond wrote, “With mix at max and higher room-size settings, high-cut tamed some of the more garish aspects of shimmer ’verb and turned my guitars into veritable film-scoring machines.”
$210 street, catalinbread.com
SOURCE AUDIO ZIO
As reviewer Dave Hunter noted, the ZIO is far from a one-trick-pony boost. Built in collaboration with Christopher Venter of SHOE pedals, this all-analog affair offers four different preamp voicings and three different tone settings. Simple enough, but the resulting tones—especially in the studio mode—are sweet, juicy, clear, and articulate. Our reviewer loved it so much he even imagined a board that would feature two ZIO units to take full advantage of the many sounds it can make.
$199 street, sourceaudio.net
MARTIN 000-18 Modern Deluxe
How do you refine a model that’s essentially perfect? Martin isn’t the first guitar company to grapple with that problem. But there’s something about the nakedness of an acoustic guitar that renders the issue quite challenging. Martin made the 000-18 Modern Deluxe extra special with some superficial improvements: pearl inlay logo, Indian rosewood binding, and Waverly butterbean tuners. There are practical improvements, too, like the asymmetric-profile neck. But the things that make the 000-18 Modern Deluxe extraordinary are the same things that make any great Martin a gem—tones of extraordinary depth and touch response that feels, at times, telepathic.
$3,599 street, martinguitar.com
FENDER Hammertone Delay
For all its success in the business of building iconic guitars, Fender’s effect history is relatively spotty. But their affordable, simple Hammertone pedals certainly have the potential to stick around. The Hammertone Delay’s combination of design economy and fun-to-use factor make it a tasty proposition for 99 bucks. But the pedal’s personality and breadth, which ranges from almost spring-like reverb overtones to cool Abbey Road ADT tricks and super-clear digital tones, make it a stuffed and super-practical delay for the price.
$99 street, fender.com
Fender Hammertone Pedals Demo | First Look
The combination of familiar lines with modern tech made Ola Englund’s sleek rock machine a standout. Loaded with a pair of Fishman Fluence Modern pickups and an EverTune bridge, the GC1.6AFAB takes a meticulously crafted model and adds a ton of value. Each pickup has independent volume controls along with a push-pull to move between two different voices. The crisp and fast response of the pickups along with the value made this ultra-playable guitar a can’t-miss.
$1,349 street, solar-guitars.com
Solar Guitars GC1.6AFAB Demo | First LookOla Englund’s latest features upscale appointments and a slick playing experience for just $1,299. Video by Carlos Cotallo Solares (https://www.youtube.com/c...
API TranZformer CMP
Once you really get into pedal compression, tough decisions can await. Classic and simple, but maybe noisy? More complex and studio-level control with more headaches on stage? API’s TranZformer CMP isn’t exactly simple. In fact, the control set evokes API’s legendary studio comps like the 2500 Stereo Compressor, which are powerful but not exactly LA-2A-level streamlined. But that experience with studio-grade gear pays big dividends in the TranZformer CMP, which runs quiet and affords a painterly approach to compression with its flexible array of knobs and switches.
$280 street, apiaudio.com
EVH 5150 Iconic Series 40W 1x12 Combo
A more affordable take on the 5150 amp design, this 2-channel closed-back combo was called “insanely versatile and capable of sounds from clean to ultra-high gain to the most extreme molten metal” by reviewer Joe Charupakorn. The channels each feature low- and high-gain modes, and channel 2 includes a noise gate. Other features include an XLR output with speaker emulation, a power amp mute switch, a preamp out, an effects loop, and a 40W/10W power level switch.
EVH 5150 Iconic Series Combo Demo | First Look
BILT The Amp
Delivering 12 to 15 watts of cathode-biased, class AB tone via a 5Y3 rectifier tube, a pair of 6V6s, and a pair of 12AX7s, the guitar builder’s first amplifier—a collaboration with Milkman—is a modern love letter to the venerated tweed Deluxe. But the Amp is no recreation or clone. Just check out its 5-way bass knob and large, handsome cabinet. The result is a loud, midrange-forward combo that sounds great at all volume levels, but thrives when cranked, where it delivers full-on tweed sag.
$2,999 base price, biltguitars.com
YAMAHA Revstar Standard RSS02T
Yamaha has been a force in 6-string electric circles since the 1960s. But their current flagship electric model, the Revstar, was introduced in 2015 and has since been overhauled with an impressive array of features including a chambered body and updated pickups. Our review model sported a pair of P-90s that were a natural fit for blues and classic rock. Big, punchy tones had lots of single-coil chime. Plus, the price is really hard to beat.
$799 street, yamaha.com
Yamaha Revstar Standard RSS02T Demo | First Look
JACKSON AUDIO The Optimist
The whole subset of Klon-inspired circuits is a rabbit hole many fall into. However, the particular variation included in Cory Wong’s signature pedal turned reviewer Jason Shadrick’s mind around. Each overdrive circuit feels rich and full, but it’s the active EQ that comes close to being the MVP. Jackson has always taken great care in making sure the sweep of the controls is useful and musical, and the Optimist might be their most finely tuned setup yet.
$349 street, Jackson. Audio
CHARVEL Guthrie Govan MJ San Dimas SD24 CM
This Japan-built version of the shredder’s signature instrument offers a high-level playing experience. The proprietary tremolo has a wide range of motion, both descending and ascending, thanks to a recessed body cavity underneath the unit, and it offers commendable tuning stability. Elsewhere, accoutrements like a heel-mounted truss rod adjustment wheel and knurled chrome knobs with glow-in-the-dark numbers deliver upscale details. With easy playability and hot, articulate pickups, the SD24 CM is a signature guitar fit for a player fluent in a breadth of styles.
$2,799 street, charvel.com
LINE 6 DL4 MkII
The ubiquitous green delay machine returns in a slimmer modern update. It’s still big, but even on the modern pedal landscape, the DL4’s spacious knob-controlled design feels refreshing, with plenty of room to tweak and stomp around. More importantly, it’s remarkably easy to jump in and find a breadth of unique delay sounds that range from classic to wildly experimental. All the original sounds are onboard, as are just as many new ones, plus a full range of reverbs and the classic looper function.
$299 street, line6.com
Line 6 DL4 MkII Delay Modeler Demo | First Look
I often tell chums griping about their tone to try an EQ pedal. It’s not a very glamorous solution. But it’s often an effective one—especially when carving out just-right fuzz and drive tones. Catalinbread clearly grasps the value of powerful EQ in shaping overdrive output—so much so that they’ve made the Tribute Parametric Overdrive as much an EQ device as a drive machine. The Tribute enables you to boost or cut ranges from 1.4 kHz on the midrange side to 70 Hz on the bass end by 12 dB in either direction. These EQ changes can transform the mood of the already flexible Tribute drastically, from focused boosts to much more aggressive fare.
$179 street, catalinbread.com
Koa has always been treasured by builders for a distinct tonality that sits between rosewood and mahogany. Thanks to a partnership with Pacific Rim Tonewoods, Taylor was able to use a “select grade” koa that helped the company price the model at $2,000 less than some of their other Hawaiian koa-based models. Nobody would mistake this for a budget guitar, however. The sound is every bit as nuanced and complex as guitars with a more flamboyant slice of wood.
$3,499 street, taylorguitars.com
WAY HUGE Red Llama MkIII Smalls
It’s all about simplicity with this 30th Anniversary update to an early boutique-era overdrive. The MkIII has a smaller footprint, but the 2-knob control set remains, featuring just volume and drive. Reviewer Dave Hunter praised the pedal’s “thick, juicy, and chewy” tone, which retains clarity at high gain levels. “When a lot of ODs have started to sound very same-ish, it’s remarkable that it remains so distinct, characterful, and loveable—even after 30 years.”
$149 street, jimdunlop.com
Way Huge Red Llama Overdrive MkIII Demo | First Look
WREN AND CUFF The Good One
The lengths Big Muff scholars will go to chasing definitive and “best” Muff tones is well documented in these pages. Wren And Cuff’s The Good One, though, is the result of an accidental discovery along the path to Big Muff enlightenment. The Good One is W&C founder Matt Holl’s attempt to replicate a vintage “triangle” Big Muff that came through his shop for repair. Like many Muffs, it revealed a curious mix of components. But the sum, as duplicated here, is a Big Muff of uncommon range and clarity that delivers sharp, clear transients just as readily as classic Big Muff heaviness.
$309 street, wrenandcuff.com
UNIVERSAL AUDIO UAFX Ruby ’63
Whether you beg, borrow, or steal, every electric guitarist that reads these pages should find a way to experience the sparkling, harmonically overflowing, and flat-out hot-and-rich colors of a vintage Vox AC30. But if you don’t have the cash, connections, or criminal urges, UAFX’s Ruby ’63 is a mighty fine way to explore those sounds in a pedal. Ruby ’63, of course, capitalizes on the modelling savvy and experience that make UA’s digital production environments a revelation. And the same microscopic attention to detail—and above all feel—is here. Will the Ruby ’63 transform a lousy amp into an AC30? Probably not. But the ease with which it imparts the aura and touch of a vintage Vox to a half-decent tube amp or recording interface can be thrilling—and enable you to speak in a distinctly Vox vernacular.
$399 street, uaudio.com
PIGTRONIX Star Eater
Pigtronix is justifiably guarded about what makes up the circuit in the Star Eater fuzz. It’s pretty unique sounding. But when we ventured the notion of a Big Muff and a Shin-ei Super Fuzz bearing offspring, Pigtronix mastermind David Koltai admitted we were onto something. Similarities with these two fuzzes tell only part of the story, though. A sweepable filter generates tones that might make a Big Muff or Super Fuzz blush. And if that doesn’t pique the interest of a jaded fuzz fanatic, I’m not sure what will.
$179 street, pigtronix.com
SOURCE AUDIO Atlas Compressor
This digital compressor offers six basic modes to conjure a wealth of tones, and each of its four knobs has both primary and alt functions. Even more sounds abound via MIDI functionality and Android/iOS connectivity to access Source Audio’s Neuro Editor. The Atlas’ tones should fool analog heads, and advanced digital capabilities might even lead to cool discoveries.
$229 street, sourceaudio.net
Source Audio Atlas Compressor Demo | First Look
MATTOVERSE Warble Swell Echo MkII
This digital delay has a warm voice that evokes classic BBD delays and old-school tape echo vibes. Its woozy modulation—accessed via a waveform knob, plus rate and depth controls—makes it easy to dial-in retro cassette-tape tones, while the swell footswitch and knob access the land of eternal feedback. For all these functions, the Warble Swell is still easy to navigate and feels simple.
$219 street, mattoverse.com
The Lore isn’t the most complete reverse reverb in the world. It lacks some of the magical takes on the effect that Led Zeppelin and My Bloody Valentine made immortal. But the manner in which it combines time-manipulation effects as well as octave and various interval-based textures often yields much more unpredictable results. If you’re keen to scramble a boring song idea, Lore is a fast track to that goal.
$299 street, walrusaudio.com
EASTWOOD Dusty Spring
Stare at modern pedals long enough and you’ll develop an appreciation for pure simplicity. And it would be hard to find a stomp so brainlessly, plug-and-go satisfying as the Dusty Spring. Calling Dusty Spring a lo-fi effect, as its name suggests, would be too simple. It dishes very convincing spring reverb approximations that would easily fool experts—especially in a mix. Rather, the “dirty” seems equally apt in describing its basic, rich earthiness—a quality that isn’t always easy to find in affordable digital reverbs.
$149 street, eastwoodguitars.com
DEATH BY AUDIO Space Bender
Thank goodness for Death By Audio. Their irreverence isn’t just a middle finger to circuit sameness. It’s an attitude that results in amazing, truly unusual sounds. That goes for the Space Bender, which turns chorus on its ear—mixing and mangling modulation, delay, reverb, and filtering effects to ends that are both predictable and chaotic. Come for the chorus but stay for the deeper freakishness. The Space Bender will deliver—guaranteed.
$270 street, deathbyaudio.com
EARTHQUAKER Special Cranker
This ultra-touch-sensitive stomp is, indeed, special: a warm, medium-gain overdrive designed to sound like you’ve added another tube to your amp’s preamp section. With germanium and silicon modes, there’s tons of tone variety on tap, and the silicon side, especially, has a fat, full voice that is responsive to picking technique and preserves the integrity of complex chords. At less than $100, it’s a bargain, too.
$99 street, earthquakerdevices.com
EarthQuaker Devices Special Cranker Overdrive Demo | First Look
If you’re a germanium fuzz fan, this plain-Jane-named box is a gem. But there’s nothing plain about its operation. A large dial controls temperature bias, which is traditionally a problem with heat-sensitive germanium transistors. There’s a pickup simulator/debuffer so the Fuzz can dwell anywhere in your signal chain. And, adding to the fun, there’s also a 2-way toggle for “classic” or meatier, more harmonically saturated “raw” bias modes. Plus, the volume dial works dynamically with the fuzz and clean-up knobs to let you go from deliciously grainy fuzz to thick, Muff-esque doom tones to skanky, toothy, stabbing boost/overdrive.
$249 street, silktone.org
FENDER JV Modified Deluxe Telecaster
Fender’s Japan-built guitars of the 1980s and 1990s are among the company’s most underrated. Among the many gems Fender Japan produced at the time, the Jerry Donahue signature Tele stands out. The JV Modified Deluxe Telecaster isn’t a reproduction of the JD, but you have to think Fender builders had one eye on that design while putting together this one. The soft-V neck is there, and the Deluxe Telecaster appointments. And while the switching and pickups aren’t exactly the same, the series and out-of-phase switching options open up similar tone territories. The JV Modified is as playable a guitar as we’ve handled all year—no small distinction.
$1,349 street, fender.com
Ade Emsley, the Orange engineer who oversaw the resurrection of the new/old Orange effects, decided to overhaul the Orange Distortion entirely. Stating plainly that he didn’t think the original was very good, he started from scratch—building a new JFET-based amplifier circuit with preset bass and midrange settings and an adjustable treble pot on the pedal’s interior. That might sound limiting, but the Orange Distortion is both wide- and rich-sounding, bursting with amp-like crunch and, at times, beautifully articulate.
$249 street, orangeamps.com
Orange Distortion, Sustain & Phaser Pedal Demos | First Look
It takes intestinal fortitude to build a new 1-knob phaser these days. Most companies have slipped into the phase-manipulation arms race quite willingly. But the control now in vogue does nothing to diminish the tone transforming, psychedelicizing power of a 1-knob phaser. And thankfully, Orange had the cover of a vintage-re-issue project to justify building this ultra-elegant phase gem. Modulations balance beautifully between low and high frequencies, and, as a consequence, it feels open, clear, and dimensional.
$249 street, orangeamps.com
MXR Duke of Tone
Lest any of you out there worry, the partnership between MXR and Analog Man’s Mike Piera that yielded the Duke of Tone is no mere marketing exercise. The DOT is built to a very high standard of quality that we don’t often see in affordable mini pedals. Most importantly, it sounds fantastic and is worthy company for the Analog Man pedals with which it shares lineage. At least for this reviewer, the boost is the highlight. But all three modes—boost, distortion, and overdrive—exhibit a smooth, robust voice that can save an otherwise lackluster tone in a flash.
$149 street, jimdunlop.com
MXR Duke of Tone Demo | First Look
Session ace Shawn Tubbs’ signature overdrive is a mid-gain wonder. It’s very midrange-forward, but the response of the EQ controls on both sides offers tone options that range from Mike Campbell chime to Dumble-influenced lead sounds. A standout feature is the tilteq control, which allows for surgical sculpting of frequencies on the fly without any hassle.
$269 street, revvamplification.com
Plus! Read the full reviews on PG.com of December’s Premier Gear Award winners: the PRS Horsemeat Transparent Overdrive and Mary Cries Optical Compressor, the Boss Space Echo, the Dr. Z Z-28 Mk. II, and the Origin Effects Halcyon.
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