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Questions? Email us at info@premierguitar.com

Photo by Norman Wong

Hard-hitting, dance-punk duo Death From Above 1979 takes production into its own hands and delivers an onslaught of noisy dance mayhem on Is 4 Lovers.

For brash Canadian rock 'n' roll duo Death From Above 1979, the road to maximum impact has always been paved with as few elements as possible: drums, vocals, a bit of synth, and some wildly athletic and fuzzed-out bass guitar.

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Rig Rundown - Quicksand's Walter Schreifels

The post-hardcore heavyweight lays out the tonal road map for the new Distant Populations—including a shocking secret-weapon practice combo. Plus, he explains his pedal evolution from abstinence to indulgence.

Walter Schreifels has played foundational foil for over 25 years, with his focused, angular, coarsely melodic guitar grounding his more adventurous, effected counterparts in Quicksand, Vanishing Life, and Rival Schools. (The later even released an album in 2011 called Pedals.)

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The HOF-er regales Cory with legendary classic rock guitar tales, gives his simple recipe for a good tone, and shares his reasons for trying to make a difference in the world.

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Having gained access to a specimen from Seattle's Museum of Pop Culture, Paul Reed Smith takes aim at the tones of Hendrix's modified Woodstock head.

Fantastic range of Marshall-esque tones, from clean and lovely to tough, mean, and singing.

No standby switch. Minor cab rattling audible at moderate volumes. Head may need securing at high volume and bass settings.

$2,900 (head)
$899 (2x12 Stealth)

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Just as PRS's 2012 HXDA was inspired by firsthand looks at one of slide legend Duane Allman's amps from his seminal At Fillmore East performance, the brand-new HX 50 is the result of Paul Reed Smith and PRS amp guru Doug Sewell getting extensive access to a Marshall head reportedly used by Jimi Hendrix during his iconic performance at the 1969 Woodstock festival.

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Don't miss the latest and greatest gear finds for your acoustic!

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Propagandhi's Sulynn Hago On The Dead Kennedys' "Holiday In Cambodia" - Hooked

The punk-rocking ripper extensively details how East Bay Ray's "smacky, bouncy" delays, "sour" dissonant chords, and suspense-and-release playing sideswiped them into the guitar universe.

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