Featuring a durable, reinforced construction to withstand the rigors of touring, the new mics join the brand’s esteemed line of pencil mics and offer DPA’s renowned natural and precise sound reproduction.
“We are so pleased to share these new solutions for sound professionals in the music industry,” says Helga Volha Somava, Product Management Director, DPA Microphones. “The 2012 Cardioid and 2015 Wide Cardioid continue to build upon our other live microphone solutions, offering the same natural sound quality that people know, love, and trust, with sonic and physical properties specifically designed to meet the needs of the live stage. Thanks to the superior SPL handling and excellent transient response, these microphones will serve as versatile and durable solutions for audio professionals everywhere.”
The 2012 Compact Cardioid Microphone acts as a reliable, all-around, generalist pencil mic that performs well on any instrument. This mic combines a robust design with intricate sound pickup for accurate close miking on any stage setup. From horns and percussion to acoustic or electric guitars, bass cabinets, and more, the 2012 can capture crystal clear, single-instrument pickup with ease. Unlike the dynamic mics frequently used for close miking applications, the 2012 features an extended frequency range and flat frequency response in a small-form factor. The 2012’s unmatched transient response also allows it to cope with high SPLs while being able to capture the most delicate of sounds.
While the 2012 excels at single instrument pickup, the 2015 Compact Wide CardioidMicrophone performs best as a stereo pair on drum kits and instrument groups. Featuring uniform, wide cardioid directionality, and a linear frequency response, a selected pair of 2015mics offers spacious sound for horn groups, vibraphones, xylophones, and other large instruments. When closely positioned, the mics are also ideal for large grand pianos or for use as overheads for drum kits. This stereo pair can capture balanced sound of the entire instrument with less bleed from the stage. Additionally, the compact design of the 2015 allows for unobtrusive placement at venues of any size, while its durable, reinforced construction means itwill last from stage to stage.
Both solutions are pre-polarized condenser mics, each with a specifically designed 17mm (0.67-inch) capsule that is perfectly tailored for its intended application. Like most DPA mics, the 2012 and 2015 come in a practical zip pouch, along with a microphone holder and windscreen.
Additional accessories such as a stereo boom, gooseneck mount, and corresponding shock mounts are also available.
Pricing for the 2012 Cardioid Microphone begins at $849 USD, while a stereo pair of 2015 WideCardioid Microphones starts at $1,595 USD. Prices exclude local tax.
For more information, please visit dpamicrophones.com.
Last August, metalcore giants Poison the Well gave the world a gift: They announced they were working on their first studio album in 15 years. They unleashed the first taste, single “Trembling Level,” back in January, and set off on a spring North American tour during which they played their debut record, The Opposite of December… A Season of Separation, in full every night.
PG’s Perry Bean caught up with guitarists Ryan Primack and Vadim Taver, and bassist Noah Harmon, ahead of the band’s show at Nashville’s Brooklyn Bowl for this new Rig Rundown.
Brought to you by D’Addario.Not-So-Quiet As a Mouse
Primack started his playing career on Telecasters, then switched to Les Pauls, but when his prized LPs were stolen, he jumped back to Teles, and now owns nine of them.
His No. 1 is this white one (left). Seymour Duncan made him a JB Model pickup in a single-coil size for the bridge position, while the neck is a Seymour Duncan Quarter Pound Staggered. He ripped out all the electronics, added a Gibson-style toggle switch, flipped the control plate orientation thanks to an obsession with Danny Gatton, and included just one steel knob to control tone. Primack also installed string trees with foam to control extra noise.
This one has Ernie Ball Papa Het’s Hardwired strings, .011–.050.
Here, Kitty, Kitty
Primack runs both a PRS Archon and a Bad Cat Lynx at the same time, covering both 6L6 and EL34 territories. The Lynx goes into a Friedman 4x12 cab that’s been rebadged in honor of its nickname, “Donkey,” while the Archon, which is like a “refined 5150,” runs through an Orange 4x12.
Ryan Primack’s Pedalboard
Primack’s board sports a Saturnworks True Bypass Multi Looper, plus two Saturnworks boost pedals. The rest includes a Boss TU-3w, DOD Bifet Boost 410, Caroline Electronics Hawaiian Pizza, Fortin ZUUL +, MXR Phase 100, JHS Series 3 Tremolo, Boss DM-2w, DOD Rubberneck, MXR Carbon Copy Deluxe, Walrus Slo, and SolidGoldFX Surf Rider III.
Taver’s Teles
Vadim Taver’s go-to is this cherryburst Fender Telecaster, which he scored in the early 2000s and has been upgraded to Seymour Duncan pickups on Primack’s recommendation. His white Balaguer T-style has been treated to the same upgrade. The Balaguer is tuned to drop C, and the Fender stays in D standard. Both have D’Addario strings, with a slightly heavier gauge on the Balaguer.
Dual-Channel Chugger
Taver loves his 2-channel Orange Rockerverb 100s, one of which lives in a case made right in Nashville.
Vadim Taver’s Pedalboard
Taver’s board includes an MXR Joshua, MXR Carbon Copy Deluxe, Empress Tremolo, Walrus ARP-87, Old Blood Noise Endeavors Reflector, MXR Phase 90, Boss CE-2w, and Sonic Research Turbo Tuner ST-200, all powered by a Voodoo Lab Pedal Power 2 Plus.
Big Duff
Harmon’s favorite these days is this Fender Duff McKagan Deluxe Precision Bass, which he’s outfitted with a Leo Quan Badass bridge. His backup is a Mexico-made Fender Classic Series ’70s Jazz Bass. This one also sports Primack-picked pickups.
Rental Rockers
Harmon rented this Orange AD200B MK III head, which runs through a 1x15 cab on top and a 4x10 on the bottom.
Noah Harmon’s Pedalboard
Harmon’s board carries a Boss TU-2, Boss ODB-3, MXR Dyna Comp, Darkglass Electronics Vintage Ultra, and a Voodoo Lab Pedal Power 2 Plus. His signal from the Vintage Ultra runs right to the front-of-house, and Harmon estimates that that signal accounts for about half of what people hear on any given night.
