Fender Adding Eric Johnson RW, Ritchie Blackmore Strats to Artist Series
New Fender Artist Series additions: Eric Johnson RW Strat and Ritchie Blackmore Strat
Eric Johnson Stratocaster RW
There is no greater example of guitar hero Eric Johnson’s devotion to his art than his new signature model Stratocaster guitar. With singular attention to detail, the new Eric Johnson Stratocaster RW features a two-piece alder body finished in thin-skin nitrocellulose lacquer, a quartersawn maple neck with bound round-laminated 12”-radius rosewood fretboard, a three-ply parchment pickguard, pickups voiced by Johnson himself, staggered vintage-style tuners, a custom tremolo block, and four brand-new finish options, three of which (Lucerne Aqua Firemist, Tropical Turquoise and Medium Palomino Metallic) are exclusive to this model.
Medium Palomino Metallic Larger Image | Model | | Eric Johnson Stratocaster RW |
Model Number | 011-7700-(Color #) | ||
Series | Artist Series | ||
Colors | Dakota Red, Tropical Turquoise, Medium Palomino Metallic, Lucerne Aqua Firemist, (Thin-Skin Nitrocellulose Lacquer) | ||
Body | 2-Piece, Deep Contoured, ‘57 Style Lightweight Alder Body | ||
Neck | Quartersawn Maple, Soft “V” Shape, (Nitrocellulose Lacquer Finish) | ||
Fingerboard | Bound Round Laminated Rosewood, 12” Radius (305 mm) | ||
No. of Frets | 21 Highly Polished Medium Jumbo Frets | ||
Pickups | 3 Specially Voiced Eric Johnson Single-Coil Pickups with Countersunk Mounting Screws (Neck/Middle/Bridge) | ||
Controls | Master Volume, Tone 1. (Neck Pickup), Tone 2. (Bridge Pickup) | ||
Pickup Switching | 5-Position Blade: 1. Bridge Pickup Position 2. Bridge and Middle Pickup 3. Middle Pickup Position 4. Middle and Neck Pickup Position 5. Neck Pickup | ||
Bridge | American Vintage Synchronized Tremolo | ||
Machine Heads | Fender/Gotoh Staggered Vintage Style Tuning Machines | ||
Hardware | Nickel/Chrome | ||
Pickguard | 3-Ply Parchment, (8-Hole) | ||
Scale | 25.5” (648 mm) | ||
Width at Nut | 1.650” (42 mm) | ||
Unique Features | Extra Smooth Neck to Headstock Volute, Special Neckplate with Engraved EJ and Kokopelli, 1957 Style Body Cavities, Countersunk Holes in Pickguard for Pickup Mounting Screws, Pearloid Dot Inlay Position Markers, Height Staggered Vintage Style Tuners which Eliminate the Need for String Trees, Vintage Tremolo with Silver Painted Block and ‘57 Style String Recess (No Paint Between Base Plate and Block), 3-Ply 8-Hole Parchment Pickguard, 5 Tremolo Springs and No Back Tremolo Cover Plate | ||
Strings | Fender Super 250R, Nickel Plated Steel, Gauges: (.010, .013, .017, .026, .036, .046) | ||
Accessories | Deluxe Blonde Hardshell Case, Levy’s Woven Strap, 15’ Koil Kords Cable, “Ash Tray” Bridge Cover |
Ritchie Blackmore Signature
Legendary guitarist Ritchie Blackmore has been creating memorable guitar riffs for decades. His deft phrasing and unmistakable tone have helped make the phrase “guitar solo” a household term. Blackmore and Fender are now proud to introduce the Ritchie Blackmore Signature Stratocaster guitar, based on his favorite ’70s model and featuring a maple neck with a graduated scalloped rosewood fretboard, Seymour Duncan Quarter Pound Flat pickups, and ’70s-style “F” tuners. Deluxe gig bag included.
Larger Image | Model | Ritchie Blackmore Stratocaster | |
Model Number | 013-9010-(305) | ||
Series | Artist Series | ||
Colors | Olympic White, (Polyester Finish) | ||
Body | Alder | ||
Neck | Maple, “U” Shape, (Gloss Polyurethane Finish) | ||
Fingerboard | Graduated Scalloped Rosewood, 7.25” Radius (184 mm) | ||
No. of Frets | 21 Vintage Style Frets | ||
Pickups | 1 Seymour Duncan Quarter Pound Flat SSL-4 Single-Coil Strat Pickup (Neck), 1 Non-Active “Dummy” Pickup (Middle), 1 Reverse Wound/Reverse Polarity Seymour Duncan® Quarter Pound Flat SSL-4 Single-Coil Strat Pickup (Bridge) | ||
Controls | Master Volume, Tone 1. (Neck and Middle Pickup), Tone 2. (Bridge Pickup) | ||
Pickup Switching | 3-Position Blade: Position 1. Bridge Pickup Position 2. Bridge and Neck Pickup Position 3. Neck Pickup | ||
Bridge | Vintage Style Synchronized Tremolo | ||
Machine Heads | Fender/Schaller Vintage “F” Style Tuning Machines | ||
Hardware | Chrome | ||
Pickguard | 3-Ply White | ||
Scale | 25.5” (648 mm) | ||
Width at Nut | 1.650” (42 mm) | ||
Unique Features | Ritchie Blackmore Signature on Front of Headstock, Flush Mounted Dunlop Straplocks, Large ‘70s Style Headstock, ‘70s Style Decal, Bullet Truss Rod Adjustment Nut, 3-Bolt Neck Plate with Micro-Tilt™ Neck Adjustment, Pearloid Dot Position Inlays, Black Plastic Knobs, Pickup Covers, Tremolo and Switch Tips, Synthetic Bone Nut | ||
Strings | Fender Super Bullets® 3250L, Nickel Plated Steel, (.009 to .042), | ||
Accessories | Deluxe Gig Bag |
For more information:
Fender
Metalocalypse creator Brendon Small has been a lifetime devotee and thrash-metal expert, so we invited him to help us break down what makes Slayer so great.
Slayer guitarists Kerry King and Jeff Hanneman formed the original searing 6-string front line of the most brutal band in the land. Together, they created an aggressive mood of malcontent with high-velocity thrash riffs and screeching solos that’ll slice your speaker cones. The only way to create a band more brutal than Slayer would be to animate them, and that’s exactly what Metalocalypse (and Home Movies) creator Brendon Small did.
From his first listen, Small has been a lifetime devotee and thrash-metal expert, so we invited him to help us break down what makes Slayer so great. Together, we dissect King and Hanneman’s guitar styles and list their angriest, most brutal songs, as well as those that create a mood of general horribleness.
This episode is sponsored by EMG Pickups.
Use code EMG100 for 15% off at checkout!
Learn more: emgpickups.com
The legendary German hard-rock guitarist deconstructs his expressive playing approach and recounts critical moments from his historic career.
This episode has three main ingredients: Shifty, Schenker, and shredding. What more do you need?
Chris Shiflett sits down with Michael Schenker, the German rock-guitar icon who helped launch his older brother Rudolf Schenker’s now-legendary band, Scorpions. Schenker was just 11 when he played his first gig with the band, and recorded on their debut LP, Lonesome Crow, when he was 16. He’s been playing a Gibson Flying V since those early days, so its only natural that both he and Shifty bust out the Vs for this occasion.
While gigging with Scorpions in Germany, Schenker met and was poached by British rockers UFO, with whom he recorded five studio records and one live release. (Schenker’s new record, released on September 20, celebrates this pivotal era with reworkings of the material from these albums with a cavalcade of high-profile guests like Axl Rose, Slash, Dee Snider, Adrian Vandenberg, and more.) On 1978’s Obsession, his last studio full-length with the band, Schenker cut the solo on “Only You Can Rock Me,” which Shifty thinks carries some of the greatest rock guitar tone of all time. Schenker details his approach to his other solos, but note-for-note recall isn’t always in the cards—he plays from a place of deep expression, which he says makes it difficult to replicate his leads.
Tune in to learn how the Flying V impacted Schenker’s vibrato, the German parallel to Page, Beck, and Clapton, and the twists and turns of his career from Scorpions, UFO, and MSG to brushes with the Rolling Stones.
Credits
Producer: Jason Shadrick
Executive Producers: Brady Sadler and Jake Brennan for Double Elvis
Engineering Support by Matt Tahaney and Matt Beaudion
Video Editor: Addison Sauvan
Graphic Design: Megan Pralle
Special thanks to Chris Peterson, Greg Nacron, and the entire Volume.com crew.
Katana-Mini X is designed to deliver acclaimed Katana tones in a fun and inspiring amp for daily practice and jamming.
Evolving on the features of the popular Katana-Mini model, it offers six versatile analog sound options, two simultaneous effects, and a robust cabinet for a bigger and fuller guitar experience. Katana-Mini X also provides many enhancements to energize playing sessions, including an onboard tuner, front-facing panel controls, an internal rechargeable battery, and onboard Bluetooth for streaming music from a smartphone.
While its footprint is small, the Katana-Mini X sound is anything but. The multi-stage analog gain circuit features a sophisticated, detailed design that produces highly expressive tones with immersive depth and dimension, supported by a sturdy wood cabinet and custom 5-inch speaker for a satisfying feel and rich low-end response. The no-compromise BOSS Tube Logic design approach offers full-bodied sounds for every genre, including searing high-gain solo sounds and tight metal rhythm tones dripping with saturation and harmonic complexity.
Katana-Mini X features versatile amp characters derived from the stage-class Katana amp series. Clean, Crunch, and Brown amp types are available, each with a tonal variation accessible with a panel switch. One variation is an uncolored clean sound for using Katana-Mini X with an acoustic-electric guitar or bass. Katana-Mini X comes packed with powerful tools to take music sessions to the next level. The onboard rechargeable battery provides easy mobility, while built-in Bluetooth lets users jam with music from a mobile device and use the amp as a portable speaker for casual music playback.
For quiet playing, it’s possible to plug in headphones and enjoy high-quality tones with built-in cabinet simulation and stereo effects. Katana-Mini X features a traditional analog tone stack for natural sound shaping using familiar bass, mid, and treble controls. MOD/FX and REV/DLY sections are also on hand, each with a diverse range of Boss effects and fast sound tweaks via single-knob controls that adjust multiple parameters at once. Both sections can be used simultaneously, letting players create combinations such as tremolo and spring reverb, phaser and delay, and many others.
Availability & Pricing The new BOSS Katana-Mini X will be available for purchase at authorized U.S. Boss retailers in December for $149.99. For the full press kit, including hi-res images, specs, and more, click here. To learn more about the Katana-Mini X Guitar Amplifier, visit www.boss.info.
Snark releases its most compact model ever: the Crazy Little Thing rechargeable clip-on headstock tuner.
Offering precise tuning accuracy and a super bright display screen, the Crazy Little Thing is approximately the size of your guitar pick – easy to use, unobtrusive and utterly dependable.
Housed in a sturdy shell, the Crazy Little Thing can be rotated for easy viewing from any angle, and its amazingly bright display makes it perfect for the sunniest outdoor stages or the darkest indoor studios. You can clip it to the front of your headstock or on the back of your headstock for extra-discreet usage – and you can easily adjust the display to accommodate your preference.
As the newest addition to Snark’s innovative line of headstock tuners, the Crazy Little Thing is rechargeable (no batteries!) and comes with a USB-C cable/adapter for easy charging. Its display screen includes a battery gauge, so you can easily tell when it’s time to recharge.
The Crazy Little Thing’s highly responsive tuning sensor works great with a broad range of instruments, including electric and acoustic guitar, bass, ukulele, mandolin and more. It also offers adjustable pitch calibration: its default reference pitch is A440, but also offers pitch calibration at 432Hz and 442 Hz.
Snark’s Crazy Little Thing rechargeable headstock tuner carries a street price of $21.99. For more information visit snarktuners.com.