Fatter, punchier bass tone via a clean boost with two gain stages and precise 2-band EQ. The PG Xotic Bass RC Booster V2 review.
Recorded direct to an Mbox and running with Logic X.
Clip 1: Fingerstyle with Sadowsky Vintage 5.
Disengaged until :17 when pedal is turned on with controls set flat.
Clip 2: Played with Yamaha BB2000.
Bass RC Booster with a bass boost at 2 o'clock placed in-line after distortion pedal.
0:00 - Clean
0:14 - With distortion only
0:26 - RC Booster engaged
Clip 3: Slap with Sadowsky Vintage 5.
Bass RC Booster’s bass and treble boosted to 2 o’clock.
0:00 - Bass RC Booster not engaged
0:12 - Bass RC Booster engaged
RatingsPros:Highly usable EQ. Quiet operation. Dual gain stages. Cons: Gain 2 control is somewhat difficult to get at/adjust. Street: $168 Xotic Bass RC Booster V2 xotic.us | Tones: Ease of Use: Build/Design: Value: |
Located just a 10-minute drive from where I’m writing this review, in the San Fernando Valley, California, Xotic has been in business for more than two decades. And the company introduced their first RC Booster pedal just a few short years after opening shop. It wouldn’t be an exaggeration to say the RC Booster is a staple among some guitarists, to such a degree that many have more than one on their pedalboards.
One of the functions our guitar-playing brethren use the pedal for, at the end of the chain, is to drive the input gain of their amps harder. This isn’t something I’ve necessarily felt I needed as a bassist, so what other functions could a pedal known for its versatility offer the low-end community? I was looking for the answer to this when I unboxed the new and improved version of the Bass RC Booster.
Classic Concept … New Face
The Bass RC Booster V2 feels robust and is fairly lightweight, at a touch more than a half-pound. The controls are an attractive vintage-cream-white color and have enough resistance to keep your settings safe from light, accidental touch. The new version of the pedal has two footswitches instead of its predecessor’s one. The right footswitch engages the pedal itself (gain stage number one), while the left footswitch engages both gain stages simultaneously.
The four main controls consist of gain 1 and volume on the left, and treble and bass on the right. The control for gain 2, which is much smaller and recessed, is located in the center of the quartet of white knobs. The benefit of this is that your set-it-and-forget-it position for the second boost is in a very safe place, out of the way of clumsy musician’s feet. That said, I had to use needle-nose pliers to adjust it so I wouldn’t unintentionally touch the settings of the neighboring main controls with my fingers.
Compared to the previous version of the pedal, the V2 is visually superior. And I extend props to the folks at Xotic for cramming a lot of functionality into a fairly small footprint. Depending on how much headroom a player wants, the Bass RC Booster can operate from 9V to 18V.
A Touch of Personality
For starters, I wanted to hear the pedal with no bump in volume or equalization. This is important for players wanting to use the RC mainly as a solo boost while retaining the exact characteristics of their original tone. Listening closely using headphones, it was clear that the Xotic indeed has a very subtle sonic thumbprint. I was using my 20-year old Sadowsky in passive mode, and the RC Booster dug out a small amount of midrange and helped my bass lose a little honk, which I liked. Without boosting any treble, the Xotic still adds a little something to the top end of the tone, which I would describe as a small amount of usable presence. So, simply turning the pedal on will undoubtedly place the bass guitar in a slightly more forward position in many mixes.
Distortion Compensation
I’ve noticed that my favorite distortion pedal, like many distortion pedals for bass, loses a little low-end when operating in higher gain settings. Naturally, I wanted to see how the RC Booster would function as a high-end, studio-level EQ, which it did with flying colors. With the pedal placed immediately after the distortion in my signal chain and the RC Booster’s bass control boosted at 2 o’clock, it put fat, believable low-end back into my tone. This feature alone makes the pedal highly usable and valuable.
Royal Crown EQ
Continuing with the Sadowsky, I was curious to see how the RC Booster would compare to the instrument’s onboard preamp when using almost identical settings. Again, the Xotic proved exceptionally musical when I dialed in both bass and treble to the 2 o’clock mark. The pedal’s top end made the four-month-old strings sound fresh and clear without adding the harshness that many active onboard bass preamps have. On the other side of the spectrum, the low-end boost made my sound bigger, but without making it muddier. It took me less than 10 seconds to dial in a to-die-for slap tone with the pedal’s simple but effective EQ.
The Verdict
When you consider its small footprint, studio-quality EQ, and two separate gain stages, the simple yet effective Xotic Bass RC Booster is a pedal that many bassists, including myself, might envision placing in the must-have category. The bass version of this popular pedal is indeed a subtle multi-purpose tool and works like a piece of clay to be molded into whatever a bassist needs.
This reader solicited the help of his friend, luthier Dale Nielsen, to design the perfect guitar as a 40th-birthday gift to himself.
This is really about a guy in northern Minnesota named Dale Nielsen, who I met when I moved up there in 2008 and needed somebody to reglue the bridge on my beloved first guitar (a 1992 Charvel 625c, plywood special). Dale is a luthier in his spare time—a Fender certified, maker of jazz boxes.
Anyway, we became friends and I started working on him pretty early—my 40th birthday was approaching, and that meant it was time for us to start designing his first solidbody build. If you stopped on this page, it’s because the photo of the finished product caught your eye. Beautiful, right? The 2018 CCL Deco Custom: Never shall there be another.
Old National Glenwood guitars were my design inspiration, but I wanted a slim waist like a PRS and the like. We used a solid block of korina to start, routed like MacGyver to get the knobs and switches where I wanted them. Dale builds all his own lathes and machines (usually out of lumber, y’all), as the task requires. This beast took some creativity—it’s tight wiring under that custom-steel pickguard. Many were the preliminary sketches. Four coats of Pelham blue, 11 coats of nitro. Honduran mahogany neck, Madagascar ebony fretboard with Dale’s signature not-quite-Super-400 inlays. He designed the logo; I just said, “Make it art deco.”
We sourced all the bits and bobs from StewMac and Allparts and Reverb and the like, mostly to get that chrome look I so adore. Graph Tech Ratio tuners, Duesenberg Radiator trem (had to order that one from Germany), TonePros TP6R-C roller bridge. The pickups were a genius suggestion from the builder, Guitarfetish plug ’n’ play 1/8" solderless swappable, which means I have about 10 pickups in the case to choose from: rockabilly to metal. And both slots are tapped, with the tone knobs serving as single- to double-coil switches. I put the selector on the lower horn to accommodate my tendency to accidentally flip the thing on Les Pauls—definite lifesaver.
Reader and guitar enthusiast, Cody Lindsey.
Dale offered to chamber this monster, but I said what doesn’t kill you makes you stronger. It weighs in at 11 pounds, if it’s an ounce. We carved the neck to match a ’60s SG, so it’s like the mini bat you get at the ballpark on little kids’ day. Easy peasy. 1 11/16" nut, 25" scale, jumbo frets, just 2 1/8" at the 12th fret.
Delivery in its lovely, hygrometer-equipped Cedar Creek case actually happened a month or two shy of my 41st, but hey, you can’t rush these things. We ended up with a studio Swiss Army knife; it does a bit of everything and does it effortlessly. A looker, too. Dale didn’t spend his career doing this kind of thing—he was in IT or some such—and I imagine he’s winding this “hobby” of his down these days, enjoying retirement with a bottle of Killian’s and a lawn chair at Duluth Blues Fest. But this guitar will live on as a marker of his skill and otherworldly patience. It sits at the head of the class in my practice room, welcoming any visitors and bringing a smile to my face every day. And Dale, my friend, I’ll be 50 before you know it....
Cody requested that Dale design an art deco logo for the guitar’s headstock.
Tailored for Yngwie Malmsteen's signature sound, the MXR Yngwie Malmsteen Overdrive is designd to offer simple controls for maximum impact.
Working closely alongside Yngwie, the MXR design team created a circuit that delivers clarity, expressive dynamics, and rich harmonics—all perfectly tailored for his light-speed arpeggios, expressive vibrato, and big, bold riffs. The control setup is simple, with just Level and Gain knobs.
"Want to sound like Yngwie? Crank both knobs to the max."
“This pedal is the culmination of 45+ years developing a sound that’s perfect in every possible way,” Yngwie says. “I present to you: the MXR Yngwie Malmsteen Overdrive. Prepare to be amazed.”
MXR Yngwie Malmsteen Overdrive highlights:
- Perfectly tailored for Yngwie Malmsteen's signature sound and style
- Simple control setup tuned for maximum impact
- Boost every nuance with superior clarity, expressive dynamics, and rich harmonics
- Dig into light-speed arpeggios, expressive vibrato, and big, bold riffs
The MXR Yngwie Malmsteen Overdrive is available now at $129.99 street/$185.70 MSRP from your favorite retailer.
For more information, please visit jimdunlop.com.
Voltage Cable Company's new Voltage Vintage Coil 30-foot guitar cable is now protected with ISO-COAT technology to provide unsurpassed reliability.
The new coiled cables are available in four eye-grabbing retro colors – Surf Green, Electric Blue, Orange and Caramel – as well as three standard colors: Black, White and Red. There is also a CME exclusive “Chicago Cream” color on the way.
Guitarists can choose between three different connector configurations: straight/straight plugs, right angle/straight and right angle/right angle options.
The Voltage Vintage Coil offers superior sound quality and durability thanks to ISO-COAT treatment, a patent-pending hermetic seal applied to solder terminations. This first-of-its-kind airtight seal prevents corrosion and oxidization, a known factor in cable failure and degradation. ISO-COAT protected cables are for guitarists who value genuine lifetime durability and consistent tone throughout their career on stage and in the studio.
Voltage cables are hand made by qualified technical engineers using the finest components available and come with a lifetime warranty.
Voltage Vintage Coil features include:
- Lifetime guarantee, 1000+ gig durability
- ISO-COAT treatment - corrosion & oxidization resistant cable internals
- Strengthened structural integrity of solder terminations
Voltage Vintage Coils carry $89.00 USD pricing each and are available online at voltagecableco.com, as well as in select guitar stores in North America, Australia, Thailand, UK, Belgium and China.
About Voltage Cable: Established in 2021, Voltage Cable Co. is a family owned and operated guitar cable company based in Sydney, Australia. All their cables are designed to be played, and built for a lifetime. The company’s ISO-COAT is a patent pending hermetic seal applied to solder terminations.
Featuring dual-engine processing, dynamic room modeling, and classic mic/speaker pairings, this pedal delivers complete album-ready tones for rock and metal players.
Built on powerful dual‑engine processing and world‑class UAD modeling, ANTI 1992 High Gain Amp gives guitarists the unmistakable sound of an original "block letter" Peavey 5150 amplifier* – the notorious 120‑watt tube amp monster that fueled more than three decades of modern metal music, from Thrash and Death Metal, to Grunge, Black Metal, and more.
"With UAFX Dream, Ruby, Woodrow, and Lion amp emulators, we recreated four of the most famous guitar amps ever made," says UA Sr. Product Manager Tore Mogensen. "Now with ANTI, we're giving rock and metal players an authentic emulation of this punishing high gain amp – with the exact mic/speaker pairings and boost/noise gate effects that were responsible for some of the most groundbreaking modern metal tones ever captured."
Key Features:
- A complete emulation of the early '90s 120‑watt tone monster that defined new genres of modern metal
- Powerful UAFX dual-engine delivers the most authentic emulation of the amp ever placed in a stompbox
- Complete album‑ready sounds with built‑in noise gate, TS‑style overdrive, and TC‑style preamp boost
- Groundbreaking Dynamic Room Modeling derived from UA's award-winning OX Amp Top Box
- Six classic mic/speaker pairings used on decades of iconic metal and hard rock records
- Professional presets designed by the guitarists of Tetrarch, Jeff Loomis, and The Black Dahlia Murder
- UAFX mobile app lets you access hidden amp tweaks and mods, choose overdrive/boost, tweak noise gate, recall and archive your presets, download artist presets, and more
- Timeless UA design and craftsmanship, built to last decades
For more information, please visit uaudio.com.