Colorful personalities caught on candid camera from the showroom floor.


The Winter NAMM show is supposed to be an industry-only event that’s closed to the public. But when it comes to the actual attendees, there seems to be a generous definition to the phrase “industry-only.” They come in packs and tribes and oftentimes they dress up so that fellow tribe members will know them. The metal heads are well represented, as are the hipsters, the hippies, and the just plain hip. They arrive, show off, and bond. They also seem to laugh a lot. Here they are!

A faithful recreation of the Germanium Mosrite Fuzzrite with a modern twist.

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Kenny Greenberg with his main axe, a vintage Gretsch 6118 Double Anniversary that he found at Gruhn Guitars in Nashville for a mere $600. “It had the original pickups, but the finish had been taken off and the headstock had been repaired. So, it’s a great example of a ‘player’s vintage instrument,’” he says.

On his solo debut, the Nashville session wizard discovers his own musical personality in a soundtrack for a movie that wasn’t, with stops in Africa and Mississippi hill country.

Kenny Greenberg has been Nashville’s secret weapon for decades. He’s the guitarist many insiders credit with giving the Nashville sound the rock ’n’ roll edge that’s become de rigueur for big country records since the ’90s. It’s the sound that, in many ways, delivered country music from its roots to sporting events.

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Andy Wood on Eric Johnson's "Cliffs of Dover" | Hooked

The hot picker recalls receiving a mix CD of must-know guitarists and the Grammy-winning track was the one that "hit him like a ton of bricks."

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