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GALLERY: The Rickenbackers That Rocked the World

Take a walk through this brief historical photo gallery which outlines the beginnings and design progression of the Rickenbacker guitars that rocked the world. Photos and captions by Ron O''Keefe

1961 рNew Capriс 365 in Fireglo
"This guitar is a very clean example of the New Capri design. It also features the then-new Acуcent Vibrola, a unit by which the player could move the strings up and down, instead of side-to-side as was the case with the Kauffman unit. The Acуcent quickly replaced the Kauffman as the standard Rickenbacker vibrola. This guitar is a few serial numbers away from the iconic guitar of the same style (with round instead of oven knobs) featured on the cover of рRickenbacker: Pioneer of the Electric Guitar,с the book published by Rittor Music."
Fall Out Boy Rig Rundown [2024]
Fall Out Boy Rig Rundown with Patrick Stump, Joe Trohman & Pete Wentz Guitar & Bass Gear Tour

The string-section trio for the iconic Chicago pop-punk band has gone digital, but Patrick Stump, Joe Trohman, and Pete Wentz still aren’t afraid to get weird—and sometimes, downright dangerous.

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Amazon Prime Day is here (July 16-17). Whether you're a veteran player or just picking up your first guitar, these are some bargains you don't want to miss. Check out more deals here! https://amzn.to/3LskPRV

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Gibson’s Theodore model

PRS Guitars and Ted McCarty family drop “Theodore” trademark objection, and Gibson agrees to drop opposition to PRS’s “594” and “Silver Sky Nebula” trademarks and trademark applications.

PRS Guitars yesterday announced that it has withdrawn its objection to Gibson’s registration of the “Theodore” trademark. In a press release, PRS stated it continues to hold dear and protect its long-standing agreement with Ted McCarty and the McCarty family regarding the exclusive rights to the “McCarty” trademark and to McCarty’s name and persona, first developed directly with Ted himself more than 25 years ago. After a series of private negotiations, Gibson has also agreed to drop its opposition to PRS’s “594” and “Silver Sky Nebula” trademarks and trademark applications.

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A technicolor swirl of distortion, drive, boost, and ferocious fuzz.

Summons a wealth of engaging, and often unique, boost, drive, distortion, and fuzz tones that deviate from common templates. Interactive controls.

Finding just-right tones, while rewarding, might demand patience from less assured and experienced drive-pedal users. Tone control could be more nuanced.

$199

Danelectro Nichols 1966
danelectro.com

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The Danelectro Nichols 1966, in spite of its simplicity, feels and sounds like a stompbox people will use in about a million different ways. Its creator, Steve Ridinger, who built the first version as an industrious Angeleno teen in 1966, modestly calls the China-made Nichols 1966 a cross between a fuzz and a distortion. And, at many settings, it is most certainly that.

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