Here are a handful of options for players looking for a tiny board with big features.
As much as we love the idea of expansive, all-encompassing boards, having a minimalist outlook has its advantages. If you need portability above all else, here are 10 pedalboards that combine an on-the-go vibe with pro-level features.
Schmidt Array SA350
This double decker setup offers pro-level features within a road-worthy enclosure that has a hinged upper deck, IEC power socket, room for two custom patch bays, LED lights, and a USB rechargeable power pack.
Blackbird Feather Board
Available in a few different Tolex options, this barebones setup can carry about five regular-sized pedals. It also has two power bays for easy access and has a built-in loop top to keep your stomps secure.
MONO Pedalboard Small With Club Accessory Case 2.0
This sleek board that’s crafted entirely out of a single piece of lightweight aluminum offers a ton of flexibility due to the cutouts. The comfortable incline allows plenty of access to the back row of pedals and room to mount a power supply underneath.
Gator Small Pedalboard with Bag - 15.75"x7" Black
If you only need to pack a few pedals, this rugged setup might be the way to go. It has several cutouts for cabling, a mount underneath for a power supply, and it comes with a deluxe gig bag.
SKB 1SKB-PS-8 8-Port Pedalboard with Gig Bag
This low-profile setup contains an integrated power supply that can fuel up to eight pedals, plus it includes all the various cabling you’ll need to get up and going. Bonus: It also comes with a nylon gig bag with a shoulder strap.
SKB 1SKB-PS-8 8-Port Pedalboard with Gig Bag
This low-profile setup contains an integrated power supply that can fuel up to eight pedals, plus it includes all the various cabling you’ll need to get up and going. Bonus: It also comes with a nylon gig bag with a shoulder strap.
Voodoo Lab Dingbat Pedalboard - Small 18" x 7.75"
Crafted from aircraft-grade aluminum, this board weighs less than 3 pounds, is custom designed to work with Voodoo Lab power supplies, and comes with hook-and-loop mounting fasteners.
Pedaltrain Metro 20 20-inch x 8-inch Pedalboard with Soft Case
This three-rail system comes in at 20", which can likely handle up to nine pedals comfortably. Its durable, low-profile frame offers plenty of room for a power supply underneath and comes with both hook-and-rail tape and zip ties.
Boss BCB-30X Deluxe Pedal Board and Case
An ultra-portable board that is integrated with a hardshell carrying case and comes lined with high-density foam. You can even cut the foam to create a customized fit for your pedals.
D'Addario XPND Pedalboard - Small
Not sure how much space you'll need? This fully adjustable pedalboard can be customized to your current needs by simply expanding the available real estate. It stretches from 13.75" to 24.75" and comes with an inventive cable management system.
Temple Audio SOLO 18 Templeboard
Designed with an entirely modular approach, this board uses the company’s quick-release mounting system to keep your pedal secure and offers different modules to keep the inputs and outputs as streamlined as possible.
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The Bristol bashers are back with an arsenal of new noisemakers on this updated Rundown.
Between 2016 and 2024, Bristol outfit IDLES have gone from being snarling, post-punk underdogs to being snarling, post-punk champions. Their debut LP, Brutalism, was an immediate hit, and since then they’ve turned out a string of full-length records that have expanded their creative vocabulary while increasing their popularity. It’s all come to a head this year with Tangk, their Grammy-nominated fifth album, which dropped in February.
Along the way, IDLES’ sound has mutated into experimental offshoots and outgrowths, so it’s little surprise that the rigs of guitarists Mark Bowen and Lee Kiernan, along with bassist Adam Devonshire, have done the same. While they still tour with some of the gear they showed off on our 2021 Rig Rundown, each player has fun new trinkets that contribute to their run of shows this year. But even with all the new toys, they keep an element of danger in the mix, and certain variables mean the set sounds different every night: “People come to see an IDLES show ’cause it almost falls apart all the time,” grins Bowen.
Brought to you by D’Addario.Bowen's Bari
Bowen had a baritone neck matched with this Dacota red Fender Stratocaster body. It’s got stock pickups, which split the difference between the twang of a Strat and the bassy tones of the bari. This one is tuned to either B standard or drop A#.
Triples Make It Safe
Bowen’s signal is blasted out via a trio of amplifiers: a Vox AC30, Orange AD200B MKIII, and a Hiwatt Custom 100. A Hiwatt and Orange cabinet duo lend different textures to the soundwaves.
Mark's Mothership
Bowen’s board setup is largely the same as he had in the 2021 Rig Rundown, but there are a few tweaks.
His primary guitar pedalboard remains mostly the same, with Death By Audio Reverberation Machine and Echo Dream 2, Adventure Audio Dream Reaper, Moog MF Delay and MF Ring, Death By Audio Waveformer Destroyer, Electro-Harmonix POG2, 4ms Pedals Mini Swash Full, Red Panda Particle and Raster, and a JHS Haunting Mids. His new tuner, though, is a Walrus Audio Canvas. It all still runs through a GigRig 3 switcher. Under the hood resides three signal sweeteners including an EQD Acapulco Gold and a pair of ZVEX boxes—a Lo-Fi Junky & Super Duper 2-in-1.
Next comes his modulation station, equipped with Moog’s Moogerfooger MF-107 FreqBox, MF-102 Ring Modulator, MF-108M Cluster Flux, and CP-251 Control Processor, in addition to another no-name glitch/synth device. The Electro-Harmonix 95000, Old Blood Noise Endeavors Minim, and EHX POG2 are still in the mix, but the Strymon TimeLine has been swapped for a Vongon Paragraphs. An Akai MPC One+ helps with sampling, and a Sequential Prophet-5 synth ties it all together. A pair of Strymon Iridiums are hidden under the Moog units, which handle all the signals from this electric jungle—as well as signal from Jon Beavis’ drums! “It’s the tension between the space-age mad stuff and the AC/DC guitar,” says Bowen. “I want both”
A third board, beneath the modular materials, is loaded up to with three Mission Engineering EP-1 expression pedals, a Walrus Canvas Re-Amp, a Moose Electronics Dobsky Fuzz, a GigRig Three2One, and another GigRig G3.
Tape Measures
Lee Kiernan’s Fender 70th Anniversary Esquire has become his go-to, a very versatile guitar which he’s left unmodified—save for the gaffer tape, of course. Despite the presence of strap locks under the tape, Kiernan’s learned you can’t be too careful.
Jackson Shredder
Kiernan calls this Jackson Soloist “one of the best-playing guitars he’s ever felt.” Enough said.
Triples is Best
This time around, like Bowen, Kiernan is running a trio of amps: a Hiwatt DR88, Marshall 1987x, and Peavey Deuce, which still has the original, square-magnet Peavey speakers. (A backup 2x12, loaded with Eminence Swamp Thangs, is on-hand in case things go wonky.) At this point, shouldn’t he just get a Kemper? “Nope,” he responds shortly.
Have You Met Gary?
Kiernan’s board has many of the same stomps as last time, but it’s been configured into a double-decker layout rather than a sprawling, side-by-side affair, and the newest addition is the EarthQuaker Devices Gary, a distortion/fuzz combo he made with the Ohio effects company from the green side of their now-discontinued Gray Channel. Aside from his new buddy Gary, Kiernan runs a Boss TU-3S, EQD Tone Job, Red Panda Raster, Death By Audio Micro Dream and Reverberation Machine, Eventide H9 Harmonizer, Warm Audio Ringer Bringer, Boss DM-2w, EQD Organizer, Montreal Assembly Count to Five, Drolo Twin Peaks and Stamme[n], Death By Audio Interstellar Overdriver Deluxe, Boss PS-5, Moog MF Chorus, Xotic EP Booster, Intensive Care Audio Vena Cava Filter, EQD Data Corrupter, and GigRig Remote Loopy 2. A smaller separate board is home to a DigiTech Whammy, two Mission Engineering expression pedals, a third expression pedal for the Drolo Twin Peaks, and a Mission Engineering Expressionator.
Out of sight, Kiernan also has a EQD Acapulco Gold, and ZVEX Effects Instant Lo-Fi Junky and Super Duper 2-in-1.
(American) Ultra Mono
This Fender American Ultra Jazz bass was made specially for Adam Devonshire. He was stoked about this unique colorway, but wanted it paired with a thin C-profile neck. Fender made it happen, bolting it onto the body. Devonshire strings it with Rotosounds.
Lollapalooza Lincoln
When IDLES was in Chicago to play Lollapalooza, bass builders Serek invited him to check out their shop. After a few minutes with this Lincoln bass, Devonshire had put in an order.
Fane Versus Fullerton
Taking a 33-percent-less approach than his bandmates on 6-string guitar, Devonshire runs just two amps: a Hiwatt DR201 and a Fender Super Bassman.
Sweaty Stomps
Devonshire has a problem: He sweats a lot. That’s not a big problem if your job doesn’t involve standing over rare, expensive electronics while dripping liquid onto them. So, he’s got a big fear that he’ll flood his favorite effects.
That said, these are the ones he feels are worth the risk: a Boss TU-3W, GigRig QuarterMaster, Darkglass Electronics NSG and Microtubes B7K Ultra, EHX Pico POG, Death By Audio Fuzz War, Baltimore Sonic Research Institute FZZ, Moog MF Chorus, Source Audio Spectrum, two Strymon Flints, Tronographic Rusty Box, and Tech 21 SansAmp Programmable Bass Driver DI.
Shop Idles' Rig
Electro-Harmonix POG2 Polyphonic Octave Generator Pedal
Moog Moogerfooger MF-104M Analog Delay
Moog Moogerfooger MF-108M Cluster Flux
Electro-Harmonix 95000 Performance Loop Laboratory 6-Track Looper
Mission Engineering Expressionator
EarthQuaker Devices Acapulco Gold
Darkglass Microtubes B7K Ultra
Tech 21 SansAmp Programmable Bass Driver DI
Fender American Ultra Jazz Bass
EarthQuaker Devices Gary Automatic Pulse Width Modulation Fuzz/Overdrive Pedal
EarthQuaker Devices Tone Job V2 EQ and Boost Pedal
EarthQuaker Devices Organizer V2 Polyphonic Organ Emulator Pedal
EarthQuaker Devices Data Corrupter Harmonizing PLL Pedal
Can you get more air in your sound? Here’s a good place to start.
Although tremolo was the first guitar effect, reverb was right on its heels, and ever since we’ve all been tweaking our amps and effects to achieve just the right amount. Here are a handful of stomps that give modern players the kind of control over reverberation that we crave.
Meris MercuryX Modular Reverb System Pedal
MERIS
MercuryX
A modular reverb system with pro-audio and studio-rack heritage, advanced processing, and a high-performance signal path.
Boss RV-200 Reverb Pedal
BOSS
RV-200
The RV-200 delivers inspiring reverbs and premium sound in a streamlined design. Twelve versatile reverb types provide everything from subtle spatial color to complex, dreamy textures for ambient explorations.
Universal Audio UAFX Evermore Studio Reverb Guitar Effects Pedal
Universal Audio
Evermore Studio Reverb
This pedal gives you the grainy ambient trails and mesmerizing modulations of iconic late-'70s-vintage digital hardware, in a compact, elegantly crafted stompbox.
LR Baggs Align Reverb Acoustic Reverb Pedal
L.R. Baggs
Align Series Reverb
Built from the ground up to complement the natural body dynamics and warmth of acoustic instruments, this circuit seamlessly integrates the wet and dry signals with the effect in side chain, so it never overwhelms the original signal. The result is an organic reverb that maintains the audiophile purity of the original signal with the controls set in any position.
Fishman AFX AcoustiVerb Mini Reverb Pedal
Fishman
AFX AcoustiVerb Mini Reverb
This multi-reverb pedal for acoustic guitar offers Fishman’s unique blending and voicing architecture. Three quality reverbs—hall, plate, and spring—blend in parallel with your direct sound while preserving your tone.
Gamechanger Audio Light Pedal Optical Spring Reverb Pedal
Gamechanger Audio
Light Pedal
The Light Pedal combines the best features of a classic spring reverb with an innovative infrared optical sensor system and a unique effects section.
Dunlop Pays Tribute to Eric Clapton with Special Edition Cry Baby Wah
Eric Clapton Cry Baby Wah is a limited-edition pedal with GCB95 sound and gold-plated casting. Portion of proceeds donated to Crossroads Centre for addiction treatment. Available exclusively at Guitar Center.
In 1986, Mr. Clapton first started working with the late Jim Dunlop Sr., and he became one of our first and most important Cry Baby artists. We are honored that our company’s relationship with the legendary guitar player continues to this day. With this special limited edition Eric Clapton Cry Baby Wah, we’re paying tribute to Mr. Clapton’s 60-year legacy. Featuring the benchmark sound of the GCB95 Cry Baby Standard Wah, this pedal comes with a distinguished gold-plated casting befitting one of rock ’n’ roll’s living giants.
A portion of the proceeds from the sale of each Eric Clapton Cry Baby Wah will be donated to the Crossroads Centre, a not-for-profit organization founded by Mr. Clapton to provide safe and supportive addiction treatment and a road to recovery. If you wish to contribute a further donation, please visit crossroadsantigua.org.
The Eric Clapton Cry Baby Wah is available now at $299.99, exclusively from Guitar Center in the United States and from select retailers worldwide.
Eric Clapton Cry Baby Wah Highlights
- Pay tribute to one of rock 'n' roll's greatest legends
- Special limited edition• Benchmark sound of the GCB95
- Distinguished gold-plated casting
- Portion of proceeds donated to Crossroads Centre for supportive addiction treatment and recovery
PG's Nikos Arvanitis talks to the funk-guitar master about his musical influences, go-to gear choices, the pros of teaching, working in the studio versus the stage, and future plans for Jamiroquai.
As a youngster in the 1970s, Rob Harris was unusually fixated with music, spending hours watching bands on TV programmes. At the age of 7 and after much badgering from Rob, his father finally retrieved the guitar (an old Hofner) out of the loft space for him, and so began Rob’s lifelong musical journey.
After growing up in the Middle East from age 4 to 12, Rob and his family returned in to the UK in 1983 and he soon began studying with a great local guitar teacher named Colin Medlock. This was to continue for several years and was to shape a strong musical foundation in Rob’s guitar playing.
At the age of 14, Rob began gigging with local bands in the Cambridgeshire area and soon developed an interest in a variety of musical styles, listening to an eclectic range of artists and tirelessly researching and studying those who had played guitar on said records. This furthered the ongoing development of his musical skills, studying song craft, creating parts and hooks and writing lyrics. It was only natural to then take the step to working with producers and artists as a session guitarist.
The early 90’s was when Rob really began to flourish, recording and touring with The Pasadenas, Gary Numan, Mark Owen, Alphaville eventually joining the band Jamiroquai as a member in 1999 which continues to this day. Rob has played and co- written on the albums Funk Odyssey, Dynamite, Rock Dust Light Star and has most recently played on the band’s 2017 release Automaton and embarking on a global tour with the band in the April of the same year.
His credits also include: Beverly Knight, Kylie Minogue, Anastasia, Lighthouse Family, Don Airey (Deep Purple), Katy Perry, JP Cooper, Era, Gabriella Aplin, Will Young, Julian Perretta, Duke Dumont, Paloma Faith, Robbie Williams, Lego Batman (Soundtrack), Louisa Johnson and The Ministry of Sound’s Stripped Album, Kanye West, to name but a few.
Rob currently lives in Cambridgeshire where he records and teaches in between tour dates at his well-equipped studio. He also spends much of his time giving masterclasses and hosting educational workshops to music students and guitar enthusiasts, across the globe.