The guitars conceived and produced by the Gretsch Company after WWII represent some of the more unique sounding and visually dynamic models available during the ''50s and into the mid-''60s.

'54 Round-up model 6130
The western motifs that were applied to several Gretsch models in the mid-'50s, originated on the Round-up model 6130. One of the most coveted of the vintage Gretsch models, the Round-up was introduced in late 1953, and then discontinued early in 1955 after only a handful of batches and fewer than 450 examples were manufactured. (Guitar courtesy of Dave Rogers, photo by Tim Mullally)

The emotional wallop of the acoustic guitar sometimes flies under the radar. Even if you mostly play electric, here are some things to consider about unplugging.

I have a love-hate relationship with acoustic guitars. My infatuation with the 6-string really blasted off with the Ventures. That’s the sound I wanted, and the way to get it was powered by electricity. Before I’d even held a guitar, I knew I wanted a Mosrite, which I was sure was made of fiberglass like the surfboards the Beach Boys, Surfaris, and the Challengers rode in their off time. Bristling with space-age switchgear and chrome-plated hardware, those solidbody hotrod guitars were the fighter jets of my musical dreams. I didn’t even know what those old-timey round-hole guitars were called. As the singing cowboys Roy Rogers and Gene Autrey strummed off into the sunset, the pace of technology pushed the look and sound of the electric guitar (and bass) into the limelight and into my heart. Imagine my disappointment when I had to begin my guitar tutelage on a rented Gibson “student” acoustic. At least it sort of looked like the ones the Beatles occasionally played. Even so, I couldn’t wait to trade it in.

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Megadeth founder teams up with Gibson for his first acoustic guitar in the Dave Mustaine Collection.

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The bass wiz and author shares deep wisdom about bass, music, and more.

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