Throughout the year we collect stories and photos of guitar-mod projects created by you, our beloved readers. Some of these guitars are so inspiring we’re compelled to share them with everyone in this annual Hot Rod issue. As always, you don’t disappoint. And by using fetching racecar flame designs, several readers even revealed their devotion to the original “hot rod” culture!
We couldn’t fit all of your mod submissions here, but look for more stories in our “Hot-Rod Gallery – Reader’s Edition” online next month.
Walrus Audio Lore Reverse Soundscape Generator
Create the soundtrack to your storybook adventure with the Lore Reverse Soundscape Generator. Made up of five different programs, the Lore is an ambient creation machine built around reverse delay and reverbs. Featuring two DSP chips running in series, each with their own analog feedback path, the Lore takes you on an adventurous journey rich with themes of reversing, time-stretching, pitch-shifting, and vast ambiance.
Stevie Ray Vaughan was a force of nature. With his “Number One” Strat, he drove a veritable trove of amps—including vintage Fenders, a rotating Vibratone cab, and a Dumble—to create one of the most compelling tones of all, capable of buttery warmth, percussive pick articulation, and cathartic, screaming excess. As he drew upon an endless well of deeply informed blues guitar vocabulary, his creativity on the instrument seemingly knew no bounds.
Your 100 Guitarists hosts are too young to have experienced SRV live. We’ve spent decades with the records, live bootlegs, and videos, but we’ll never know quite how it felt to be in the room with SRV’s guitar sound. So, we’d like to spend some time imagining: How did it feel when it hit you? How did he command his band, Double Trouble? The audience?
SRV was mythical. His heavy-gauge strings tore up his fingers and made a generation of blues guitarists work a lot harder. And his wall of amps seems finely curated to push as much air in all directions as possible. How far did he take it? Was he fine-tuning his amps to extreme degrees? Or could he get his sound out of anything he plugged into?
This episode is sponsored by Divided by 13.
Learn more: https://dividedby13.com
Simple controls make it easy to use, while models derived from the award-winning HX family of processors ensure exceptional hard-driving sound quality and authentic feel.
This new unit gives players seven amps, seven cabs, and 17 distortion, modulation, reverb, and delay effects—including a looper—and it may be powered by three AA batteries (included) or an optional 9-volt power supply.
Guitarists can also download the free POD Express Edit app for their computers or mobile devices to quickly and easily access a world of deeper tone editing, preset management, and global settings.
“For a wide variety of Metal guitarists, the POD Express Black is a great all-in-one modeler that gives them a unique selection of high-gain tones, plus essential effects,” says Rick Gagliano, Line 6 Director of Product Management. “It’s compact, fun and easy to use, affordable, and—most importantly—it features tones derived from the Helix family of products.”
Additional features include stereo outputs, tap tempo, a tuner, a noise gate, a headphone output, and a USB-C audio interface with re-amping capabilities. Add an optional expression pedal for volume control, or up to two footswitches to select presets or turn effects on and off.
The POD Express family, which also includes the previously released POD Express Guitar and POD Express Bass, represents the latest evolution of a line that began in 1998 with the groundbreaking red "kidney-bean" POD—the portable processor that pioneered the amp modeling revolution.
POD Express Black is $179.99
For more information, please visit line6.com.
