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GALLERY: Russian Circles Gear at Electrical Audio in Chicago
Earlier this year, Premier Guitar went into Steve Albini’s Electrical Audio studio with Russian Circles as they recorded their fifth studio album, Memorial. We give you an inside look at the gear of this legendary music-making space.
A native of the Pacific Northwest, Jordan grew up traveling the country as the son of theater technical directors and speech instructors. His exposure to the performing arts early on helped foster his love for music and attention to detail, and upon receiving his first guitar at age 15, he became hooked. Jordan brings a considerable background of gear knowledge and tech experience to Premier Guitar, and has contributed an extensive amount of articles, artist interviews and Rig Rundown videos since late 2008. He lives in the Iowa City area, where he also works to bring music education initiatives to both local and regional communities.
Taylor Guitars continues to evolve the acoustic guitar experience with the introduction of the Next Generation 512ce and 712ce, two new Grand Concert models that bring a powerful combination of tonal character, player-focused innovation and effortless playability to one of Taylor’s most comfortable body shapes.
Renowned amp builder and pickup designer (holding three patents), Dylana Nova Scott speaks with John Bohlinger about her pursuits of creating responsive systems of guitar tone that inspire music, explains that a circuit is never perfect or complete, recalls being in the hair-metal scene when the Nirvana bomb dropped, and surviving the gear industry through perseverance and innovation.
This month's roundup features 15 essential releases, including EarthQuaker Devices’ all-analog tube preamp, Red Panda’s new pitch delay, and a studio-grade line isolator from Lehle. Whether you need vintage grit or modern precision, we’ve got the highlights.
When Japanese engineer Susumu Tamura designed the Maxon OD808 overdrive, he could hardly have known that it and its export twin, the Ibanez TS808 Tube Screamer, would become perhaps the most influential and, probably, imitated pedals in stomp box history. In fact, upon its introduction in 1979, the Tube Screamer, whose smooth sound is characterized by a bass roll off, midrange bump, and slight high-end attenuation, was not an instant success. But as the pedal was adopted by players as disparate as Stevie Ray Vaughan and Kirk Hammett, it gradually became a ubiquitous presence on pedalboards of all persuasions.