Amazing oomph and wonderfully weird ring-modulator tones somehow cram in next to classic octave sounds in this tiny treasure.
Recorded with a Squier/Warmoth “Jazzblaster” into the Octava Micro and an MXR Reverb, and then routed to a Jaguar HC50 miked with a Royer R-121 and a Goodsell Valpreaux 21 miked with a Shure SM57, both feeding an Apogee Duet going into GarageBand with no EQ-ing, compression, or effects.
Clip 1: Bridge pickup. First bypassed, then with Octava volume at 3 o’clock, blend at max, filter at 1 o’clock, drive at 4:30, and fuzz circuit disengaged.
Clip 2: Neck pickup. First bypassed, then with Octava (fuzz circuit engaged) volume at 11 o’clock, and blend, filter, and drive at max.
Killer range of gnarly, classic-sounding fuzz and octave tones. Astounding oomph in tiny footprint.
Lacks mind-controlled Inspector Gadget-style popout footswitch for fuzz circuit.
Ease of Use:
The Octava Micro uses five controls—a fuzz-circuit pushbutton and volume, master blend, filter, and drive knobs—to cram an updated take on the analog octave-up circuit from Pigtronix’s Disnortion into a housing with proportions roughly the inverse of its havoc-creating potential.
While the fuzz is unfortunately not independently footswitchable, the Octava Micro is capable of lardaceously huge tones even with fuzz disabled, thanks to the powerful drive section at the beginning of the signal path.
The blend knob determines how much classic-toned octaving goes into the mix—vintage-flavored tones that’ll remind some of Hendrix and Trower—while the low-pass filter control lets you brighten or tame EQ response for different pickup types. And the volume control packs serious amp-driving wallop.
With fuzz engaged and extreme blend and drive settings, the Octava becomes far more than just an octaver, going from ring-modulator-ish sounds that eff-up certain scale intervals in a deliciously unpredictable way to transforming just about any guitar—including my vintage-voiced Tele—into a doom-rock/metal bludgeon.
Kick off the holiday season by shopping for the guitar player in your life at Guitar Center! Now through December 24th 2022, save on exclusive instruments, accessories, apparel, and more with hundreds of items at their lowest prices of the year.
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This full-amp-stack-in-a-box pedal brings a new flavor to the Guitar Legend Tone Series of pedals, Missing Link Audio’s flagship product line.
Adding to the company’s line of premium-quality effects pedals, Missing Link Audio has unleashed the new AC/Overdrive pedal. This full-amp-stack-in-a-box pedal – the only Angus & Malcom all-in-one stompbox on the market – brings a new flavor to the Guitar Legend Tone Series of pedals, Missing Link Audio’s flagship product line.
The AC/OD layout has three knobs to control Volume, Gain and Tone. That user-friendly format is perfect for quickly getting your ideal tone, and it also offers a ton of versatility. MLA’s new AC/OD absolutely nails the Angus tone from the days of “High Voltage” to "Back in Black”. You can also easily dial inMalcom with the turn of a knob. The pedal covers a broad range of sonic terrain, from boost to hot overdrive to complete tube-like saturation. The pedal is designed to leave on all the time and is very touch responsive. You can get everything from fat rhythm tones to a perfect lead tone just by using your guitar’s volume knob and your right-hand attack.
- Three knobs to control Volume, Gain and Tone
- Die-cast aluminum cases for gig-worthy durability
- Limited lifetime warranty
- True bypass on/off switch
- 9-volt DC input
- Made in the USA
MLA Pedals AC/OD - Music & Demo by A. Barrero
Sporting custom artwork etched onto the covers, the Railhammer Billy Corgan Z-One Humcutters are designed to offer a fat midrange and a smooth top end.
Billy Corgan was looking for something for heavier Smashing Pumpkins songs, so Joe Naylor designed the Railhammer Billy Corgan Z-One pickup. Sporting custom artwork etched onto the covers, the Railhammer Billy Corgan Z-One Humcutters have a fat midrange and a smooth top end. This pickup combines the drive and sustain of a humbucker with the percussive attack and string clarity of a P90. Get beefy P90 tone plus amp-pummeling output with the Railhammer Billy Corgan Z-One.
Patented Railhammer Pickups take passive guitar pickups to a new level with rails under the wound strings lead to tighter lows, and poles under the plain strings offer fatter heights. With increased clarity, the passive pickup’s tone is never sterile.
Railhammer Billy Corgan Signature Z-One Pickup Demo
For more information, please visit railhammer.com.
Designed for utmost comfort and performance, the Vertigo Ultra Bass is Mono’s answer to those who seek the ultimate gigging experience.
Complete with a range of game-changing design features, such as the patent-pending attachable FREERIDE Wheel System, premium water-resistant and reflective materials, shockproof shell structure and improved ergonomic features, the Vertigo Ultra Bass takes gear protection to the next level.
The Vertigo Ultra Bass features:
- Patent-pending FREERIDE Wheel System that allows for wheels to be attached on the case in no time, giving you the option to travel with it seamlessly
- Upgraded materials, including a water-resistant 1680D Ballistic Nylon outer shell, plush inner lining and new reflective trim for maximum backstage and night visibility
- Enhanced protection with a shockproof shell structure and heavy-duty water-resistant YKK zippers for protection from the elements
- Improved ergonomics and functionality including added back support and load-lifting detachable shoulder straps with side release buckles
- Flexible storage options with added space for touring essentials