
A fiery high-gain fuzz that stretches convention.
Wide range of hot-to-blazing fuzz sounds. Cleans up remarkably well for a high-gain device. Momentary footswitch enables quick fuzz blasts. Lifetime warranty.
Would be nice to have external access to the internal trimmers
$149
MAS Effects Sona Fuzz
mas-effects.com
With a very non-traditional Queen of Hearts graphic, sunshine yellow enclosure (one of three available finishes), and gold knobs, the MAS Effects Sona Fuzz is striking. But more important to any guitarist who likes things loud, it’s a high-gain unit that goes beyond traditional buzzy sounds. The Sona Fuzz is the brainchild of pedal builder Mark A. Stratman, a former software engineer who is also the founder of We Build Planes (a community of amateur aircraft builders). Given Startman’s CV, it’s not surprising that the true bypass Sona Fuzz is exceptionally well built. So much so that it comes with a very generous “forever” lifetime warranty that applies even if you bought the pedal secondhand. As well made as it is, though, it’s the sound and its unique place among fuzzes that will find you keeping it around long term.
The Tone Queen Roars
The Sona Fuzz’s layout is straightforward. There are knobs for fuzz, volume, tone, and a “body” toggle switch for the high pass filter, which thins the output or makes it fatter with bottom end. This is particularly useful for tailoring your sound to match single-coils or humbuckers. Under the hood are two internal trimmers. One is a bias control that can be set to achieve a splatty, fractured fuzz. The other is a gain control. As shipped from the factory, it’s set just short of maximum, which MAS Effects deems optimal. This trim pot allows you to get just a little bit more gain, if desired. But as we’ll discover, that’s a little on top of a lot.
I tested the Sona Fuzz using an Ernie Ball/Music Man Axis Sport guitar and a Mesa/Boogie Tremoverb combo. Starting with the fuzz (distortion) control all the way off, the Sona Fuzz was already rumbling, and gain levels sounded equivalent to a typical distortion pedal at about 50 percent gain. Sustain is already excellent at this level, especially with the body switch on. Humbucker-driven power chords, meanwhile, often sounded leaner and sweeter with the body switch off. But even single-coil lead sounds had serious teeth this far south of maximum gain.
This trim pot allows you to get just a little bit more gain, if desired. But as we’ll discover, that’s a little on top of a lot.
Bumping the fuzz control to 11 o’clock changed the character of the pedal, making it more aggressive and generating sustain that pushed solos to screaming. There’s still more aggression to source, though. Maxing the fuzz control makes power chords a wall of doom, and single notes sustain almost endlessly, blossoming into feedback rather than decaying as they do at lower fuzz settings. Putting the body switch in the off position at these high gain settings still offers a cool alternate tonal color. I expected the extra high end to induce less-desirable feedback. But when pushed to these extremes, the Sona Fuzz was still pretty noise-free with nary a squeak or squeal to report. Although, as MAS Effects notes, if you max out the internal gain trim pot, the pedal will get noisy fast.
One of the distinguishing and unexpected features of the Sona Fuzz is that, while it can get downright filthy, the pedal also cleans up when you reduce guitar volume. Even at the maxed-out fuzz setting, when I turned my guitar’s volume down to about 40 percent of full volume the pedal was transformed. Low-register notes got smoother and individual notes in full barre chords were easy to discern. With single-coils I could even get clean enough to play folky triad figures without sounding ridiculous.
The Verdict
The Sona Fuzz is a versatile fuzz pedal that can cover the sonic ground between fuzz and high-gain distortion. Unusual for a fuzz, it uses a soft-touch footswitch that can be operated as a momentary switch, so you seamlessly incorporate the fuzz sound in strategically or rhythmically driven doses, inviting a lot of musical ideas that can take advantage of the ultra-potent fuzz and the major discrepancies between those sounds and clean ones. This is a gain device with a lot of potential.
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It’s almost over, but there’s still time to win! Enter Stompboxtober Day 30 for your shot at today’s pedal from SoloDallas!
The Schaffer Replica: Storm
The Schaffer Replica Storm is an all-analog combination of Optical Limiter+Harmonic Clipping Circuit+EQ Expansion+Boost+Line Buffer derived from a 70s wireless unit AC/DC and others used as an effect. Over 50 pros use this unique device to achieve percussive attack, copious harmonics and singing sustain.
A 1000-watt speaker cabinet crafted for musicians who demand power and precision. Sunn Amps intends to reinvent the standard 4x12 configuration with the introduction of this new cabinet.
The Sunn Amps DoomBox is built to accommodate both guitar and bass, offering an impressive 1000-watt handling capacity—making it the first commercially available 4x12 cabinet with such high power handling. With four specially designed 12” drivers rated at 250 watts each, this cabinet provides clean, unrestrained sound levels that can maintain power integrity across all frequencies, ideal for high-volume performances.
Inspired and developed using feedback from artists and bands who rely on the depth of lower tunings and high volume genres, the DoomBox was engineered to meet the unique demands of professional musicians looking for a robust, high-efficiency cab that can translate the raw power of their sound without compromise.
Premium Craftsmanship and Materials
The Doom Box cabinet is crafted from solid finger-jointed Baltic Birch plywood, ensuring both durability and tonal clarity. Each cabinet is constructed by hand in the U.S.A. using original 1930s machinery, the DoomBox reflects Sunn’s historic commitment to quality, contrasting with some of the mass-produced, MDF-based cabinets on the market today. The cabinet’s aluminum basket, ferrite magnet, and custom Sunn weave Tolex with a custom grill design complete its professional-grade build.
Technical Specifications:
• Power Handling: 1000W
• Inputs: 1 x ¼”
• Impedance: 8 Ohm
• Drivers: 4 x Sunn 12S250
• Construction: Marine Grade Baltic Birch
• Dimensions: 29.25” X 30” X 14”
• Weight: 107 lbs
• Price: $2399.00
With clear low-end punch, even sound response, and ample air movement, the Doom Box ensures that every note reaches the audience with clarity and power. This cabinet is a game-changer for musicians who need high-performance, road-ready equipment that enhances their unique sound.
Does the guitar’s design encourage sonic exploration more than sight reading?
A popular song between 1910 and 1920 would usually sell millions of copies of sheet music annually. The world population was roughly 25 percent of what it is today, so imagine those sales would be four or five times larger in an alternate-reality 2024. My father is 88, but even with his generation, friends and family would routinely gather around a piano and play and sing their way through a stack of songbooks. (This still happens at my dad’s house every time I’m there.)
Back in their day, recordings of music were a way to promote sheet music. Labels released recordings only after sheet-music sales slowed down on a particular song. That means that until recently, a large section of society not only knew how to read music well, but they did it often—not as often as we stare at our phones, but it was a primary part of home entertainment. By today’s standards, written music feels like a dead language. Music is probably the most common language on Earth, yet I bet it has the highest illiteracy rate.
Developed specifically for Tyler Bryant, the Black Magick Reverb TB is the high-power version of Supro's flagship 1x12 combo amplifier.
At the heart of this all-tube amp is a matched pair of military-grade Sovtek 5881 power tubes configured to deliver 35-Watts of pure Class A power. In addition to the upgraded power section, the Black Magick Reverb TB also features a “bright cap” modification on Channel 1, providing extra sparkle and added versatility when blended with the original Black Magick preamp on Channel 2.
The two complementary channels are summed in parallel and fed into a 2-band EQ followed by tube-driven spring reverb and tremolo effects plus a master volume to tame the output as needed. This unique, signature variant of the Black Magick Reverb is dressed in elegant Black Scandia tolex and comes loaded with a custom-built Supro BD12 speaker made by Celestion.
Price: $1,699.