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SNAMM '17 - Peavey HP2 Demo

We take a listen to a familiar-looking shred machine that's handmade in the U.S. of A.

Fender Musical Instruments Corporation (FMIC) today announces the launch of the Player II Modified — a bold expansion of its Player II series. Featuring select electric guitar and bass models enhanced with performance-driven upgrades, Player II Modified offers modern players refined tone, performance, and style straight out of the box. As an extension of the best-selling guitar series in Fender’s nearly 80-year history, Player II Modified builds on this legacy with expanded tonal versatility, elevated playability, and modern enhancements that meet the needs of a new generation of players.

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In this episode of 100 Guitarists, we’re talking all things surf rock, from reverb to tremolo picking and much more. And while ā€œMisirlouā€ is undisputedly his most influential work, maybe Dale’s best records didn’t come until a few decades later.

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Analog modulation guided by a digital brain willing to get weird.

Fun, fluid operation. Capable of vintage-thick textures at heavier gain settings. High headroom for accommodating other effects.

MIDI required to access more than one preset—which you’ll probably long for, given the breadth of voices.

$369

Kernom Elipse

kernom.com

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If you love modulation—and lots of it—you can eat up a lot of pedalboard space fast. Modulation effects can be super-idiosyncratic and specialized, which leads to keeping many around, particularly if you favor the analog domain. TheKernom Elipse multi-modulator is pretty big and, at a glance, might not seem the best solution for real estate scarcity. Yet the Elipse is only about 1 1/4" wider than two standard-sized Boss pedals side by side. And by combining an analog signal path with digital control, it makes impressive, efficient use of its size—stuffing fine-sounding harmonic tremolo, phaser, rotary-style, chorus, vibrato, flanger, and Uni-Vibe-style effects into a single hefty enclosure. Many of the effects can also be blended and morphed into one another using a rotary control aptly called ā€œmood.ā€ The Elipse, most certainly, has many of those.

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Fabulous neck with just-right fatness. Distinctive tone profile. Smooth, stable vibrato. Ice blue metallic and aluminum look delish together.

Higher output pickups could turn off Fender-geared traditionalists.

$939

Eastman FullerTone DC’62

eastmanguitars.com

4
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An affordable version of Eastman’s U.S.-made solidbody rolls with unique, well-executed features—at a price and quality level that rivals very tough competition.

Eastman’s instruments regularly impress in terms ofquality and performance. A few left my PG colleagues downright smitten. But if Eastman isn’t a household name among guitarists, it might be a case of consumer psychology: Relative to most instruments built in China, Eastmans are expensive. So, if you spend your life longing for a Gibson 335 and a comparable (if superficially fancier) Eastman costs just 20 percent less than the least expensive version of the real deal, why not save up for a bit longer and get the guitar of your dreams?

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