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What Bohlinger Plays: Hybrid-Picking Double-Stop Chromaticism

In this installment, the Lee Brice sideman pairs sophisticated-sounding chromatic-scale moves with a hybrid-picking technique you can easily move around the fretboard for a unique sound in a variety of styles and keys.


Premier Guitar's John Bohlinger reveals his personal playing tips and tricks in short, bite-sized lessons. In this installment of WBP, the Lee Brice sideman pairs sophisticated-sounding chromatic-scale moves with a hybrid-picking technique you can easily move around the fretboard for a unique sound in a variety of styles and keys.

On our season two finale, the country legend details his lead-guitar tricks on one of his biggest hits.

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$149

Marshall 1959 Super Lead

marshall.com

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The very definition of classic, vintage Marshall sound in a highly affordable package.

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The Miku was introduced about 10 years ago and is based on the vocal stylings of Hatsune Miku, a virtual pop icon. But it does much more than artificial vowels and high-pitched words.

It’s tempting to think of this pedal as a joke. Don’t.

It all started a few years ago through a trade with a friend. I just wanted to help him out—he really wanted to get a fuzz pedal but didn’t have enough cash, so he offered up the Korg Miku. I had no idea then, but it turned out to be the best trade I’ve ever made.

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Two guitars, two amps, and two people is all it takes to bring the noise.

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