Ryan Malicsi Signature
Reverend introduces new signatures, an addition to its Sensei line, and a new 5-string bass.
Ryan Malicsi has been leaning on his trustworthy Jetstream 390s for years with Hot Mulligan. His highly anticipated signature model brings upgraded styling to the Jetstream 390 platform. Armed with gold hardware, a backsprayed pickguard, dazzling finishes, and a brazen reverse headstock – this guitar makes a statement before you even hit that first power chord!
Ryan Malicsi is the lead guitar player of the Lansing, MI emo band, Hot Mulligan. With three full-length albums, a fistful of EPs, and near-constant touring with other big-name Emo bands, Hot Mulligan has become the #1 Hot New Band they proclaimed on their socials.
The Reverend Ryan Malicsi Signature is now available through any Reverend Authorized Dealer.
For more information, please visit reverendguitars.com.
Sensei H90
Reverend Guitars is proud to bring its popular Humbucker/P90 pickup setup to the Sensei guitar series. This versatile combination lets players easily switch between powerful and smooth tones or blend the pickups for a unique crunchy and twangy sound. Now available through any Reverend Authorized Dealer, the Reverend Sensei H90 is a must-have for any serious guitar collection.
Reverend Bob Balch Floyd
When Bob Balch asked for a new trem model, Reverend Guitars equipped the guitar with the Floyd Rose 1000 Series Pro. The new guitar offers players enhanced performance, versatility, and exceptional tuning stability – even during divebombs. Adding the Floyd's metallic mass enhances the sparkle and harmonic richness to the tone. Reverend Guitar's Joe Naylor designed this guitar for uncompromising performance that’s ready to meet the demands of any player.
Bob Balch is the lead guitarist for fuzz rock giants Fu Manchu. He also pioneered a successful guitar education website called playthisriff.com, where he invites metal, punk, and other heavy guitarists to teach a few songs to his subscribers. This guitar is the second signature model with Bob Balch from Reverend Guitars.
The Reverend Bob Balch Floyd is now available through any Reverend Authorized Dealer.
Reverend Pete Anderson Eastsider E
Reverend Guitars announces the Reverend Pete Anderson Eastsider E. The single-pickup version of the popular Eastsider is a streamlined tone machine. With the versatile Telbucker pickup at the bridge, players can choose between three distinct tones using the unique 3-way Voice Selector circuit:
- bright percussive twang
- full hot humbucker
- fat round warmth
The Eastsider E is the fifth model in the Eastsider series, developed in collaboration with acclaimed guitarist and producer Pete Anderson. The other models include the Eastsider T, Eastsider S, Eastsider Baritone, and the set-neck Eastsider Custom.
You can now find the Reverend Pete Anderson Eastsquire at any Reverend Authorized Dealer.
Triad-5
Reverend Guitars is excited to introduce the 5-string version of the renowned Triad bass. Featuring three Jazz Bomb pickups and a 5-way selector, it provides easy access to five distinct tones. The block inlays add a touch of elegance to its design, ensuring the instrument looks as great as it sounds. For those seeking a highly versatile 5-string bass, the Triad 5 is the perfect choice.
The Reverend Triad-5 is now available through any Reverend Authorized Dealer.
EHX Slap-Back Echo Demo
Electro-Harmonix Slap-Back Echo Pedal
1978 rarity reissued with modern updates and a tiny pico footprint!
While digital audio workstations (DAWs) have revolutionized music production, offering unparalleled editing and flexibility, many producers, including me, still mix back into an analog console for the sonic character and three-dimensionality that it imparts. But buying a professional console isn’t cheap! This is where console summing boxes come into play, offering a unique way to enhance your mixes and elevate them to a professional level.
How Does It Work?
Very simply put, recording consoles have two basic sections: an input section (all the channels of mic pres, and EQ) and a center section (that sums all of the channels together and routes those signals to various configurable outputs such as inserts and aux buses). A console summing mixer is essentially the center section of a console and is designed to sum the individual audio channels, aux buses, stems, and submixes from your DAW in an analog domain.
In a DAW, digital summing—the process of combining multiple tracks and buses into a stereo mix—is handled through complex binary algorithms that, while precise, can sometimes lead to a mix that feels lifeless and one-dimensional, lacking the warmth, depth, and cohesion that analog consoles impart.
One of the most significant advantages of using a summing box is the introduction of harmonic distortion, a natural byproduct of analog circuitry. This isn’t like amp or pedal distortion, but rather a subtle harmonic saturation that adds richness and character to the sound. Low-end frequencies gain girth and definition, while high frequencies have a smooth, silky quality. You can achieve natural compression through subtle variations in phase and amplitude, but that depends on how hard you push the summing mixer box.
But the best benefit, in my opinion, is its ability to produce an undeniably open stereo image. Digital summing, while accurate, often lacks dimension or a sense of space. Analog summing introduces subtle variations in phase and amplitude, creating a sense of width and depth that makes each instrument feel like it occupies its own space in a more 3-D stereo field, which results in a more engaging and polished mix. I’ve also found summing boxes encourage a more deliberate and thoughtful approach to mixing, as it requires submixing certain elements.
API’s ASM164 ($3,195 street) is wildly flexible, offering VU meters, multiple inserts, two separate stereo mix options, and more.
For those who work “in-the-box” and aren’t in the market for a summing box, let alone a console, incorporating a summing box can also serve as a valuable learning tool. By running stems through a summing box and comparing the results to an entirely digital mix, you can train your ear to recognize the subtle qualities that make a mix feel warm, cohesive, spatial, and dynamic. This heightened awareness can then inform your in-the-box mixing decisions, even when you’re not using a summing box.
“Whether you want to add depth and dimension to your tracks, enhance your stereo image, or bring a touch of analog magic to your mixes, a summing box can be a gamechanger."
It’s important to choose the right summing box for your needs and budget, as different models offer varying sonic characteristics. Good summing mixers typically start around $2,000, such as Rupert Neve Design’s 5057 Orbit Summing Mixer. While more expensive, API’s ASM164 ($3,195 street) is wildly flexible, offering VU meters, multiple inserts, two separate stereo mix options, and more. The key here is to understand your needs.
Pairing a summing box with high-quality outboard processors, such as compressors or EQs, will allow you to shape your mix in ways that are impossible within a purely digital setup.
Whether you want to add depth and dimension to your tracks, enhance your stereo image, or bring a touch of analog magic to your mixes, a summing box can be a gamechanger. For anyone serious about mixing, it’s a tool worth considering—one that can make the difference between a mix that’s good and one that’s truly exceptional. Until next month, namaste
