A lightweight, low-powered combo amp with 3-band EQ, flexibility, and high headroom.
Operating in Cathode Bias on a single JJ 6V6GT output tube; the new compact, 5 watt combos are a small format, light weight, low powered 110 combo amplifier that possesses professional grade tone, high headroom and maximum flexibility. Loaded with a 10ā speaker by American boutique speaker company, WGS Speakers, the Spanky JR 6VEL is Cathode Bias and is compatible with virtually every octal-based power and rectifier tube. The Spanky JR 6VEL utilizes one each octal-based power and rectifier tube socket with supported power tubes including 6V6 (standard), EL34, 6L6, 5881, KT66. Supported rectifier tubes include 5Y3 (standard), 5U4, and 5AR4/GZ34. Other features include an American voiced preamp, 3-band EQ, and a tube driven spring reverb that features FLOOD MODE - turning the unit into a stand-alone all-wet reverb effect.
Features
- Clean, American Voiced, High Headroom Preamp Section
- 3-Band EQ
- Tube Driven Spring Reverb with Flood Mode Switch
- Single-ended 6VEL Cathode-biased Output Tube Section
- Runs on 6V6 (standard), 6L6, EL34, 5881, and more
- Over-sized /Overbuilt Power Transformer and Power Supply
- 5Y3 Tube Rectified as standard (5U4, GZ34 compatible)
- Hand-wired and Hand Built in Nashville, TN
- Limited Lifetime Warranty
All 3rd Power amplifiers are hand-built in the USA and feature point-to-point turret board construction. Spanky JR 6VEL is now at introductory prices starting around $1899. For sound clips and more information, please visit www.3rdPower.com.
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The two-in-one āsonic refractorā takes tremolo and wavefolding to radical new depths.
Pros: Huge range of usable sounds. Delicious distortion tones. Broadens your conception of what guitar can be.
Build quirks will turn some users off.
$279
Cosmodio Gravity Well
cosmod.io
Know what a wavefolder does to your guitar signal? If you donāt, thatās okay. I didnāt either until I started messing around with the all-analog Cosmodio Instruments Gravity Well. Itās a dual-effect pedal with a tremolo and wavefolder, the latter more widely used in synthesis that , at a certain threshold, shifts or inverts the direction the wave is travelingāin essence, folding it upon itself. Used together here, they make up what Cosmodio calls a sonic refractor.
Two Plus One
Gravity Wellās design and control set make it a charm to use. Two footswitches engage tremolo and wavefolder independently, and one of three toggle switches swaps the order of the effects. The two 3-way switches toggle different tone and voice options, from darker and thicker to brighter and more aggressive. (Mixing and matching with these two toggles yields great results).
The wavefolder, which has an all-analog signal path bit a digitally controlled LFO, is controlled by knobs for both gain and volume, which provide enormous dynamic range. The LFO tremolo gets three knobs: speed, depth, and waveform. The first two are self-explanatory, but the latter offers switching between eight different tremolo waveforms. Youāll find standard sawtooth, triangle, square, and sine waves, but Cosmodio also included some wacko shapes: asymmetric swoop, ramp, sample and hold, and random. These weirder forms force truly weird relationships with the pedal, forcing your playing into increasingly unpredictable and bizarre territories.
This is all housed in a trippy, beautifully decorated Hammond 1590BB-sized enclosure, with in/out, expression pedal, and power jacks. I had concerns about the durability of the expression jack because itās not sealed to its opening with an outer nut and washer, making it feel more susceptible to damage if a cable gets stepped on or jostled near the connection, as well as from moisture. After a look at the interior, though, the build seems sturdy as any Iāve seen.
Splatterhouse Audio
Cosmodioās claim that the refractor is a āfirst-of-its-kindā modulation effect is pretty grand, but they have a point in that the wavefolder is rare-ish in the guitar domain and pairing it with tremolo creates some pretty foreign sounds. Barton McGuire, the Massachusetts-based builder behind Cosmodio, released a fewĀ videos that demonstrate, visually, how a wavefolder impacts your guitarās signalāI highly suggest checking them out to understand some of the principles behind the effect (and to see an ā80s Muppet Babies-branded keyboard in action.)
By folding a waveform back on itself, rather than clipping it as a conventional distortion would, the wavefolder section produces colliding, reflecting overtones and harmonics. The resulting distortion is unique: It can sound lo-fi and broken in the low- to mid-gain range, or synthy and extraterrestrial when the gain is dimed. Add in the tremolo, and youāve got a lot of sonic variables to play with.
Used independently, the tremolo effect is great, but the wavefolder is where the real fun is. With the gain at 12 oāclock, it mimics a vintage 1x10 tube amp cranked to the breaking point by a splatty germanium OD. A soft touch cleans up the signal really nicely, while maintaining the weirdness the wavefolder imparts to its signal. With forceful pick strokes at high gain, it functions like a unique fuzz-distortion hybrid with bizarre alien artifacts punching through the synthy goop.
One forum commenter suggested that the Gravity Well effect is often in charge as much the guitar itself, and thatās spot on at the pedaāt extremes. Whatever you expect from your usual playing techniques tends to go out the window āgenerating instead crumbling, sputtering bursts of blubbering sound. Learning to respond to the pedal in these environments can redefine the guitar as an instrument, and thatās a big part of Gravity Wellās magic.
The Verdict
Gravity Well is the most fun Iāve had with a modulation pedal in a while. It strikes a brilliant balance between adventurous and useful, with a broad range of LFO modulations and a totally excellent oddball distortion. The combination of the two effects yields some of the coolest sounds Iāve heard from an electric guitar, and at $279, itās a very reasonably priced journey to deeply inspiring corners you probably never expected your 6-string (or bass, or drums, or Muppet Babies Casio EP-10) to lead you to.
The ā60s Were Weird and So Were the ā90sāThanks, Santana
Was Supernatural his ultimate gift to the world?
Carlos Santanaās career arc has been a journey. From blowing minds at the far edges of psychedelia at Woodstock to incendiary jazz experimentalism with the likes of John McLaughlin and Alice Coltrane to later becoming a chart-topping star with some of the biggest collaborators in pop and rock, his guitar playing has covered a lot of ground.
On this episode of 100 Guitarists, weāre covering everything about Santanaās playing we can fit in one neat package: How did Santanaās sound evolve? Has any other rock star mentioned John Coltraneās A Love Supreme on morning network television? Was Supernatural his ultimate gift to the world?
In our new current listening segment, weāre talking about a Bruce Hornsby live record and a recent release from guitarist Stash Wyslouch.
This episode is sponsored by PRS Guitars.
Learn more: https://prsguitars.com.
Lollar Pickups introduces the Deluxe Foil humbucker, a medium-output pickup with a bright, punchy tone and wide frequency range. Featuring a unique retro design and 4-conductor lead wires for versatile wiring options, the Deluxe Foil is a drop-in replacement for Wide Range Humbuckers.
Based on Lollarās popular single-coil Gold Foil design, the new Deluxe Foil has the same footprint as Lollarās Regal humbucker - as well as the Fender Wide Range Humbucker ā and itās a drop-in replacement for any guitar routed for Wide Range Humbuckers such as the Telecaster Deluxe/Custom, ā72-style Tele Thinline and Starcaster.
Lollarās Deluxe Foil is a medium-output humbucker that delivers a bright and punchy tone, with a glassy top end, plenty of shimmer, rich harmonic content, and expressive dynamic touch-sensitivity. Its larger dual-coil design allows the Deluxe Foil to capture a wider frequency range than many other pickup types, giving the pickup a full yet well-balanced voice with plenty of clarity and articulation.
The pickup comes with 4-conductor lead wires, so you can utilize split-coil wiring in addition to humbucker configuration. Its split-coil sound is a true representation of Lollarās single-coil Gold Foil, giving players a huge variety of inspiring and musical sounds.
The Deluxe Foilās great tone is mirrored by its evocative retro look: the cover design is based around mirror images of the āLā in the Lollar logo. Since the gold foil pickup design doesnāt require visible polepieces, Lollartook advantage of the opportunity to create a humbucker that looks as memorable as it sounds.
Deluxe Foil humbucker features include:
- 4-conductor lead wire for maximum flexibility in wiring/switching
- Medium output suited to a vast range of music styles
- Average DC resistance: Bridge 11.9k, Neck 10.5k
- Recommended Potentiometers: 500k
- Recommended Capacitor: 0.022Ī¼F
The Lollar Deluxe Foil is available for bridge and neck positions, in nickel, chrome, or gold cover finishes. Pricing is $225 per pickup ($235 for gold cover option).
For more information visit lollarguitars.com.
A 6L6 power section, tube-driven spring reverb, and a versatile array of line outs make this 1x10 combo an appealing and unique 15-watt alternative.