A familiar sight in the backline of some of the world’s biggest bands, Ashdown bass amps have a global reputation for delivering solid, bottom-end tone with just the right features required by the busy, working bass player.

​On stage, the mic’d cabinet emulations can be sent direct to the PA, while the cabinet on stage acts as a monitor. And in the studio, the LB-30 2.N can be used without a cabinet, with the speaker emulation output connected directly to the recording console.

Cabinet emulations are selected by a rotary control on the front panel, and program changes and more sophisticated editing of mic placement, etc. are facilitated by MIDIand USB ports round the back.