Sheeran Looper +
Ed Sheeran launches his own line of looper pedals. These stomps feature hold functionality designed to undo/redo and clear your loops with ease.
Ed Sheeran launches the “Looper +” and “Looper X”. Both models share the same DNA as Ed’s signature stadium-stage looper. Crafted by Ed and his production team in collaboration with in Music Brands Inc, Sheeran Loopers showcase state-of-the-art audio technology powered by HeadRush FX.
The Sheeran Looper + is a compact, and featured-packed looper, tailor-made for street and stage performances. Looper + features the same die-cast aluminum pedals from Ed’s stadium-stage looper alongside a full-color LCD display, LED performance feedback, and unique looper modes to spark creativity. Looper + offers professional 32-bit audio quality, mains, and battery power options with microphone, instrument, and USB connectivity. Priced at just $299, “Looper +” unleashes class-leading technology, catering to performers at every level – from newcomers embarking on their looping journey to seasoned pros seeking an electrifying upgrade.
Sheeran Looper X
Looper X is a evolution of Ed’s stadium looping tech with pro audio, tour-grade hardware, and world-class looping software. Featuring Ed’s iconic Sheeran Looper workflow, precision-engineered die-cast aluminum pedals, a 7” multi-touch display, and an RGB LED performance feedback system. Other key features include versatile looper modes, loop remix functions, real-time waveform rendering and metering, a built-in chromatic tuner, a professional Multi FX engine, and 32-bit audio powered by the mighty Headrush FX. The Sheeran Looper X includes an impressive array of professional I/O with USB audio and expandable SD card storage. Priced at just $1199, Looper X offers Ed Sheeran’ssignature looper tech in a completely stand-alone package for musicians to elevate their own songwriting and craft inspiring live performances.
The Sheeran Loopers Story - (Full Version)
“We wanted to give people all my looping tools,” says Ed. “The technology we developed over the past decade has helped me share my craft with people all over the world and we can’t wait to see what you can do with it.”
“We have worked with in Music and the team at HeadRush FX for years now, it felt like the right step to join forces and bring together all our tech to make this happen.”
MAP: $299.
For more information, please visit sheeranloopers.com.
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Grammy-nominated session guitarist, producer, mixer, and engineer Paul Moak stays busy on multiple fronts. Over the years he’s written, played, produced and more for TV sessions (Pretty Little Liars, One Tree Hill) and artists including Third Day, Leeland, and the Blind Boys of Alabama. But most recently he’s worked with Heart and Ann Wilson and Tripsitter.
Time Traveler
Moak is most loyal to a 1963 Stratocaster body that’s mated to a 1980s-vintage, 3-bolt, maple, bullet-truss-rod, 1969-style Fender Japan neck. The bridge has been swapped as many as four times and the bridge and neck pickups are Lindy Fralins.
Cool Cat
If there’s one guitar Moak would grab in a fire, it’s the Jaguar he’s had since age 20 and used in his band DC Talk. When Moak bought the guitar at Music Go Round in Minneapolis, the olympic white finish was almost perfect. He remains impressed with the breadth of tones. He likes the low-output single-coils for use with more expansive reverb effects.
Mystery Message Les Paul
Moak’s 1970 L.P. Custom has a number of 1969 parts. It was traded to Moak by the band Feel. Interestingly, the back is carved with the words “cheat” and “liar,” telling a tale we can only speculate about.
Dad Rocker
Almost equally near and dear to Moak’s heart is this 1968 Vox Folk Twelve that belonged to his father. It has the original magnetic pickup at the neck as well as a piezo installed by Moak.
Flexi Plexis
This rare and precious trio of plexis can be routed in mix-and-match fashion to any of Moak’s extensive selection of cabs—all of which are miked and ready to roll.
Vintage Voices
Moak’s amps skew British, but ’60s Fender tone is here in plentitude courtesy of a blonde-and-oxblood Bassman and 1965 Bandmaster as well as a 2x6L6 Slivertone 1484 Twin Twelve.
Guess What?
The H-Zog, which is the second version of Canadian amp builder Garnet’s Herzog tube-driven overdrive, can work as an overdrive or an amp head, but it’s probably most famous for Randy Bachman’s fuzzy-as-heck “American Woman” tone.
Stomp Staff
While the Eventide H90 that helps anchor Moak’s pedalboard can handle the job of many pedals, he may have more amp heads on hand than stompboxes. But essentials include a JHS Pulp ‘N’ Peel compressor/preamp, a DigiTech Whammy II, DigiTech FreqOut natural feedback generator, a Pete Cornish SS-3 drive, Klon Centaur, and Electro-Harmonix Deluxe Memory Man.
Reverend Descent W Baritone Electric Guitar - Transparent White
