Fender Musical Instruments Corporation (FMIC) today released the Jason Isbell Custom Telecaster, marking Isbell's first collaboration with the iconic guitar brand as part of its Artist Signature Series.
The four-time Grammy award winning singer-songwriter worked closely with Fender on the design, ensuring his signature Telecaster came equipped with all of the same modifications - even his known Road Worn markings - that the Americana guitarist has sought out for touring and recording throughout the years.
"This collaboration with Fender is huge for me. I've owned and played Fender guitars since I was 12 years old and I consider their instruments to be a big part of my musical journey," said Jason Isbell. "I wanted to create a road-worn version of my go-to Telecaster guitar because you can enjoy the instrument without worrying so much about scratching it up! When I was a kid and got my brand-new Fender [guitar] for Christmas, just holding the thing terrified me until it had a few dings and scratches on it. Then I felt more comfortable with it."
The Jason Isbell Custom Telecaster | Artist Signature Series | Fender
Known for his impressive guitar chops, incisive lyrics and powerful voice, Jason Isbell has emerged as a leading face of the Americana movement – a dynamic blend of traditional roots music and modern rock. His collaboration with Fender aims to provide fans with the same songwriting and playing tool that has led him to pioneer this intersection and define an entire genre of music. Mentored by the legendary late John Prine, Isbell's highly sought-after sound was used to inspire Bradley Cooper's character in A Star Is Born, and he's lent his talents to groups like Drive-By Truckers and The 400 Unit in addition to his prolific solo career.
"Jason Isbell writes and plays music for the soul of America, blending the sounds that have defined country music for decades with his unique genre-bending take on soul, blues and rock," said Justin Norvell, EVP Fender Products. "We worked closely with Jason to recreate the ultimate road-worn version of his custom Telecaster for fans looking to emulate his celebrated, award-winning sound. This design is actually a combination of his favorite Tele guitars he's played throughout his career, this one being the best yet. The result is a gorgeous, vintage-inspired instrument, with a double-bound '59-style Telecaster custom body, 21- fret rosewood fingerboard and modifications throughout, including Jason Isbell pickups designed specifically to emulate his sound."
The Jason Isbell Custom Telecaster is visually striking – the Chocolate Sunburst pops against the cream double-binding of the '59-style Telecaster Custom body while Fender's Road Worn aging process gives it the look and feel of a well-used instrument. The vintage-inspired mid-'60s "C"-shaped maple neck and 21-fret rosewood fingerboard combine with the sparkling, fiery tones of the custom Jason Isbell Telecaster guitar Pickups, designed by in-house Fender tone guru Tim Shaw. The chicken-pickin' playability of the modified bridge creates a guitar that has an elegant vintage style to match its stunning classic tone.
Isbell adds, "I chose this guitar to re-create because I've put it to the test and it's really proven itself. I love the look, the sound and the playability of my custom Telecaster. It truly stays in tune and I can't wait for guitarists everywhere to give it a try."
In addition to the launch of Isbell's signature Telecaster, six of his hit songs have joined Fender Play, the complete learning app for guitar, bass and ukulele. Fans around the world can start their musical journey and play their very own Jason Isbell Custom Telecaster while learning his songs, including If It Takes A Lifetime, Overseas, If We Were Vampires, Hope the High Road, Last of My Kind and 24 Frames.
In true tradition, the Fender Artist Signature Series honors iconic musicians through product progression and storytelling, creating instruments inspired by the unique specifications of the world's greatest guitarists and bassists. From Drive-By Truckers and The 400 Unit to his GRAMMY-winning solo work, Jason Isbell has emerged as a leading voice in the Americana movement. Learn more about Fender's first ever collaboration with Jason Isbell as he talks songwriting and his Signature Telecaster.
Fender also highlights Isbell's new signature model in an episode of Fender's serialized social video series, Fender Demos™. Fender DemosTM is an educational video series focused on providing a deep dive into Fender's newest products showcasing not only the key features and benefits but also the sonic quality of Fender's instruments, amplifiers and pedals. In addition to product demos, the series also provides valuable beginner, intermediate and advanced tone tips, set-up and maintenance guides and insights to getting the most out of your Fender gear.
For more information:
Fender
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From his first listen, Brendon Small has been a lifetime devotee and thrash-metal expert, so we invited him to help us break down what makes Slayer so great.
Slayer guitarists Kerry King and Jeff Hanneman formed the original searing 6-string front line of the most brutal band in the land. Together, they created an aggressive mood of malcontent with high-velocity thrash riffs and screeching solos that’ll slice your speaker cones. The only way to create a band more brutal than Slayer would be to animate them, and that’s exactly what Metalocalypse (and Home Movies) creator Brendon Small did.
From his first listen, Small has been a lifetime devotee and thrash-metal expert, so we invited him to help us break down what makes Slayer so great. Together, we dissect King and Hanneman’s guitar styles and list their angriest, most brutal songs, as well as those that create a mood of general horribleness.
This episode is sponsored by EMG Pickups.
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The legendary German hard-rock guitarist deconstructs his expressive playing approach and recounts critical moments from his historic career.
This episode has three main ingredients: Shifty, Schenker, and shredding. What more do you need?
Chris Shiflett sits down with Michael Schenker, the German rock-guitar icon who helped launch his older brother Rudolf Schenker’s now-legendary band, Scorpions. Schenker was just 11 when he played his first gig with the band, and recorded on their debut LP, Lonesome Crow, when he was 16. He’s been playing a Gibson Flying V since those early days, so its only natural that both he and Shifty bust out the Vs for this occasion.
While gigging with Scorpions in Germany, Schenker met and was poached by British rockers UFO, with whom he recorded five studio records and one live release. (Schenker’s new record, released on September 20, celebrates this pivotal era with reworkings of the material from these albums with a cavalcade of high-profile guests like Axl Rose, Slash, Dee Snider, Adrian Vandenberg, and more.) On 1978’s Obsession, his last studio full-length with the band, Schenker cut the solo on “Only You Can Rock Me,” which Shifty thinks carries some of the greatest rock guitar tone of all time. Schenker details his approach to his other solos, but note-for-note recall isn’t always in the cards—he plays from a place of deep expression, which he says makes it difficult to replicate his leads.
Tune in to learn how the Flying V impacted Schenker’s vibrato, the German parallel to Page, Beck, and Clapton, and the twists and turns of his career from Scorpions, UFO, and MSG to brushes with the Rolling Stones.
Credits
Producer: Jason Shadrick
Executive Producers: Brady Sadler and Jake Brennan for Double Elvis
Engineering Support by Matt Tahaney and Matt Beaudion
Video Editor: Addison Sauvan
Graphic Design: Megan Pralle
Special thanks to Chris Peterson, Greg Nacron, and the entire Volume.com crew.
The in-demand New York-based musician and singer shares how she became one of the music industry’s buzziest bass players.
At 26, Blu DeTiger is the youngest musician ever to have a signature Fender bass guitar. The Fender Limited Player Plus x Blu DeTiger Jazz Bass, announced in September, pays tribute to the bassist and singer’s far-reaching impact and cultural sway. She’s played with Caroline Polachek, Bleachers, FLETCHER, Olivia Rodrigo, and more, and released her own LP in March 2024. In 2023, Forbes feature her on their top 30 Under 30 list of musicians. So how did DeTiger work her way to the top?
DeTiger opens up on this episode of Wong Notes about her career so far, which started at a School of Rock camp at age seven. That’s where she started performing and learning to gig with others—she played at CBGB’s before she turned 10. DeTiger took workshops with Victor Wooten at Berklee followed and studied under Steven Wolf, but years of DJing around New York City, which hammered in the hottest basslines in funk and disco, also imprinted on her style. (Larry Graham is DeTiger’s slap-bass hero.)
DeTiger and Wong dish on the ups and downs of touring and session life, collaborating with pop artists to make “timeless” pop songs, and how to get gigs. DeTiger’s advice? “You gotta be a good hang.”
Wong Notes is presented by DistroKid.
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Trey Anastasio unveils plans for a special solo acoustic run starting in March, 2025.
The tour gets underway March 8, 2025 at Springfield, MA’s Symphony Hall and then visits US theatres and concert halls through early April. Real-time presales begin Wednesday, December 4 exclusively via treytickets.shop.ticketstoday.com. All remaining tickets will go on sale to the general public on Friday, December 6 – please check venues for on-sale times. For complete details, please see trey.com/tour.
TREY ANASTASIO - SOLO ACOUSTIC TOUR 2025
MARCH
8 – Springfield, MA – Symphony Hall
9 – Boston, MA – Wang Theatre at Boch Center
11 – Wilkes-Barre, PA – The F.M. Kirby Center
12 - Rochester, NY - Kodak Hall at Eastman Theatre
14 – Columbus, OH – Mershon Auditorium
15 – Milwaukee, WI – Riverside Theater
16 – Nashville, IN – Brown County Music Center
18 – Chicago, IL – Orchestra Hall
19 – Kansas City, MO – Uptown Theatre
21 – New Orleans, LA – Saenger Theatre
22 – Birmingham, AL – Alabama Theatre
23 – Nashville, TN – Ryman Auditorium
26 – Orlando, FL – Walt Disney Theater at Dr. Phillips Center for the Performing Arts
28 – Clearwater, FL – Ruth Eckerd Hall
29 – Savannah, GA – Johnny Mercer Theatre
30 – Charleston, SC – Gaillard Auditorium
APRIL
1 – Knoxville, TN – Tennessee Theatre
2 – Greenville, SC - Peace Concert Hall
4 – Washington, DC – Warner Theatre
5 - Red Bank, NJ - Count Basie Center for the Arts
More info: TREY.COM.