The new Keb’ Mo’ J-45 is the follow-up to Keb’s popular original L-00 signature guitars, and it offers a rich, bright tone and full, and tight bass.
The guitar features a thermally aged Sitka spruce top, mahogany back and sides, and a 25” scale mahogany neck with a rosewood fretboard, custom Keb’ Mo’ profile, and open-back Grover tuners. The neck joins the body at the 12th fret, giving this guitar the rounder, more full-bodied tone, and exceptional playing comfort that only a 12-fret neck can provide. Equipped with L.R. Baggs electronics, it’s studio and stage-ready, the moment you take it out of the included hardshell case.
“This J-45 guitar is a great acoustic workhorse which offers a richer, brighter, sound that delivers tight bass tones that record beautifully with a microphone, or a pick-up,” says Keb’ Mo’. “The Gibson team has worked hard to make this guitar great and I’m out on the road now playing it every night. This is a quality guitar from Gibson, a brand you can trust.”
With five GRAMMYs, 14 Blues Foundation Awards, and a groundbreaking career spanning nearly 50 years under his belt, Keb’ Mo’s soulful vocals and masterful guitar-playing never fail to inspire. A respected guitarist, songwriter, and arranger, Keb has topped the Billboard Blues Chart seven times. His most recent album, Good To Be, is available everywhere.
Gibson Acoustic Keb' Mo' "3.0" 12-fret J-45 Acoustic-electric Guitar - Vintage Sunburst
For more information, please visit gibson.com.
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The final day is here! Enter Stompboxtober Day 31 for your last chance to win today’s pedal from Keeley and finish the month strong!
Keeley Octa Psi Transfigurating Fuzz Pedal with Polyphonic Pitch Shifting
Meet the OCTA PSI Transfigurating Fuzz – The Ultimate Combination of Pitch-Shifter, Octave Generator, and Tri-Voiced Analog Fuzz! Key features include: Instant Effect Order Switching, Flexible Output Configuration, Momentary or Latching Octave/Pitch, and more! Each pitch shift mode includes an up, down, and dual setting, resulting in 24 different modes.
Does the guitar’s design encourage sonic exploration more than sight reading?
A popular song between 1910 and 1920 would usually sell millions of copies of sheet music annually. The world population was roughly 25 percent of what it is today, so imagine those sales would be four or five times larger in an alternate-reality 2024. My father is 88, but even with his generation, friends and family would routinely gather around a piano and play and sing their way through a stack of songbooks. (This still happens at my dad’s house every time I’m there.)
Back in their day, recordings of music were a way to promote sheet music. Labels released recordings only after sheet-music sales slowed down on a particular song. That means that until recently, a large section of society not only knew how to read music well, but they did it often—not as often as we stare at our phones, but it was a primary part of home entertainment. By today’s standards, written music feels like a dead language. Music is probably the most common language on Earth, yet I bet it has the highest illiteracy rate.
Developed specifically for Tyler Bryant, the Black Magick Reverb TB is the high-power version of Supro's flagship 1x12 combo amplifier.
At the heart of this all-tube amp is a matched pair of military-grade Sovtek 5881 power tubes configured to deliver 35-Watts of pure Class A power. In addition to the upgraded power section, the Black Magick Reverb TB also features a “bright cap” modification on Channel 1, providing extra sparkle and added versatility when blended with the original Black Magick preamp on Channel 2.
The two complementary channels are summed in parallel and fed into a 2-band EQ followed by tube-driven spring reverb and tremolo effects plus a master volume to tame the output as needed. This unique, signature variant of the Black Magick Reverb is dressed in elegant Black Scandia tolex and comes loaded with a custom-built Supro BD12 speaker made by Celestion.
Price: $1,699.
Kevin Shields of My Bloody Valentine is one of the loudest guitarists around. And he puts his volume to work creating mythical tones that have captured so many of our imaginations, including our special shoegaze correspondent, guitarist and pedal-maestro Andy Pitcher, who is our guest today.
My Bloody Valentine has a short discography made up of just a few albums and EPs that span decades. Meticulous as he seems to be, Shields creates texture out of his layers of tracks and loops and fuzz throughout, creating a music that needs to be felt as much as it needs to be heard.
We go to the ultimate source as Billy Corgan leaves us a message about how it felt to hear those sounds in the pre-internet days, when rather than pull up a YouTube clip, your imagination would have to guide you toward a tone.
But not everyone is an MBV fan, so this conversation is part superfan hype and part debate. We can all agree Kevin Shields is a guitarists you should know, but we can’t all agree what to do with that information.