Discover the iconic Mary Ford Les Paul Standard in Goldtop finish, a tribute to the trailblazing music icon and her groundbreaking partnership with Gibson legend Les Paul.
āI am thrilled that Mom is receiving this recognition for her talents,ā says Mary Colleen Wess(daughter of Mary Ford and Les Paul). āI wish she was still with us to enjoy this wonderful honor, which she so richly deserves. Thank you so much, Gibson!ā
Through her successful early career in country music and her connections with Gene Autry and Eddie Dean, Mary Ford--who was born Iris Colleen Summers on July 7, 1924--developed a musical partnership with Gibson icon Les Paul that led to their marriage in 1949. In 1951 alone, the duo sold over six million records, and between 1950 and 1954, they recorded a string of 16 top-ten hits that showcased Maryās rich, smooth voice, complex, perfectly executed harmonies that she sang along with herself through multi-track recording, and overdubbing (a groundbreaking recording technique for the time), while her versatile guitar playing seamlessly blended country, jazz, and pop.
Mary Ford Les Paul Standard Goldtop - YouTube
Gibson Mary Ford Les Paul Standard Electric Guitar - Gold Top with Cherry Back
M.Ford LP Std, Gld Top/Chry Back- Les Paul's Number One Goes Up for Auction āŗ
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Can you get more air in your sound? Hereās a good place to start.
Although tremolo was the first guitar effect, reverb was right on its heels, and ever since weāve all been tweaking our amps and effects to achieve just the right amount. Here are a handful of stomps that give modern players the kind of control over reverberation that we crave.
Meris MercuryX Modular Reverb System Pedal
MERIS
MercuryX
A modular reverb system with pro-audio and studio-rack heritage, advanced processing, and a high-performance signal path.
Boss RV-200 Reverb Pedal
BOSS
RV-200
The RV-200 delivers inspiring reverbs and premium sound in a streamlined design. Twelve versatile reverb types provide everything from subtle spatial color to complex, dreamy textures for ambient explorations.
Universal Audio UAFX Evermore Studio Reverb Guitar Effects Pedal
Universal Audio
Evermore Studio Reverb
This pedal gives you the grainy ambient trails and mesmerizing modulations of iconic late-'70s-vintage digital hardware, in a compact, elegantly crafted stompbox.
LR Baggs Align Reverb Acoustic Reverb Pedal
L.R. Baggs
Align Series Reverb
Built from the ground up to complement the natural body dynamics and warmth of acoustic instruments, this circuit seamlessly integrates the wet and dry signals with the effect in side chain, so it never overwhelms the original signal. The result is an organic reverb that maintains the audiophile purity of the original signal with the controls set in any position.
Fishman AFX AcoustiVerb Mini Reverb Pedal
Fishman
AFX AcoustiVerb Mini Reverb
This multi-reverb pedal for acoustic guitar offers Fishmanās unique blending and voicing architecture. Three quality reverbsāhall, plate, and springāblend in parallel with your direct sound while preserving your tone.
Gamechanger Audio Light Pedal Optical Spring Reverb Pedal
Gamechanger Audio
Light Pedal
The Light Pedal combines the best features of a classic spring reverb with an innovative infrared optical sensor system and a unique effects section.
PG's Nikos Arvanitis talks to the funk-guitar master about his musical influences, go-to gear choices, the pros of teaching, working in the studio versus the stage, and future plans for Jamiroquai.
As a youngster in the 1970s, Rob Harris was unusually fixated with music, spending hours watching bands on TV programmes. At the age of 7 and after much badgering from Rob, his father finally retrieved the guitar (an old Hofner) out of the loft space for him, and so began Robās lifelong musical journey.
After growing up in the Middle East from age 4 to 12, Rob and his family returned in to the UK in 1983 and he soon began studying with a great local guitar teacher named Colin Medlock. This was to continue for several years and was to shape a strong musical foundation in Robās guitar playing.
At the age of 14, Rob began gigging with local bands in the Cambridgeshire area and soon developed an interest in a variety of musical styles, listening to an eclectic range of artists and tirelessly researching and studying those who had played guitar on said records. This furthered the ongoing development of his musical skills, studying song craft, creating parts and hooks and writing lyrics. It was only natural to then take the step to working with producers and artists as a session guitarist.
The early 90ās was when Rob really began to flourish, recording and touring with The Pasadenas, Gary Numan, Mark Owen, Alphaville eventually joining the band Jamiroquai as a member in 1999 which continues to this day. Rob has played and co- written on the albums Funk Odyssey, Dynamite, Rock Dust Light Star and has most recently played on the bandās 2017 release Automaton and embarking on a global tour with the band in the April of the same year.
His credits also include: Beverly Knight, Kylie Minogue, Anastasia, Lighthouse Family, Don Airey (Deep Purple), Katy Perry, JP Cooper, Era, Gabriella Aplin, Will Young, Julian Perretta, Duke Dumont, Paloma Faith, Robbie Williams, Lego Batman (Soundtrack), Louisa Johnson and The Ministry of Soundās Stripped Album, Kanye West, to name but a few.
Rob currently lives in Cambridgeshire where he records and teaches in between tour dates at his well-equipped studio. He also spends much of his time giving masterclasses and hosting educational workshops to music students and guitar enthusiasts, across the globe.
If you want to escape from the pressures of modern life, go pick up your guitar. Now. Youāll be glad you did.
As I write this, weāre a few weeks away from the election, and Iām feeling as nervous as a cat in a dog park. No matter how youāre voting, thereās a good chance you feel the same way. These are complex times.
But we have a source of respite that many do not: We play guitar. Lately, Iāve made it a point to carve out an hour or so nightly to play through some of my bandās current repertoire to keep the dust off between shows and to explore some fresh sonic options to work into songs. The practice is paying off musically, but thatās not the biggest benefit. Iāve noticed, after I shut down my amps and pedalboard, and put my guitars back on their stands, that I feel better. About everything. For that hour or so, I am simply lost in the joys and mysteries of playing guitar. Things start to reveal themselves, new ideas tumble out of my fingers, and suddenly Iām in a place where anxiety canāt get to me and my mind is largely clear. Itās a safe zone where Iām not judging myself or others, and Iām relaxed and present. Itās a place where polling numbers and attack ads, family members with difficulties, and other concerns donāt even exist. And while it may be temporary, it is also beautiful.
Iām certain many of us have the same experience when weāre playing at home or onstage. And if youāre reading this while voices in your head are nattering with worry, I suggest you immediately go plug a guitarāthe one that plays like melted butterāinto your favorite amp and play a little melody, or your favorite set of chord changes, or even a nice campfire chord. Iād be surprised if you donāt soon feel the sensation of tension trickling out of your spine.
This is the great gift of guitar playing and music in general: Its ability to transport us to another placeāthat zone of safety and delight. Under the weight of the world, it is often possible to temporarily forget guitar playingās curative power, or be distracted from it, and that is why I am reminding you.
"This is the great gift of guitar playing and music in general: Its ability to transport us to another placeāthat zone of safety and delight."
For me, and Iām sure this is not just my experience, music has always been a refugeāa special thing that makes my heart fill with peace, joy, and wonder. I recall watching Johnny Cash on TV as a child, listening to his spoken stories and the tales in his songs, and feeling like I was being swept through time and space, to places and eras full of exciting people and things. It stretched my imagination and worldview, and made it seem that lifeās possibilities were endless. I still cherish that feeling, and listening to, for a couple examples, Tom Waits, Pink Floyd, Merle Haggard, Lucinda Williams, Son House, Kevin Gordon, Coltrane, and the Messthetics, still delivers it. And the next step, playing music and writing songs, makes me feel like an occupant of a small corner of their universe, and thatās a place I cherish.
Iāll mention safety again, and pardon me if this gets too personal. Many of us, after surviving the pandemic and the last decade of turmoil, do not feel safe. Having grown up in a household with a physically and verbally abusive father, where a blow could come at any time without reason or warning, thatās long been an issue for me. And when the news of the latest mass shooting, for example, is fresh in my brain, I tend to map out places to hide or flee when Iām at a concert or a mall or a large public gathering. Maybe thatās just my problem, but my gutāand what I hear from othersātells me itās not.
Oddly, one of the places I can feel safest and happiest is onstage, whether performing solo or with my band, when everything is flowing and the music is in my veins. And thatās the magic of guitar and music again. Itās given me a place to be in the world that I love and that makes me feel complete. If you get that feeling from playing and listening to music, donāt let anything get in its way. Sometimes, in these times, that can be challenging, but the first step to your personal oasis is simple: just pick up that special guitar and plug in.
The PXO was created as a live or studio tool. When we sent Phil the overdrive sample he found that it saved him in backline situations and provided him a drive that plays well with others.
The PXO is an overdrive/boost where you can select pre or post giving you variety in how you want to boost, EQ and overdrive. We have provided standard controls on the overdrive side such as Volume/Gain/Overdrive and EQ but on the boost side you have a separate Tilt EQ that allows you to EQ with simplicity. You can experiment by cascading in a pre or post situation and experiment from there. The PXO has a lush, thick feel to the bottom end and a smooth top end that begs you to dig into the note.