A guitar designed to capture the spirit of the outlaw country guitarist, featuring innovative Gretsch "ML" bracing, FT-67 Filter'Tron humbucking pickups, and exclusive western-themed artwork.
This launch comes hot off the heels of Peck’s latest album, Stampede: Vol. 1, a collection of duets with the likes of Elton John and Willie Nelson, which was released earlier this month.
Orville Peck burst onto the scene in 2019 with his acclaimed debut album Pony; a record which combined the lulling ambiance of shoegaze with the iconic melodies and vocal prowess of classic American outlaw country music. Since then, Peck has released three more celebrated records - the 2020 EP Show Pony, 2022’s Bronco and the aforementioned Stampede: Vol. 1 - won a host of accolades, and collaborated with the likes of Shania Twain, Lady Gaga and Diplo amongst others.
Orville Peck Unveils His Limited Edition Signature Falcon | Gretsch Guitars
“It’s been a pleasure working with Gretsch on my signature guitar, and I’m super proud of it,” said Orville Peck. “The white Falcon is such a versatile, beautiful guitar, so we wanted to stay true to the original and keep the classic feel, whilst adding some pizzazz. I think whoever picks up the guitar will be able to show a little bit of themselves through it.”
Gretsch Limited-edition Orville Peck Signature Falcon Hollowbody Electric Guitar - Oro Sparkle
The Limited Edition Orville Peck Falcon captures true iconoclast spirit with mid-century swagger. It features a comfortable 2.5"-deep maple body with the innovative Gretsch "ML" bracing that delivers huge hollow body sound with exceptional clarity and acoustic nuance. A 12"-radius streaked ebony fingerboard with rolled edges and 22 medium jumbo frets tops a 25.5"-scale maple neck with a comfortably familiar standard "U"-shaped profile for fluidly easy playing, while Luminlay side dots offer precision fretting in low-light settings. The Limited Edition Orville Peck Falcon is powered by the all-new FT-67 Filter'Tron humbucking pickups, which were designed to capture authentic vintage Gretsch voicing but with a more well-rounded tone for modern playing styles. This powerful pair of pickups provide open and pristine top-end chime, glassy midrange, robust low end, and balanced harmonics for tone that blends seamlessly with other instruments.The guitar features the Bigsby B6GP String-Thru vibrato tailpiece, making it quicker (and easier) to change strings, as well as providing increased vibration transfer for enhanced sustain. Elsewhere, it features exclusive western-themed artwork by Judith Rothman Pierce of RoseCut Clothing on the gold plexi pickguard and aged pearloid Humpblock fingerboard inlays, adding a distinctive style and vibe that manages to be both fresh and classic at the same time.
For more information, please visit gretschguitars.com.
![Whores Rig Rundown [2024]](https://www.premierguitar.com/media-library/youtube.jpg?id=55366029&width=1245&height=700&quality=85&coordinates=0%2C0%2C0%2C0)
Since forming in 2010, Atlanta noise rockers Whores had only released one LP, 2016’s Gold.—until this year. Eight long years later, their new full-length, WAR., dropped in April, and Whores celebrated by tearing across the country and blasting audiences with their maelstrom of massive, sledge-hammering rock ’n’ roll.
The day after their gig at Cobra Nashville, Whores frontman Christian Lembach, dressed in his Nashville best, met up with PG’s Chris Kies at Eastside Music Supply to run through his brutal road rig.
Brought to you by D’Addario.Earthy Esquire
When vocalist and guitarist Christian Lembach got sober over 20 years ago, he bought a Fender Telecaster off of a friend, then picked up an Esquire shortly after. That original Esquire stays home, but he brings this pine-body Earth Guitars Esquire out on the road. (It’s the lightest he’s ever played.) It’s loaded with a German-made reproduction of Schecter’s F520T pickup—aka the “Walk of Life” pickup intended to reproduce Mark Knopfler’s sound. (Lembach buys them in batches of five at a time to make sure he’s got plenty of backups.)
It’s equipped with a 3-way selector switch. At right, it bypasses the tone circuit; in the middle position, it’s a regular bridge-pickup configuration, with volume and tone activated; and at left, the tone is bypassed again, but an extra capacitor adds a bass boost.
Lembach installed six brass saddles in lieu of the traditional 3-saddle bridge. He often plays barre chords higher up the neck, and the six saddles allow for more accurate intonation.
All of Lembach’s guitars are tuned to drop C, and he plays with D’Addario Duralin .70 mm picks. They’re strung with heavy D’Addario NYXL sets, .013–.056 with a wound G. The 30-foot Bullet Cable coil cable attenuates some of the guitar’s top end.
Tuned-Up Tele
Lembach had this black Fender Telecaster—the one he bought from his friend—modified to his preferred Esquire specs, with a single bridge pickup and the same 3-way selector configuration as his other weapon. He prefers the 6-saddle bridge to this rusty 3-saddle version, but this one holds a special place in his heart all the same.
Favor From Furlan
When John Furlan of Furlan Guitars reached out to Lembach about building him a custom guitar, it was an easy sell. The two worked together on this beauty, based on a non-reverse Gibson Firebird body with a Fender-style scale length, roasted maple neck, and rosewood fretboard.
It’s got a bridge and locking tuners from Hipshot, and it’s loaded with Greenville Beauty Parlor P-90s. A typical Gibson-style toggle switches between neck, bridge, and both configurations, while another Esquire-style 3-way switch on the lower bout handles Lembach’s preferred bridge-pickup wirings: no tone, tone and volume, or bass boost.
No Logo
Lembach stays loyal to his twin Marshall Super Leads, with taped-over logos—an aesthetic Lembach picked up from Nirvana. A tech in Atlanta figured out that the one on the left is a 1973, which runs at eight ohms, or half power (Lembach removed two of the power tubes), into a 16-ohm cabinet. The power drop allows Lembach to coax feedback at lower volumes. The original preamp tubes from Yugoslavia—no longer a country, mind you—are still working in the amp.
The one on the right is a reissue 1959SLP from 2002 or 2003, which Lembach finds brighter than his vintage model. He goes into the lower-input second channel to dampen the edge.
Both amps run through Marshall JCM800 cabinets with Celestion G12T-75s.
Christian Lembach's Board
A Loop-Master Pedals Clean/Dirty Effects Switcher manages Lembach’s signal. Its A loop is used for verses, bridges, intros, and outros, and has the majority of the pedals in it. The first thing in the A loop is the ZVEX Fuzz Factory made specially for the band, followed by a Devi Ever Soda Meiser, Beetronics Swarm, Keeley Nova Wah, Spiral Electric FX Yellow Spiral, Boss NF-1, and Alexander Pedals Radical II Delay.
The B loop has a clone of the Electro-Harmonix Green Russian Big Muff, an EHX POG, and a ZVEX Super Hard On. The A loop is already pretty loud; B somehow gets even louder. An EHX Superego+ is a new addition that Lembach’s planning to integrate.
A CIOKS DC10 powers the board, and a Lehle device under the board cleans up unwanted hum and noise.
Orangewood Juniper Live Acoustic Guitar
- Equipped with a high-output rail pickup (Alnico 5)
- Vintage-inspired design: trapeze tailpiece, double-bound body, 3-ply pickguard, and a cupcake knob
- Grover open-gear tuners for reliable performanceReinforced non-scalloped X bracing
- Headstock truss rod access, allowing for neck relief and adjustment
- Light gauge flatwound strings for added tonal textures