IK Multimedia releases Metal Gems Signature Collection for TONEX, featuring 100 high-gain Tone Models of legendary amps. Firmware update for TONEX Pedal adds built-in chromatic tuner.
Metal Gems is an exclusive collection of 100 high-gain Tone Models, meticulously captured to deliver both classic and contemporary metal tones, giving users instant access to 4 legendary amps: a Diezel Herbert, Bogner Uberschall, Soldano SLO-100 and a Peavey 5150.
The essence of these high-gain jewels has been preserved in stunning high-definition using IK's cutting-edge AI Machine Modeling Technology in conjunction with a sonically perfect environment to produce the incredible guitar tones available today.
Collection Overview
- 100 Tone Models based on legendary high-gain amps including with and without cab
- A Premium Tone Model collection for use across the entire TONEX ecosystem
- Compatible with all TONEX versions including the free TONEX CS and TONEX App
- Captured at a professional studio with ideal acoustics and the perfect gear
- Created using cutting-edge AI Machine Modeling technology with advanced training
- All Tone Models can easily be loaded to TONEX Pedal and used for live performance
The Featured Models
Diezel Herbert
The Diezel Herbert is a 180-watt fire breather that can go from dynamic cleans to ultra-tight distortion. 30 Tone Models deliver that Diezel signature definition and tightness perfect for modern and classic metal tones. The collection includes all 3 distinctly voiced channels captured with different cabs, mics and outboard gear.
Bogner Uberschall
The Bogner Uberschall is a renowned high-gain guitar amp prized for its all-tube distortion and clear string separation. 25 Tone Models deliver searing lead and rhythm tones with tight and powerful bass, ideal for players of extended-range and drop-tuned guitars. The collection includes clean and high-gain Tone Models using multiple stomps to tighten and drive the amp into brutal territory.
Soldano SLO-100
The SLO-100 redefined high-gain amplification in 1987 as one of the first amp heads to feature powerful harmonics and impeccable gain, sustain and responsiveness. 25 Tone Models feature clean, drive and high-gain tones with several using a TS-9 and Furman PQ-3, captured with a variety of settings, speakers and other outboard gear to achieve a wide range of tones for hard rock to modern metal.
Peavey 5150 Block Letter
The Peavey 5150 is one of history's most iconic high-gain amps, instantly recognizable on any stage. Renowned for its bloom and juicy harmonic saturation, the 5150 was quickly adopted by many top metal guitar players. 20 Tone Models feature a variety of captures including some with stomps and with 6 different cabs to deliver a wide range of skull-crushing, gig-ready tones.
A New Tuner for TONEX Pedal
The release of Metal Gems coincides with a free firmware update for TONEX Pedal featuring a game-changing chromatic tuner. The new tuner inside TONEX Pedal can replace any tuner currently used with its easy-to-read display, selectable reference frequency and three operating modes: Mute, Thru, and Off.
To update to firmware 1.2.3, connect TONEX Pedal to a Mac or PC with an internet connection and launch TONEX. Navigate to the librarian section and select "Update Firmware." Once complete, the pedal will restart automatically with the new firmware installed and the tuner ready.
This update and future improvements represent IK’s commitment to ongoing TONEX hardware improvements, software refinements and additional Tone Models.
Metal Gems Signature Collection is available now to purchase via ToneNET and within any version of TONEX for Mac/PC for $/€49.99.* For a limited time, Metal Gems is included free with new purchases of TONEX Pedal and TONEX MAX.
For more information, please visit ikmultimedia.com.
IK Multimedia TONEX Pedal Amplifier/Cabinet/Pedal Modeler with Z-Tone Active Direct Box
Line 6 Hx One Stereo Multi-Effects Pedal
Tickets for the newly added dates will be available for pre-sale starting tomorrow, Tuesday, October 29 at 10am local time, with the general on-sale following this Friday, November 1 at 10:00am local time. Full details and ticket information can be found at blackberrysmoke.com.
Throughout their career, Blackberry Smoke has released eight studio albums including their latest, Be Right Here. Produced by Grammy Award-winning producer Dave Cobb (Chris Stapleton, Jason Isbell), the record was released to widespread critical acclaim earlier this year and debuted at #1 on the Current Country Albums chart, Americana/Folk Albums chart and Current Rock Albums chart.
Since forming in 2001, Blackberry Smoke has continued to tour relentlessly, building a strong and loyal community of fans. In addition to their work as musicians, the band is deeply committed to charitable work and formed the Brit Turner Family Fund, a non-profit supporting several national foundations committed to curing children’s cancer. With these efforts, the band has raised over $1,000,000 to date benefitting children’s cancer research. Most recently, Blackberry Smoke raised over $26,000 with their hometown show at Atlanta’s Cadence Bank Amphitheatre at Chastain Park earlier this summer, which celebrated the life and legacy of the band’s late drummer, Brit Turner.
BLACKBERRY SMOKE CONFIRMED TOUR DATES
October 30—Bakersfield, CA—Fox Theater~
October 31—San Diego, CA—Humphreys Concerts by the Bay~
November 1—Las Vegas, NV—The Pearl Concert Theater~
November 2—Riverside, CA—Fox Performing Arts Center~
November 7—St. Augustine, FL—St. Augustine Amphitheatre^
November 8—Clearwater, FL—Ruth Eckerd Hall^
November 9—Fort Myers, FL—Barbara B. Mann Performing Arts Hall^
November 10—Pompano Beach, FL—Pompano Beach Amphitheater^
November 14—Royal Oak, MI—Royal Oak Music Theatre%
November 15—Marietta, OH—Peoples Bank Theatre%
November 16—Shipshewana, IN—Blue Gate Performing Arts Center%
November 21—Carterville, IL—Event Center at Walker’s Bluff Casino Resort
November 22—Tulsa, OK—Cain’s Ballroom**
November 23—Shawnee, OK—FireLake Arena**
December 5—Mobile, AL—Saenger Theatre††
December 6—Augusta, GA—Bell Auditorium##
December 7— Fayetteville, NC—Crown Theatre##
December 8—Savannah, GA—Johnny Mercer Theatre##
December 31—Macon, GA—Macon City Auditorium^^
January 30—Morristown, NJ—Mayo Performing Arts Center
January 31—Bensalem, PA—XCite Center at Parx Casino
February 1—Worcester, MA—The Palladium
February 2—Patchogue, NY—Patchogue Theatre for the Performing Arts
February 5—Portland, ME—State Theatre
February 6—Burlington, VT—The Flynn
February 7—Providence, RI—The Strand Ballroom & Theatre
February 8—Williamsport, PA—Penn College Community Arts Center
February 13-17—Rock Legends Cruise XII
March 6—Rockford, IL—Coronado Theatre
March 7—Peoria, IL—Peoria Civic Center Theater
March 8—Evansville, IN—Aiken Theatre
March 27—New Orleans, LA—The Fillmore
March 28—Houston, TX—713 Music Hall
March 29—Helotes, TX—John T. Floore’s Country Store
April 25—Miramar Beach, FL—Moon Crush “Pink Moon”
May 8—Austin, TX—ACL Live at the Moody Theater
May 9—Dallas, TX—Majestic Theatre
May 15—Maryville, TN—The Shed
May 16—Maryville, TN—The Shed
May 17—Maryville, TN—The Shed
~with special guest Kelsey Waldon
^with special guest Southall
%with special guest Sam Morrow
**with special guest Taylor Hunnicutt
††with special guest Georgia Thunderbolts
##with special guest Tishamingo
^^with special guest Robert Jon and the Wreck
Brad Labelle
Brad Labelle - Nap Eyes
A: I love dance music and have an unrelenting thirst for new and fresh sounds. I don’t feel my guitar playing is particularly groundbreaking, but those influences must seep through somehow. I do believe I’m a fairly expressive player and my short attention span keeps me endlessly improvising.
Nap Eyes’ latest release, The Neon Gate.
Obsession: I can’t stop listening to the recent Jane Remover track “Magic I Want U.” The production is deeply detailed but doesn’t feel cluttered, and her melodic sensibilities are intoxicating. She gives you crunchy guitars paired with breakbeats, West Coast synth lines, a Janet Jackson-esque electro outro, scratching, a fun little guitar solo.... I could go on.
As of late, Two Star & the Dream Police by Mk.gee has been in Brad's regular listening rotation.
Galen Brownson - Reader of the Month
Metallica’s two-guitar format inspired Galen when he was learning guitar.
A: When I was learning how to play, I was listening to a lot of two-guitar bands, like Metallica and Megadeth and Iron Maiden. I tried to find ways to play both guitar parts at once, which is not always possible, but I write two parts for one guitar now.
Metallica’s second album is a fan favorite of their early, pioneering years.
Obsession: My latest obsession is finding ways to combine metal music with electronic music, particularly dubstep. My younger brother once chastised me for ignoring electronic music by saying “metal and dubstep have a lot in common,” and he was absolutely right. I’ve since made it a goal to weave them together.
Galen names Polis by Uppermost, a French electronic music producer, as one of his favorite records.
Ted Drozdowski - Editorial Director
Ted takes a slide solo on his well-traveled and beloved Dollycaster.
A: My interests toggle between history and mystery, so my technique is based in archaic/anarchic blues playing styles and an expansive sonic palette that relies on blending fingerpicking, slide, and an array of pedals to create tones and sheets of sound. I think of it as cosmic roots music, and don’t hear a lot of other people doing what I do the way I do it.
The marquee image for Ted and Coyote Motel’s new movie, The River: A Songwriter’s Stories of the South.
Obsession: For a few years now, much of my creative energy has been invested in a feature film I created with my band Coyote Motel—scripting, recording narration, performing as part of the band, editing, and learning many painfully new and hard lessons about movie-making. And then getting the film to festivals, where we’ve won laurels, and onto a few select screens. Now, I’m working on distribution, in a field where there ain’t no Bandcamp or DistroKid. It ain’t easy, but I’m obsessed with getting The River: A Songwriter’s Stories of the South into the world.
The current state of Ted’s pedalboard. (He’s aware he could do a better job with the wiring.)
Kate Koenig - Managing Editor
Kate’s newest album, which contains some of their rawest and most vulnerable lyrics to date.
A: I wear my heart on my sleeve—to the point where I’ve always struggled to have a verbal filter—so I tend to write very raw, vulnerable lyrics. A taste for cerebral art during my formative years has also informed my approach to coming up with challenging and intricate fingerpicking guitar parts.
When PG’s worldly gear editor Charles recommended Black Flag’s record Damaged, Kate got on that posthaste.
Obsession: I’ve been revisiting, digging into, and expanding my knowledge of classic ’80s and ’90s punk in preparation for my next artist interview for Premier Guitar(some foreshadowing, eh?). I have always been intrigued by punk culture’s outspoken rebelliousness and commitment to anarchic ideals, which strike me as free and authentic.
Kate has a distinct memory of a classmate playing “You’re Gonna Go Far, Kid” on loop in their senior-year studio-art class. (They still wonder why their teacher didn’t intervene.)