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Orange Amplification Releases the Acoustic Pedal

orange acoustic pedal

Orange Amplification are pleased to announce the launch of the new Acoustic Pedal. This do-it-all, compact pre-amp pedal has been designed and built using all the company's know-how from the acclaimed Acoustic Pre TC preamp and the Crush Acoustic 30 amplifier.


Doyle Dykes REVIEWS the Orange Acoustic Pedal

The pedal's low-noise JFET circuit design guarantees low levels of background noise, without hiss, whilst still maintaining super-high headroom for a clean, clear acoustic tone. Its powerful, notch controlled EQ is precise and unassuming, allowing players to subtly sculpt their sound and tackle feedback. The fixed Bass and Treble knobs provide control of the 'body' and 'sparkle' of an instrument, whilst the highly-transparent, buffered FX Loop offers acoustic players the perfect signal chain for enviable loopers, reverbs and delays.

The pedal can be connected directly to a P.A with its balanced XLR output and can be used simultaneously with the additional 1/4' mono jack for the ultimate flexibility.

The Orange Acoustic Pedal is a single ended, Class A, Acoustic Preamp, with a Full Parametric Midrange / Notch Filter and a Buffered FX Loop…….. total tonal control, low noise and ultra-transparent.

For more information
Orange Amplification

With built-in effects, headphone output, and AUX connectivity, these compact devices are designed to provide ultimate versatility for practice sessions at home or on stage.

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With buffered bypass and top-mounted jacks, this compact pedal is perfect for adding punch to your playing.

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A loving homage to the Boss CE-1 is addictively vintage in form and function, and offers enhanced chorus control and immersive rotary-like vibrato tones.

Liquid, immersive, addictive modulation tones. Beautiful vintage-style enclosure. Useful impedance switch lends extra headroom. Sturdy. Spacious control layout.

Big footprint—if you care about such things.

$189

Warm Audio WA-C1
warmaudio.com

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In the impetuousness of my youth, I was, among other things, a reactionary chorus hater. Such were the obligations of a lad that preferred the Pebblescompilations to the Police in the 1980s. So, upon my regular visits to the old Starving Musician on El Camino Real in Santa Clara, I would often peer at a cheap, used Boss CE-1 and think, “Damn ... looks cool. Wish it wasn’t a chorus.”

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