Epiphone, the leading accessible guitar brand For Every Stage, has announced the new Epiphone Slash Collection will officially debut worldwide July 20, 2021 on www.epiphone.com. Crossing three decades of collaborative partnership between Gibson and Epiphone luthiers and the iconic guitarist Slash, the all-new Epiphone Slash Collection features multiple acoustic and electric guitars and follows his history-making Gibson Slash Collection released last year. In a first for the brand, every guitar in the new Epiphone Slash Collection, as well as the Gibson Slash Collection is an evergreen artist collection with fourteen guitars in production.
"I'm really proud to present this great line up of excellent quality, signature Epiphone guitars," says Slash. "They sound & look fantastic. It's all I could ask for." A part of the Epiphone Inspired by Gibson Collection, the all-new Epiphone Slash Collection celebrates the influential guitars Slash has used throughout his storied music career which continues to inspire multiple generations of players around the world. Perfect for every stage, players of all levels, and accessible, the full collection includes the Epiphone Slash Les Paul™ Standard finished in Appetite Burst, November Burst, Anaconda Burst and Vermillion Burst, the Slash "Victoria" Les Paul Standard Goldtop in Gold, and on the acoustic front, the Epiphone Slash J-45 in Vermillion Burst and November Burst. Exclusive to every guitar in the entire Epiphone Slash Collection are Slash's "Skully" signature drawing on the back of the headstock, Slash's signature on the truss rod cover, and a custom hardshell case with Slash's "Skully" logo included.
Slash Epiphone Collection
Each Epiphone Slash Collection Les Paul Standard features a mahogany body, maple cap with AAA flame maple veneer, a Graph Tech nut, Epiphone LockTone Tune-O-Matic bridge and Stop Bar tailpiece, and Slash's personal touches including a C-shape neck profile, Epiphone Custom ProBucker pickups, color coordinated hardware appointments, CTS potentiometers with Orange Drop capacitors and Epiphone Strap Locks. The Slash Epiphone Les Paul Standard is finished in in Appetite Burst, November Burst, Anaconda Burst and Vermillion Burst.
Each Epiphone Slash Collection J-45 acoustic guitar features all solid wood construction with solid mahogany back and sides, a solid Sitka spruce top with vintage-style (or 50's style) pickguard, Grover Rotomatic tuners, Graph Tech TUSQ nut and saddle, and Slash's personal touches including a C-shape neck profile, a flatter, more modern 16" fretboard radius, and an LR Baggs VTC preamp and under-saddle pickup for a natural acoustic sound when plugged in. the Epiphone Slash J-45 is finished in Vermillion Burst and November Burst.
Each Slash Victoria Les Paul Standard Goldtop guitar features a mahogany body with a maple cap, a Graph Tech nut, Epiphone LockTone Tune-O-Matic bridge and Stop Bar tailpiece, and Slash's personal touches including a C-shape neck profile, Epiphone Custom ProBucker pickups, color-coordinated hardware appointments, CTS potentiometers with Orange Drop capacitors and Epiphone Strap Locks.
"We are in a very exciting journey with Slash and today we are announcing the amplification of our collaboration with the launch of the Epiphone Slash Collection," says Cesar Gueikian, Brand President, Gibson Brands. "Our new Epiphone Slash Collection brings our collaboration with Slash to the next level, expanding the offering of the iconic Slash models to Epiphone with an accessible price point. Slash was intimately involved in every aspect of the development of his new Epiphone Collection, and we are all excited to see his fans around the world rock out with them!"
For more information:
Epiphone
- Epiphone Releases Limited-Edition Slash Signature Models ... ›
- Limited Slash Signature Series from Gibson and Epiphone - Premier ... ›
- New Slash Signature Epiphone Les Paul - Premier Guitar ›
Last August, metalcore giants Poison the Well gave the world a gift: They announced they were working on their first studio album in 15 years. They unleashed the first taste, single “Trembling Level,” back in January, and set off on a spring North American tour during which they played their debut record, The Opposite of December… A Season of Separation, in full every night.
PG’s Perry Bean caught up with guitarists Ryan Primack and Vadim Taver, and bassist Noah Harmon, ahead of the band’s show at Nashville’s Brooklyn Bowl for this new Rig Rundown.
Brought to you by D’Addario.Not-So-Quiet As a Mouse
Primack started his playing career on Telecasters, then switched to Les Pauls, but when his prized LPs were stolen, he jumped back to Teles, and now owns nine of them.
His No. 1 is this white one (left). Seymour Duncan made him a JB Model pickup in a single-coil size for the bridge position, while the neck is a Seymour Duncan Quarter Pound Staggered. He ripped out all the electronics, added a Gibson-style toggle switch, flipped the control plate orientation thanks to an obsession with Danny Gatton, and included just one steel knob to control tone. Primack also installed string trees with foam to control extra noise.
This one has Ernie Ball Papa Het’s Hardwired strings, .011–.050.
Here, Kitty, Kitty
Primack runs both a PRS Archon and a Bad Cat Lynx at the same time, covering both 6L6 and EL34 territories. The Lynx goes into a Friedman 4x12 cab that’s been rebadged in honor of its nickname, “Donkey,” while the Archon, which is like a “refined 5150,” runs through an Orange 4x12.
Ryan Primack’s Pedalboard
Primack’s board sports a Saturnworks True Bypass Multi Looper, plus two Saturnworks boost pedals. The rest includes a Boss TU-3w, DOD Bifet Boost 410, Caroline Electronics Hawaiian Pizza, Fortin ZUUL +, MXR Phase 100, JHS Series 3 Tremolo, Boss DM-2w, DOD Rubberneck, MXR Carbon Copy Deluxe, Walrus Slo, and SolidGoldFX Surf Rider III.
Taver’s Teles
Vadim Taver’s go-to is this cherryburst Fender Telecaster, which he scored in the early 2000s and has been upgraded to Seymour Duncan pickups on Primack’s recommendation. His white Balaguer T-style has been treated to the same upgrade. The Balaguer is tuned to drop C, and the Fender stays in D standard. Both have D’Addario strings, with a slightly heavier gauge on the Balaguer.
Dual-Channel Chugger
Taver loves his 2-channel Orange Rockerverb 100s, one of which lives in a case made right in Nashville.
Vadim Taver’s Pedalboard
Taver’s board includes an MXR Joshua, MXR Carbon Copy Deluxe, Empress Tremolo, Walrus ARP-87, Old Blood Noise Endeavors Reflector, MXR Phase 90, Boss CE-2w, and Sonic Research Turbo Tuner ST-200, all powered by a Voodoo Lab Pedal Power 2 Plus.
Big Duff
Harmon’s favorite these days is this Fender Duff McKagan Deluxe Precision Bass, which he’s outfitted with a Leo Quan Badass bridge. His backup is a Mexico-made Fender Classic Series ’70s Jazz Bass. This one also sports Primack-picked pickups.
Rental Rockers
Harmon rented this Orange AD200B MK III head, which runs through a 1x15 cab on top and a 4x10 on the bottom.
Noah Harmon’s Pedalboard
Harmon’s board carries a Boss TU-2, Boss ODB-3, MXR Dyna Comp, Darkglass Electronics Vintage Ultra, and a Voodoo Lab Pedal Power 2 Plus. His signal from the Vintage Ultra runs right to the front-of-house, and Harmon estimates that that signal accounts for about half of what people hear on any given night.
