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Nancy Wilson Is Heart's (Not-So) Secret Weapon

Nancy Wilson’s rhythm-guitar playing is under-sung hero of Heart’s sound. After auditioning for her sister Ann’s band with a performance of Yes’ “The Clap,” she transformed their sound—just check out the intro to “Crazy On You” to instantly hear the influence of her acoustic playing. And together, they transformed classic rock. On this episode, we talk about how Wilson’s acoustic and electric playing is the element that delivers the band’s signature sound. Lindsay Ell calls in to drop a line, and our hosts go shopping for Gibson Nighthawks and vintage Ovations.


Head over to gibson.com to check out the new Dual Falcon 20 amp!

On her new record with her trio, Molly Miller executes a live-feeling work of structural harmony that mirrors her busy life.

Photo by Anna Azarov

The accomplished guitarist and teacher’s new record, like her lifestyle, is taut and exciting—no more, and certainly no less, than is needed.

Molly Miller, a self-described “high-energy person,” is fully charged by the crack of dawn. When Ischeduled our interview, she opted for the very first slot available—8:30 a.m.—just before her 10 a.m. tennis match!

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On this season finale episode, the actor and musician leads a Prine-inspired songwriting session about how few tools we have in our collective toolbox.

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Featuring enhanced amp models, a built-in creative looper, AI-powered tone exploration, and smart jam features.

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Donner andThird Man Hardware’s $99, three-in-one analog distortion, phaser, and delay honors Jack White’s budget gear roots.

Compact. Light. Fun. Dirt cheap. Many cool sounds that make this pedal a viable option for traveling pros.

Phaser level control not much use below 1 o’clock. Repeats are bright for an analog delay. Greater range of low-gain sounds would be nice.

$99

Donner X Third Man Triple Threat
thirdmanrecords.com

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A huge part of the early White Stripes mystique, sound, ethos, and identity was tied to guitars and amps that, at the time, you could luck into for cheap at a garage sale. These days, it’s harder to score a Crestwood Astral II, or Silvertone Twin Twelve with a part-time job in the ice cream shop. Back in the late ’90s, though, they were a source of raw, nasty sounds for less than a new, more generic guitar or amp.

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