From John Mayer’s “lost” song to Derek Trucks’ ode to the Super Reverb, we covered a lot of ground this year.
10. Bruce Hornsby: “Trying to Keep the Self-Loathing at Bay”
Cory WongHow does a legacy artist stay on top of his game? The pianist, hit singer-songwriter, producer, and composer talks about the importance of musical growth and positive affirmation; his love for angular melodicism; playing jazz, pop, classical, bluegrass, jam, and soundtrack music; and collaborating with his favorite guitarists, including Pat Metheny and Jerry Garcia.
9. Yngwie J. Malmsteen: "I Never Felt That Art Is a Sport”
Cory WongThe tennis-playing, art-enthusiast, Ferrari-collecting shredder talks about his passion, his practice, his love for the Strat, and who he thinks is the greatest guitar player who’s ever lived.
8. Mike Campbell Likes the “Real Stuff”
Cory WongThe Heartbreakers guitarist and Dirty Knobs frontman answers deep questions about songwriting, producing, and hitmaking.
7. Ariel Posen: “Dynamics Are the Most Important Thing.”
Cory WongThe roots-guitar innovator talks about controlling his sound, when to play large or small amps, using overdrive and compression, mastering slide, building community on social media, and the overall role gear plays in defining his distinctive tone.
6. Victor Wooten: "Music Needs Us."
Cory WongThe bass wiz and author shares deep wisdom about bass, music, and more.
5. What Scares Julian Lage?
Cory WongThe jazz phenom chats about flying with his guitar, how he approaches fluidity on his instrument, overcoming injury, and his take on pedals and tunings.
4. Derek Trucks: “There’s a Lot of Music Out There”
Cory WongThe slide master talks about amalgamating influences, keeping it fresh, how he approaches tone, and the best amp ever made.
3. Vai on Vai: “That’s Me—Obtuse and Quirky”
Cory WongThe legend talks gear, almost jamming with Prince, guitar heroes, melody, fear, swapping technique for passion, his hydra guitar, why he chose the players on his latest album, and his true superpower.
2. John Mayer Pt. 2—A Song Too Perfect to Record?
Cory WongCory and John Mayer sit down with their guitars to jam and discuss how they approach playing, songwriting, record-making, and the music business.
1. Mayer Is King
Cory WongCory and John Mayer sit down with their guitars to jam and discuss how they approach playing, songwriting, record-making, and the music business.
![The Jesus Lizard Rig Rundown [2025]](https://www.premierguitar.com/media-library/youtube.jpg?id=56479987&width=1245&height=700&quality=85&coordinates=0%2C0%2C0%2C0)
When the Jesus Lizard released their seventh studio record, Rack, last September, it ended a 26-year hiatus between recordings, and lovers of raucous, steely rock music around the world rejoiced. As guitarist Duane Denison told PG’s Nick Millevoi in our feature story, the key to the album’s vitality—and reviving the band’s brutal sound—was simple: “Practice loud.”
Ahead of a hotly anticipated U.K. tour celebrating the record, the band gathered at SIR’s rehearsal space in Nashville to do exactly that. PG’s Chris Kies stopped by to see what Denison and bassist David Wm. Sims were stuffing into their suitcases for the trip across the pond.
Brought to you by D’Addario.Higher Powers
The last time Denison invited us to his Nashville home for a Rig Rundown, he was using Electrical Guitar Company models. This time around, he’s smitten with this Powers Electric Type A. Most of the guitar’s features are proprietary, including the bridge, pickups, and the vibrato system. The trussed hollowbody is made from urban ash with a solid maple top, and comes with a compound radius Honduran rosewood fretboard.
Denison digs the definition and articulation in the attack of the discrete FF42 single-coil pickups, which bridge the gap between a humbucker’s hot output and a traditional single-coil’s brightness. He goes through four different tunings in the current Lizard set: E standard, drop D (for “Hide & Seek”), drop G (on “Thumbscrews”), and a strange tuning with flat E and D strings for “Thumper.” Coated Stringjoy Orbiters (.105–0.50) handle the changes, as well as the Stringjoy Jumbo Jazz picks Denison uses.
Sweet Victory
Denison has switched from Blackstar amps to this 2-channel Victory VS100 Super Sheriff. He’s always preferred British amps: “American guitars and English amps make the world go round,” he says. Denison also uses a Marshall JCM900, which he appreciates for its simplicity compared to the JVM series, and its versatility compared to the JCM800.
Helix Help
Denison sets up this Line 6 Helix as a pedalboard, with tweaked versions of his favorite analog delay pedals programmed in. Among his go-to effects are reverb, slapback delay, tremolo, chorus, wah, longer delay, and what he calls a “wildcare effect,” which comes into play for “What If?”
The Best $250 Ever Spent
Sims bought this Memphis brand Jazz-style bass in 1981 for $250, and it’s still his No. 1. He strings it with Rotosound RS66LDs, which he needs to change every three or four shows; once he senses the attack softening, he slaps new ones on.
Boomtown Brightness
Sims blasts his bass through this Gallien-Krueger 800RB, set for a classic midrange scoop with plenty of bite and bottom end. He prefers Ampeg 8x10 cabinets, or 2x15 speaker cabs.
Triple Combo
No fancy floor unit for Sims. He’s got a Boss ODB-3, an MXR Bass Chorus Deluxe, and an MXR Phase 90, all of which are used sparingly throughout the set.
