
In 1967, Richard Head bought his dream guitar for $350 and went on a decades-long musical journey with his prized possession. Now, he’s selling it to raise money for injured veterans.
In Joe Bonamassa’s latest Rig Rundown, filmed in early 2022, Bonamassa showed us a beautiful, faded sunburst 1960 Gibson Les Paul Standard with a history. This guitar was slated to be sold for charity, with 100 percent of the proceeds going to Homes for Our Troops, a nonprofit organization that builds specially adapted custom homes and donates them to severely injured post-9/11 veterans. (HFOT has built 350 homes to date, with another 71 projects underway nationwide.)
I forgot about the guitar and the auction until 11 months later, when I emceed Joe Robinson’s Rig Rundown. Robinson had the same Les Paul. Yesterday, when I returned to the Ryman for a Rundown with Kenny Wayne Shepherd, I saw this special burst again, as Shepherd planned to play it during his set. As I was leaving the venue, I met Richard Head, the owner and donor of this amazing guitar. It occurred to me that my column was due tomorrow, so maybe I could Tom Sawyer him into writing it for me. Luckily, Richard fell for it and sent me the story of the Blessing Burst.
“My higher self knows that you don’t own your favorite possessions—they own you. Essentially, it’s been my burden to buy, repair, protect, and worry about this wire and wood that I’m so obsessed with.”
In 1967, Head, an aspiring musician in Northern Ohio, found a 1960 Les Paul “Burst” Serial #01945 at Elyria Music in Elyria, Ohio. Its cherry sunburst finish had already faded from being displayed in store windows, and it had a repaired neck break. But it was all original with PAF humbuckers and a slim, comfortable 1960s neck profile. Best of all, Richard could afford the purchase price of $350, so he pulled the trigger and never looked back.
This burst, which he nicknamed Blessing, was Richard’s main electric guitar from then on. Blessing was with him during hundreds of hours of gigs, to an audition for Edgar Winter in New York in 1969, then to Criteria Studios in Miami when his band landed a record deal in the ’70s, then more gigs as Richard and Blessing played the club circuit. In 1991, Richard took a job at Gibson where he worked as the marketing director for the electric guitar division. When Gibson created the Custom Shop Historic Collection, Richard loaned his burst Les Paul to Gibson for the purpose of measuring and comparing all of its attributes to ensure that the 1960 Les Paul Reissue, offered as part of the Historic Collection, would be as true to the original as possible. Blessing was featured in the Gibson Historic Collection catalog of 1994, emphasizing the validity of the 1960 Les Paul Reissue model.
Joe Bonamassa took the 1960 Blessing burst on a worldwide tour.
Photo by Rick Gould
In 2020, Richard turned 70 and decided he wanted his Blessing Burst to be a blessing to others by providing mortgage-free homes to extremely injured veterans. Richard contacted his old friend and coworker at Gibson, Walter Carter of Carter Vintage Guitars, who put him in touch with Bonamassa. Bonamassa was happy to help the cause and took the Blessing Burst on tour, spreading awareness about HFOT’s mission.
After a year of touring that took Blessing to the Royal Albert Hall, Red Rocks, and beyond, the guitar is now located at Nashville’s Carter Vintage, where it’s been played by Marcus King, Tommy Emmanuel, John Osborne, Joe Robinson, Kenny Wayne Shepherd, and more. Updates will be posted on the Carter Vintage website as well as Blessing’s Instagram page @Blessingburst.
I just finished a painful, runaway-budget remodel at my home, essentially to accommodate my gluttonous gear consumption. During the process, I found guitars that I’ve not seen in years. I moved piles of old amplifiers that I’ve been lugging around for decades; schlepping them endlessly from my different homes to gigs ad nauseam. I felt like Scrooge’s partner, Marley, who was doomed to drag the chains of his treasure for all eternity.
My higher self knows that you don’t own your favorite possessions—they own you. Essentially, it’s been my burden to buy, repair, protect, and worry about this wire and wood that I’m so obsessed with. It’s a bit of a curse to be owned by your obsessions. It occurred to me that Richard Head is onto something. He found his dream guitar. This Les Paul was with him for a musical odyssey that lasted over half a century. Now the guitar will join another player on their own musical odyssey and the profits from the sale will house people that gave a lot and now need help: Truly that is a blessing. That being said, if I had the dough re mi, I would definitely buy this Blessing Burst and drag it around for the rest of my life and, if possible, I would happily take it with me after I die and lug it through eternity.
- Vintage Vault: 1956 Gibson Les Paul ›
- 1961 Gibson Les Paul Custom ›
- Vintage Vault: 1960 Gibson Les Paul Standard ›
- Rocking to Remember Military Veterans: Guitars for Vets - Premier Guitar ›
The final day is here! Enter Stompboxtober Day 31 for your last chance to win today’s pedal from Keeley and finish the month strong!
Keeley Octa Psi Transfigurating Fuzz Pedal with Polyphonic Pitch Shifting
Meet the OCTA PSI Transfigurating Fuzz – The Ultimate Combination of Pitch-Shifter, Octave Generator, and Tri-Voiced Analog Fuzz! Key features include: Instant Effect Order Switching, Flexible Output Configuration, Momentary or Latching Octave/Pitch, and more! Each pitch shift mode includes an up, down, and dual setting, resulting in 24 different modes.
A 1000-watt speaker cabinet crafted for musicians who demand power and precision. Sunn Amps intends to reinvent the standard 4x12 configuration with the introduction of this new cabinet.
The Sunn Amps DoomBox is built to accommodate both guitar and bass, offering an impressive 1000-watt handling capacity—making it the first commercially available 4x12 cabinet with such high power handling. With four specially designed 12” drivers rated at 250 watts each, this cabinet provides clean, unrestrained sound levels that can maintain power integrity across all frequencies, ideal for high-volume performances.
Inspired and developed using feedback from artists and bands who rely on the depth of lower tunings and high volume genres, the DoomBox was engineered to meet the unique demands of professional musicians looking for a robust, high-efficiency cab that can translate the raw power of their sound without compromise.
Premium Craftsmanship and Materials
The Doom Box cabinet is crafted from solid finger-jointed Baltic Birch plywood, ensuring both durability and tonal clarity. Each cabinet is constructed by hand in the U.S.A. using original 1930s machinery, the DoomBox reflects Sunn’s historic commitment to quality, contrasting with some of the mass-produced, MDF-based cabinets on the market today. The cabinet’s aluminum basket, ferrite magnet, and custom Sunn weave Tolex with a custom grill design complete its professional-grade build.
Technical Specifications:
• Power Handling: 1000W
• Inputs: 1 x ¼”
• Impedance: 8 Ohm
• Drivers: 4 x Sunn 12S250
• Construction: Marine Grade Baltic Birch
• Dimensions: 29.25” X 30” X 14”
• Weight: 107 lbs
• Price: $2399.00
With clear low-end punch, even sound response, and ample air movement, the Doom Box ensures that every note reaches the audience with clarity and power. This cabinet is a game-changer for musicians who need high-performance, road-ready equipment that enhances their unique sound.
Does the guitar’s design encourage sonic exploration more than sight reading?
A popular song between 1910 and 1920 would usually sell millions of copies of sheet music annually. The world population was roughly 25 percent of what it is today, so imagine those sales would be four or five times larger in an alternate-reality 2024. My father is 88, but even with his generation, friends and family would routinely gather around a piano and play and sing their way through a stack of songbooks. (This still happens at my dad’s house every time I’m there.)
Back in their day, recordings of music were a way to promote sheet music. Labels released recordings only after sheet-music sales slowed down on a particular song. That means that until recently, a large section of society not only knew how to read music well, but they did it often—not as often as we stare at our phones, but it was a primary part of home entertainment. By today’s standards, written music feels like a dead language. Music is probably the most common language on Earth, yet I bet it has the highest illiteracy rate.
Developed specifically for Tyler Bryant, the Black Magick Reverb TB is the high-power version of Supro's flagship 1x12 combo amplifier.
At the heart of this all-tube amp is a matched pair of military-grade Sovtek 5881 power tubes configured to deliver 35-Watts of pure Class A power. In addition to the upgraded power section, the Black Magick Reverb TB also features a “bright cap” modification on Channel 1, providing extra sparkle and added versatility when blended with the original Black Magick preamp on Channel 2.
The two complementary channels are summed in parallel and fed into a 2-band EQ followed by tube-driven spring reverb and tremolo effects plus a master volume to tame the output as needed. This unique, signature variant of the Black Magick Reverb is dressed in elegant Black Scandia tolex and comes loaded with a custom-built Supro BD12 speaker made by Celestion.
Price: $1,699.