Fancy filigree distinguishes a reader’s ideal manifestation of straight-ahead Telecaster essence.
Reader: Charlie KramerHometown: Arlington, VirginiaGuitar: CAM Custom Guitars T-Style
I’ve wanted a great Telecaster forever. I bought my first one back in the 1990s and I’ve owned five or six T-styles since, including Fenders, Squiers, G&Ls, and various knockoffs. None of them had everything I was looking for: twang with body, great playability, big frets, and a just-beefy-enough neck—something that could switch between rock and country like a boss. I’m picky; I’ve played guitar since the ’70s—gigging and recording actively—and, in that time, owned a couple dozen guitars from off-the-rack instruments to vintage Fenders and Gibsons, pawnshop weirdos, and some custom made ones, too. But if a guitar doesn’t speak to me, it gathers dust and then goes on Reverb.
A while back, my friend Chris Moreau at CAM Custom Guitars was cooking up something special. Chris made a couple guitars for Tracii Guns of L.A. Guns, so he knows his stuff. He also made a superb Flying V-style that my wife gave me as a Father’s Day gift a few years back.
Chris put together this T-style with an alder body, a roasted maple neck with Jescar stainless-steel frets sourced from Havok Guitars, Fender Pure Vintage ’64 Telecaster pickups, and an engraved Wanby bridge and control plate. Then, Greg Wells at DoubleU Design Studio in Falls Church, VA, burned an amazing paisley design into the top with a Glowforge laser engraver.
Charlie Kramer’s T-Style makes him very happy!
“When plugged into a cranked amp, it could move from Waylon Jennings to Jimmy Page by just adjusting the volume and tone knobs.”
I watched with envy when Chris listed it for sale, and I had to play it before he sold it! But as soon as I had it in my hands, I had to have it. It rang like a piano, and when plugged into a cranked amp, it could move from Waylon Jennings to Jimmy Page by just adjusting the volume and tone knobs. The big stainless frets made bends smooth and easy. I wrote him a check and got out of there with my new prize.
Since then, it’s been one of my main gigging and recording guitars. I used it on a demo for my band Mother of States and played it onstage with the Vaping Nuns (a band I play in with Chris and Greg). When I’m taking a break from work or want to run scales, it’s my go-to instrument—always just a few feet from my desk. Finally, I have the T-style of my dreams!
