
Need more firepower? Here’s a collection of high-powered stomps that pack plenty of torque.
There’s a visceral feeling that goes along with really cranking the gain. Whether you’re using a clean amp or an already dirty setup, adding more gain can inspire you to play in an entirely different way. Below are a handful of pedals that can take you from classic crunch to death metal doom—and beyond.
Universal Audio UAFX Anti 1992 High Gain Amp Pedal
Early 1990s metal tones were iconic. The Anti 1992 offers that unique mix of overdrive and distortion in a feature-packed pedal. You get a 3-band EQ, noise gate, multiple cab and speaker combos, presets, and full control through the mobile app.
Revv G4 Red Channel Preamp/Overdrive/Distortion Pedal - Anniversary Edition
Based upon the red channel of the company’s Generator 120, this finely tuned circuit offers gain variation with its 3-position aggression switch.
MXR Yngwie Malmsteen Overdrive Pedal - Red
The Viking king of shred guitar has distilled his high-octane tone into a simple, two-knob overdrive. Designed for going into an already dirty amp, this stomp offers clarity, harmonics, and more.
Empress Effects Heavy Menace Distortion Pedal
Arguably the company’s most versatile dirt box, this iteration is all about EQ. It’s loaded with an immensely powerful 3-band EQ with a sweepable mid control, footswitchable noise gate, a low-end sculpting control, and three different distortion modes.
JHS Hard Drive Distortion Pedal - Tan
Designed by late JHS R&D engineer Cliff Smith, the Hard Drive is a powerful and heavy ode to the post-grunge sounds of the late ’90s and early ’00s. This original circuit takes inspiration from many places by including cascading gain stages and Baxandall bass and treble controls.
Boss HM-2W Waza Craft Heavy Metal Distortion Pedal
Few pedals captured the sound of Swedish death metal like the HM-2. The go-to setting is simple—all knobs maxed out. Flip over to the custom mode for more tonal range, higher gain, and thicker low end.
Electro-Harmonix Nano Metal Muff Distortion Pedal
Voiced with an aggressive, heavy tone with a tight low end, this pedal offers +/- 14 dB of bass, a powerful noise gate, and an LED to let you know when the gate is on.
Soldano Super Lead Overdrive Plus Pedal
Aimed to capture the sound of Mike Soldano’s flagship tube amp, the SLO uses the same cascading gain stages as the 100-watt head. It also has a side-mounted deep switch to add low-end punch.
Danelectro keeps bring the past to the future by recreating cult classics from their history. The masonite masters brought a pair of new electrics, their Sitar in a cracked-black finish, and some new colors on the Longhorn basses.
Tsakalis AudioWorks Phonkify X and Mothership Tube Overdrive + Preamp Demos | NAMM 2025
The latest iteration of Tsakalis' expansive envelope filter is a pure funk machine. All the classic '70s-era sounds are packed in there, but with three separate filters, you can get so much more out of it. Both the octave and filter are switchable, and with effect order switching you can really push the limits of out-of-this-world wah sounds. It will be available in March for $229.
EHX always brings some fresh goodies to NAMM and this year they showed us a trio of tone twisters. The most impressive unit had to be the POG3 that builds off their stupendous previous iterations and put lightning-fast tracking and perfect polyphony over four octaves with smoother tone and performance than ever before. It has six voices including DRY, -2, -1, +5th, +1, & +2, you can mix each with individual sliders and create enveloping stereo effects with dedicated pan knobs and selectable LEFT/RIGHT/DIRECT outputs. The effects section has been expanded to offer envelope control and adjustable Q for the new multi-mode FILTER, enhanced DETUNE section with SPREAD, and individual DRY effect selection, plus the famous ATTACK slider for subtle or dramatic swell effects. It also includes expression effects like Freeze, Glissando, Volume, Filter, X-Fade, and Warp.
Collings brandished a fresh offset solidbody electric. The 71 M is built with an ash body, a slab-sawn hard maple neck, rosewood fretboard (with a 10" radius), Mastery Offset bridge & vibrato, and a set of Lollar JM-Style pickups — P-90 (bridge) and Blademaster (neck). A 25 1/2" scale length, Kluson Supreme tuners, Davies Radio knobs with push-pull series/parallel on the tone, Jupiter Vintage Yellow capacitors, and narrow-tall frets round out the experience.