Supro's modern-day workhorses are based on the best-selling vintage models from the storied brand.
Anaheim, CA (January 17, 2016) -- Supro revival has taken the MI industry by storm since the company's iconic lightning bolt logo made its triumphant return at Winter NAMM in 2014. Building on a storied legacy that dates back to the origins of rock 'n' roll music and the first electrified instruments, Supro has now announced the introduction of 14 new electric guitars based on the best-selling vintage models from this legendary American brand.
The look and sound of Supro guitars is instantly recognizable due to their distinctive Art Deco style and historic associations with guitarists including a young Jimi Hendrix (Ozark), Link Wray and David Bowie (Dual-Tone) as well as modern-day blues heroes, Joe Perry of Aerosmith (Ozark) and Dan Auerbach of the Black Keys (Martinique). Working with master-designer Trev Wilkinson, vintage pickup expert Ken Calvet and virtuoso luthier Glenn Sweetwood, Supro USA has updated the playability of these classic designs while meticulously capturing the period-correct electronics and unique construction details that set the original Chicago-made Supro models apart from their contemporary rivals back in the '60s.Ā
The Americana Series guitars are replicas of the Supro "reso-glass" instruments, uniquely constructed with a chambered mahogany body and resonant molded top. This semi-hollow recipe retains the unique sonic characteristics of the vintage Supros while providing today's musicians with a lightweight, highly playable instrument that stays in tune and is easy to maintain. The ten distinctive models in the Americana reissue series come loaded with authentic "Vistatone" pickups, which reproduce the groundbreaking, single-coil design developed by Valco in the early 1950s. These historic reissues are available in two body styles with a range of available hardware options, including piezoĀ body sensorsĀ and a newly developed floating vibrato system. Americana Series guitars range in price from $699 to $1,299.
ĀThe Island Series guitars are updated, high-performance instruments based on the 1962 version of the Supro Ozark. The timeless curves of this vintage solidbody design have been enhanced with ergonomic set-neck construction, satin-neck finish and comfortable 12" radius with rolled fretboard edges.Ā All three of the Supro Island Series models come equipped with vintage Gold Foil pickups--accurate replicas of the original Supro "Clear-tone" pickups of the '50s and '60s. These unique, field-coil pickups are low-noise single coils with no pole pieces, an extra-wide magnetic field and a huge, broadband tone. The Island Series guitars are available in single, double, and triple pickup configurations with a range of unique metallic colors as well as black, white, or tobacco flame maple.Ā Island Series guitars range in price from $899 (Jamesport) to $1,199 (Hampton w/ flame top).
Supro guitars will make their public debut at the NAMM Show in Anaheim, January 19-22, 2017. In development since the acquisition of Supro by Absara Audio in 2013, Supro guitars are in stock now and shipping to authorized Supro dealers around the world.
Watch the company's video demo:
For more information:
Supro
Though Lou Reed seemed to only use a handful of chords, his shrewd right-hand strumming created limitless rhythmic variations.
Beginner to Intermediate
Beginner to Intermediate
- Focus on syncopation.
- Add muted strums to enhance your rhythm playing.
- Learn how to modify complex rhythmic patterns into smaller, more comprehensible figures.
Though usually more lauded for his lyrics than his guitar playing, Lou Reed had a distinctive style of strumming that can make replication a challenge and seemingly impossible for beginners to comprehend. With a combination of syncopations and muted strums, Reedās rhythm guitarāfrom his time with the Velvet Underground to his solo careerāhas a groove and feel that all guitar players can learn from.
Weāll start with a relatively simple strummed hook that shows Reedās roots. Ex. 1 is a variation on āThere She Goes Againā from The Velvet Underground and Nico, which was recorded in 1966 and released in 1967. This strum was clearly inspired by Marvin Gayeās āHitch Hike,ā as it duplicates Gayeās intro almost exactly, albeit in a different key. (It is worth mentioning that āHitch Hikeā also inspired the Beatles āYou Canāt Do That.ā)
Ex. 1
Ex. 2 is the samething but performed with cowboy chords instead of barres.
Ex. 2
With Ex. 3, a la āSister Rayā from 1967ās White Light/White Heat, we get into Reedās more syncopated strums. Note that after the first beat, the emphasis of each strum is on an upbeat, including the changes from G to F, then from F to C, followed at the end by a typical Lou Reed-ism of strumming while in mid-change (though in all fairness, many guitarists do this). Thus, the last upbeat notes, which imply a G chord, are in fact a byproduct created by the switch, not a specific chord.
Ex. 3
Ex. 4 is the same strum but capoed at the 5th fret, using cowboy chords instead of barres.
Ex. 4
Our final Velvet reference, Ex. 5, comes from āSweet Janeā (Loaded, 1970), which is a song I loathe teaching to students as it is deceptively trickyāit was the inspiration for this lessonāand can make one feel demoralized. True, the song has only four chords, but the syncopated switching and muted strums can cause problems for many players, and not just beginners. Take your time to get the nuances of the switches and mutes.
Ex. 5
Better yet, start with Ex. 6, which is a simplified version of Ex. 5, using cowboy chords instead of barre chords, as well as a more straightforward strum. True, it does not conform completely to the original, but it is a worthwhile starting point. Once this is mastered, try playing Ex. 5 with the open-position chords before moving onto the barres.
Ex. 6
Solo Years
Ex. 7 is a take on āWalk on the Wild Sideā from 1972ās Transformer, arguably the most famous Lou Reed song. Here weāve graduated from eighth-notes to 16th-notes in the right hand. Once again, the muted strums play a vital role.
Ex. 7
Like the previous two examples, you might want to start with the simpler Ex.Ā 8, although the only change is that the mutes have been omitted. This example demonstrates how essential the mutes are, as the feel changes completely when you leave them out.
Ex. 8
Ex. 9 also comes from Transformer and is a variation onāVicious.ā Additional syncopations and muted strums, both different from āā¦Wild Side,ā complicate what should be carefree.
Ex. 9
Ex. 10 is, again, a simplified alternative.
Ex. 10
Examples 11 and 12 demonstrate two options for fretting chords, using Reedās āLeave Me Aloneā from Street Hassle (1978) as a vehicle.
Ex. 11
Ex. 12
Our last example, Ex. 13, is based on Reedās late-ā80s ācomebackā hit, āDirty Boulevardā from New York. Here we not only get syncopations, but a rhythmic variation in the chorusāsame chords, different rhythms. Pay attention to that quick, almost-ghosted B note on the āandā of 1 in measure two. It almost seems like a mistake but it adds so much.
Ex. 13
The Lou Reed Legacy
When most fans think of Lou Reed, the first thing that comes to mind is his pioneering subversive, transgressive, and poetic lyrics. But, clearly, that is not all there is to his work. In truth, Lou Reed is an incomparable musician whose guitar playing should not be underestimated. So, take this lesson as a starting point and search out more of his idiosyncratic strums. You will be well rewarded.
Nashville luthier and guitar tech Dave Johnson shows us the baker's dozen of tools he thinks any guitar picker requires to be a guitar fixer.
3. Guitar Tech Screwdriver Set - 3000
4. Nut File Set (for medium guitar strings) - 0882
8. String Spacing Ruler - 0673
9. Nut and Saddle Files - 4556
The Ultimate Guitarist's Tool Chest Giveaway
Whether you're setting up your first guitar or fine-tuning a custom build, these are the 13 tools every guitarist needs. Now you can win them all. We've partnered with our friends at StewMac to give away a complete pro-level toolkit valued at over $750.
Click here to enter
Paul Reed Smith cradles one of his companyās Charcoal Phoenix limited-edition guitars in front of a PRS Sonzera amp.
The storied guitar builder reflects on his dozen months sharing his experience, knowledge, and perspective with PGās readers.
Over the past year, Iāve written a series of articles in Premier Guitar going over some of my, and our industryās, views of guitar making. You can find all of them all online (and for those reading this online, the articles are collected here). What I am going to attempt to do for this final piece is boil down each of these articles to a āsort ofā conclusion. I have enjoyed the process of writing and editing each one. For the most part, itās been a lot of fun. So:
Tonewood Doesnāt Matter. Wood Does (August 2024)
We donāt use the word tonewood in conversation at PRS. It doesnāt capture a lot of my experience of which combinations of wood make good instruments. First and foremost, we are looking for qualities of wood over species, and we make sure we dry and treat each one appropriately.
What Makes a Guitar Worth the Price? (September 2024)
Very often, the price of a guitar does reflect how good an instrument isāand very often the price of the guitar has nothing to do with how good an instrument is.
What You Can and Canāt See When Buying a Guitar (October 2024)
This oneās a pet peeve. When making a purchase, you can clearly see the color of a guitar and how beautiful it is, but you have no idea if the neck is going to warp over time because of many factors, including wood drying and truss rod installment design. Trust your experience.
Does Where a Guitar Is Made Really Matter? (November 2024)
There are really good, really smart, really talented people all over the world. While I wonāt deny itās helped our career here at PRS being in the United States, I do not believe it is a truly defining factor of our quality. A good example would be the PRS SE Series.
The Complicated Beauty of Electric Guitar Pickups (December 2024)
Weāve taken so many good stabs at humbucking design, and Iām getting incredibly good feedback on our new McCarty IIIs. But making pickups is a complicated art. There are a lot of ingredients in the recipe.
āI hope these articles have had some positive impact on you as a group.ā
In Guitar Making, Itās the Details that Matter (January 2025)
Well, that title says it. Whatās interesting for me is that all guitar makers believe that different types of details matter more than others. At PRS, we have our own beliefs.
When Building GuitarsāOr Pursuing AnythingāGo Down All the Rabbit Holes (February 2025)
This oneās about learning. Itās a process I really enjoy. Whether your passion is guitar making, guitar playing, or something else entirely, there is always more to keep discovering.
Paul Reed Smith on Buying Gear (March 2025)
Very often at a clinic, the people who donāt play guitar have a less calcified view of the sound of the instruments being demonstrated than those players who have already developed strong ideas. On the other hand, one time a very experienced player was at one of my clinics and heard something heād been looking for for a long time and did not expect it out of the guitar he got it from. Trust your experienceānot your predetermined views.
Learning from the Mistakes of Guitar Buildingās Past (April 2025)
I think my beginnings as a repairman gave me a lot of insight on this one. Even still, just the process of defining a past guitar-making mistake is its own art.
Paul Reed Smith on Where Amp Historyāand ToneāBegins (May 2025)
This one I love. Itās a greatly exaggerated version of mods you could do to a TS808 Tube Screamer, which has a history on the web. Amplifiers are āmodulated power suppliesā and can have so much impact on your tone.
The Lifelong Rhythm of Learning (June 2025)
In some periods of time, thereās a lot to be learned, and in some periods of time, you can barely hold what you had before. Itās different for everyone, and for me, itās been up and down. No matter where you are in the process, thereās always good work to do.
I hope these articles have had some positive impact on you as a group. I know some things resonate with some people and not others, and the opposite as well. I havenāt gotten a lot of feedback from these articles except that thereās not an overwhelming chorus saying āwhat an idiot,ā which I assume means thereās been some meat on the bone of some of the views shared. Itās been a joy. Thanks for listening.
Kemper updated the entire product range introducing the all-new Kemper Profiler MK 2 Series. More Power. More Flexibility.
KEMPER PROFILER - The all-new PROFILER MK 2 Series
Kemper today announces the immediate availability of the all-new KEMPER PROFILER MK 2 Series. Kemper continues to raise the bar with the upcoming Profiler MK 2 Series ā a bold evolution of the Profiler lineup (All PROFILERs: Head, Rack, Stage, the Player, and the powered versions), delivering more power, more flexibility, and more creative potential than ever before.
At the heart of the PROFILER MK 2 Series works an upgraded processing engine, unlocking faster performance, with boot times clocking in around 20 seconds, and a host of new features that expand the boundaries of what a modern guitar or bass rig can do.
A New Era of Effects:
20 Blocks in Series, the most powerful effects architecture ever found in a Kemper unit - The PROFILER MK 2 Series now offers seven additional effect blocks, raising the total number of simultaneous audio effect blocks to an incredible 20 ā all running with zero added signal latency. Itās like having an entire, fully integrated pedalboard with pedal essentials at your feet ā but one that boots in seconds, never needs rewiring, and always remembers your settings.
A new Era of Profiling:
Kemper announces a new profiling technology for the MK 2 series. Availabilty is expected during Summer. Currently in extended testing with some selected third-party profile vendors the new profiling offers:
- More than 100,000 individual frequency points meticulously analyzed for the most precise amp recreation ever achieved.
- Next-Level Speaker & Dynamically adjustable Cabinet Resonance ā Capturing the true dynamics of your setup with the longest and most complex impulse responses in the industry.
- Liquid Profiling Technology ā Seamlessly integrate the original ampās gain and tone controls, transforming a single profile into a fully dynamic, living amplifier.
- Unparalleled Precision & Feel ā A cutting-edge hybrid approach combining precise, deterministic analog measurement with Kemperās industry-leading profiling intelligence.
Overview - All thatās new in the PROFILER MK 2 in more Detail:
All-New FX Section ā 7 Additional FX Slots - ThePROFILER MK 2-Series introduces an expanded FX section with seven dedicated āpedalboard essentialā FX slots, featuring: A new second Noise Gate (Palm Ninja), Compressor, Pure Booster, WahWah, Vintage Chorus, Air Chorus, and Double Tracker.
Adding these to the pre-existing 10 audio blocks, Spectral Noise Gate, Transpose Effect, and Volume Pedal - in total this provides users with 20 simultaneous audio effect blocks, setup gig-ready right out of the box while maintaining full flexibility for customization.
This new layout makes it convenient to cover all the bases and offers 8 flexible FX blocks available for the acclaimed tone shapers and studio-grade unique FX the KEMPER PROFILER is famous for.
Performance Meets Portability - With a smarter internal design and new lightweight aluminum components, the Profiler Stage Mk 2 has shed excess weight ā making it even more gig-friendly without sacrificing the tank-like build quality musicians rely on. Whether for touring the world or heading to a local session, this is the most travel-ready full-featured Profiler yet.
Mk 2-ready Player! - For all guitarists and bassists already rocking the compact PROFILER Player, there is good news: itās been āMK 2ā-ready from day one, meaning itās fully aligned with the power and potential of the new series, and now, on LVL 1 already, it features 16 simultaneous FX in total. This new extended signal flow becomes available for all Player owners as a free update, and yes, it will get Profiling, too. Making the PROFILER Player out of the box the features richest and most professional performance and recording solution - with its travel-friendly footprint and convenient price point!
8-Channel USB Audio Support for the new Mk 2-Series - Native 8-channel USB audio support to all KEMPER PROFILER MK 2 Series units, enabling seamless multitrack recording and reamping directly into your DAW ā no external interface required.
Loop Longer, Play Harder - The integrated Looper also gets a serious upgrade. With up to two full minutes of recording time, the MK 2 Series lets you capture extended phrases, build layered soundscapes, or craft entire performances ā all on the fly. (Looper available from LVL 3 for the Player)
Speed and Responsiveness Upgrades - Major improvements under the hood. Boot times, preset switching, and UI responsiveness are noticeably faster and smoother, especially in Performance Mode.
Christoph Kemper, Founder & CEO:
āThe new PROFILER MK 2-Series makes the PROFILERs feel more like a complete rig than ever before. With instant access to essential FX, full USB audio integration, and improved playability, weāre giving our users a platform that adapts and grows with them.ā
Pricing & Availability:
The new KEMPER PROFILER MK 2 Series models are available now from dealers worldwide and directly from the Kemper Online Store. All the new features require a KEMPER PROFILER MK 2 Series device. Visit www.kemper-amps.com for downloads and release notes.
PROFILER Head $1,348.00
PROFILER Rack $1,398.00
PROFILER Stage $1,498.00
PROFILER Player $ 699.00
PROFILER PowerHead $1,798.00
PROFILER PowerRack $1,798.00
PROFILER Remote $ 469.00
At a glance!
The Kemper Profiler MK 2 Series isnāt just about doing more. Itās about doing it better, faster, and without compromise. With unmatched tonal power, surgical precision, and effortless usability, this is the most complete and forward-thinking Profiler platform yet.