Deathcore dealer Stephen Rutishauser dishes bludgeoning riffs on Petrucci-approved sparkly 7- and 8-string stallions.
Death metal is a genre built on precision and power. Chelsea Grinās articulate picking and gut-rattling riffs are its foundation. But thanks to a rotating cast of ripping guitarists (including Rig Rundown alumnus Jason Richardson), their five albums have shown subtle brick-and-mortar flair by incorporating elements of djent, metalcore, doom, black metal, and even post-hardcore. The current lead guitar chair has been filled by Stephen Rutishauser since 2015. His input has given their chaotic sound a more meticulous gnarl and complex rhythmic density that binds discord and darkened melodies.
Hours before Chelsea Grinās rare club gig at Nashvilleās the End, the gruesomely heavy guitarist invited PGās Chris Kies onstage to talk gear. In this RR, the bandās face-melter details the sparkle-covered Petrucci signatures that he carries on tour and breaks down the dialed-in digital patches that color their brutal barrage.
Brought to you by DāAddario dBud Earplugs.
Man Meets Machine
āI love these guitars [Music Man JP13s] for a lot of reasons,ā admits Rutishauser. āThey have a bite no other guitar can achieve. I think thatās just the conglomerate of everything they put into it. Itās piercing, with a crisp, throaty midrange. Itās just a total machine.ā All of his JP13s are loaded with DiMarzio-designed, Petrucci-endorsed Illuminator humbuckers. The JP13s handle all songs in drop-A and drop-G tunings. He landed on this particular iteration of the John Petrucci signature because of its tonewood pairings: basswood body, mahogany tone block, maple top, mahogany neck, and rosewood fretboard. His drop-A guitars take Ernie Ball Ernie Ball 2621 7-String Regular Slinky Cobalts (.010ā.056) and his drop-G guitars (like the one above) take Ernie Ball 2615 7-String Skinny Top Heavy Bottom Slinky Cobalts (.010ā.062).
Sassafras Sparkle
This delicious Music Man JP13 is finished in root beer sparkle. This one is an anomaly as it has a JP13 body matched with a JP15 neck. The difference is more than a number, as the 15 model shifted to a roasted-birdās-eye-maple neck and fretboard. He notes the varied ingredients provide less spark in his pinch harmonics, but Rutishauser does enjoy how it brightens up his palm-muted chugs.
The Boom Stick
Rutishauserās choice for his main 8-string, which handles drop-B jams, is this Aristides 080. The unique thing about this beast is that it contains no wood and is made completely of resin-based Arium. It features a 27" scale length, MEC Electronics, and Lundgren M8 humbuckers. Plus, its C-shaped multi-scale neck (26.5"-28") starts at 2.17" wide and spreads to 2.75" at the 12th fret. The Richlite fretboard has a compound (14"-19") radius and is fitted with 24 Jescar medium-jumbo, stainless steel frets. Itās laced with Ernie Ball 8-String Slinkys (.010ā.074).
A Black Hole
The 080s magnificent galaxy-sparkle finish gives way to a clear back piece that shows off the blackened Arium construction at its nucleus.
RosƩ Rocker
This champagne-sparkle JP13 handles any required 7-string backup duties.
Light and Mighty
Both Rutishauser and bassist David Flinn rely on Fractal Audio juggernauts. Stephen plugs into the Axe-Fx II XL+, while Flinn runs into the original Axe-Fx Ultra. Rutishauserās principal tone is based on the FAS Brutals. He intensifies that setting with putting a drive into the Brutals and parametric EQ after it. Heāll occasionally patch in a reverb, delay, and modulation at the end of his chain, but ahead of the EQ. The laptop runs Cubase for the guitar track, click track, 808 bass drops, and left-right stereo tracks.
Racked and Ready
Focusriteās Clarett+ 8Pre interface controls their inputs. A Radial SW8 Auto-Switcher wrangles all backing tracks out of Cubase. Sennheiser EM 300 G3 wireless units cover both the stringed instruments and the bandās in-ear monitors. At the bottom rests a Behringer X32 Rack, which routes and regulates the bandās in-ear monitors.
The death-metal nomad welcomes us into his converted-cargo-trailer home/studio to detail his extended-range rumblers and mobile recording setup.
Facing a mandatory shelter-in-place ordinance to limit the spread of COVID-19, PG enacted a hybrid approach to filming and producing Rig Rundowns. This is the 20th video in that format, and we stand behind the final product.
On the heels of releasing Enterprise Earthās Foundation of Bones EP, Mangold virtually welcomed PGās Chris Kies into his converted cargo trailer where he lives and records. (During the filming he was parked at the foothills of Rio Grande Gorge near the Sangre de Cristo Foothills in Taos, NM.) The vagabond guitarist opens up about creating pulverizing rhythms on 7- and 8-string beasts and using 21st century tech to create anywhere and everywhere he and his dog Jiro may roam.
Almost a decade ago, Gabe was surfing eBay and his inner ā80s shredder came out when he stumbled across a loud neon purple 1991 Ibanez RG550. He bought the radical guitar and it soon became a staple of his arsenal. The band he was in was filming a music video and he wanted to celebrate the guitarās awesomeness by spinning it around his head via the strap. Unbeknownst to him, the strap lock wasnāt on the same page and the guitar went sailing. The body split in half and the guitar was shelved until he bought a 1987 RG550 body off eBay. To make the mashup more his own, he attempted to give it a Steve Vai-inspired āMulti Swirlā paint job seen on the iconās JEMs. The original pickups have been swapped out for Bare KnucklesāNailbomb humbuckers and a Trilogy Suite single-coil in the middle position. Because Enterprise Earth tunes down so low this 6-string doesnāt see much action in that group (aside from some recorded solos), but it does come out to play in his other bands, Delusions of Grandeur and The Harvest of Colour. Heās been using a droney C minor tuning a lot (CāGāCāGāCāEb).
His other main 6-string is this early 2010s Suhr Modern that also sees studio time for soloing with Enterprise Earth and his less-aggressive bands Delusions of Grandeur and The Harvest of Colour. A big reason he continues to bond with this instrument is because āits tone is clear, crisp, and slices right through a mix.ā
Here is one of his extended-range monstersāa custom made Dalbello Undici Modern 8-string that features a swamp ash body, Lundgren M8 humbuckers, and a multi-scale neck that goes from 26.75" to 28.25". It takes DāAddario NYXL (.009ā.046) guitar set with an additional .066 and .094 strings. He often tunes in double drop-D (DāAāDāGāCāFāAāD).
Above you see a custom Strictly 7 String Cobra that has a 7-piece maple-walnut neck, ash body capped with a flame maple top, and an ebony fretboard. This is his backup 7-string for the road and typically is tuned to drop B.
This is nearly identical recipe to the red-and-black Strictly 7 Cobra in the previous slide, but it was built earlier in 2012 and is an example of their killer work that Mangold refers to āthatās when they were making the best extended-range instruments.ā He really appreciates the craftsmanship and overall comfortability thanks to its teardrop D-profile neck thatās ergonomic and fast. It has a set of Bare Knuckle ābuckersāNailbomb in the bridge and Aftermath in the neck.
While his converted cargo trailer allows him to record anywhere, anytime, there are times where Mangold truly goes off the grid and jams in the wilderness. To perform those solo endeavors (and for acoustic moods while recording), he trusts nothing but this Martin DCPA4. (Check out his Instagram account to see what majestic backdrop he plays in front of next.)
Whether itās writing, recording, or even onstage performing, Gabe relies on a Kemper Profiler for his tone.
For Enterprise Earthās brand-new EP, Foundation of Bones, Mangold used this setup to track all of the guitar tones.
Hereās Mangoldās world ā¦ all fit into this 16'x9' renovated cargo trailer.
And weād be remised if we didnāt share this wonderful shot of all Gabeās guitars and his travel companion Jiro.
This YouTuber gives the 411 on headless hellraisers, his favorite amp of all time, and the small rack that houses his band's entire live rig.
Facing a mandatory shelter-in ordinance to limit the spread of COVID-19, PG enacted a hybrid approach to filming and producing Rig Rundowns. This is the fourth video in that format, and we stand behind the final product.
In this episode, aspiring Chug Suckle headliner Trey Xavier of YouTube channel Gear Gods and melodic metal band In Virtue (think modern Symphony X with a djent bent) virtually welcomes PGās Chris Kies into his L.A.-based tone fort. Over the course of 75+ minutes, he covers the extended-range instruments in his quiver, explains the versatile savagery harbored inside his favorite Revv head, demos his graduating scale of grime, and details his bandās unfathomably compact touring rig.