c f martin

A 14-fret Martin 000-15M and its 12-fret counterpart, the 000-15.

The 14-fret acoustic guitar may be more popular, but 12-fret acoustics have their own unique tonal characteristics that many guitarists love.

One of the more frequent questions we get at Martin is about the difference between 12-fret and 14-fret acoustic guitars. Besides upper register access, what are the benefits and potential limitations? How does it impact design and tone? How should someone decide which option is right for them? To help answer these questions, I turned to Fred Greene, our vice president of product management at C. F. Martin & Co. Fred oversees the design and development of new products at Martin and has years of knowledge and experience in this area.

Read More Show less
John 5 on How He Gets Old-School Tones from His Metal-Friendly Tele | The Big 5

Plus, find out which guitar hero the Rob Zombie sideman “begs and pleads” with you to listen to.

Read More Show less

For at least a decade, the classic Ampeg SVT was the dominant bass amp for power and tone.

Photo courtesy of ampeg.com

From the giant, hefty beasts of yore to their modern, ultra-portable equivalents, bass amps have come a long way. So, what's next?

Bassists are often quite well-informed about the details of their instruments, down to the finest technical specs. Many of us have had our share of intense discussions about the most minute differences between one instrument and another. (And sometimes those are interrupted by someone saying, "It's all in the fingers.") But right behind our backs, at the end of our output cables, there is a world of tone-shaping that we either simply ignore or just don't want to dive into too deeply. Turning a gear discussion from bass to amp is a perfect way to bring it to an abrupt end.

Read More Show less
x