An incredibly versatile overdrive that will bring the most out of your rig.
Wonderfully organic overdrive tones. Inventive control setup.
Not for the hi-gain set.
$175
Dusky Electronics Toasted Drive
duskyamp.com
I love playing a piece of gear that makes me forget that I’m playing a piece of gear. While there are plenty of weird and wacky stomps that will make your guitar sound like sci-fi soundtrack, the Dusky Toasted Drive is certainly not one of those. It’s part clean boost, part medium-gain overdrive, and 100-percent useful. And though the controls look like those from a very standard overdrive, Dusky’s efforts to mine new gold out of a classic setup yield tone treasure.
The temperature (gain), more (volume), and color (treble boost) controls are very interactive with each other, which means many possible variations on the basic voice. The Toasted Drive also uses MOSFET gain stages rather than diode clipping to generate dirt. To my ears (and fingers), this gives the pedal a much more amp-like sound and feel and allows natural guitar/amp tones to shine more clearly.
Even at maximum settings for each parameter, the Toasted Drive never gets unwieldly, out of control, or harsh. Its tone is focused with rather tight midrange response and plenty of high-end that you can sculpt with either your guitar’s controls or the pedal’s color knob. And its natural transparency means I would happily use it as the first source of drive in a pedalboard gain stack. At $175 the Dusky competes with many similar and very nice pedals, but you’d be hard pressed to find one that slides into your signal chain so effortlessly.
Test Gear: Fender Stratocaster, Schroeder Chopper TL, Fender Jaguar, Revv D20
Dusky Electronics is proud to announce the newest addition to its award-winning pedal lineup, Toasted. An update of Dusky's Toasted Drive pedal, Toasted sports an expanded range of control and more pleasing distortion, while retaining the same basic topology that gave the Toasted Drive its unique, original voice. Toasted does everything its ancestor could do, just better.
Eschewing opamps and clipping diodes, Toasted's discrete, class-A circuitry consists of a pair of MOSFET gain stages cascaded one into the other, like tube gain stages in a guitar amplifier. Toasted's dynamic low-to-medium gain range stacks well with other pedals and its substantial output volume allows it to push a tube amplifier over the edge. Think of Toasted as a semi-transparent gain stage that can be used to expand the range of an existing guitar to amplifier connection.
Features
- Real overdrive from a discrete class-A circuit
- Internal MEAT switch to expands low end range
- High impedance input allowing for flexible placement in signal chain
- 18V power option, for extended dynamic range and headroom
- Battery power option
The Toasted retails for $180 and can be purchased online at duskyamp.com.
Thanks to a flexible EQ, this old-school-minded beauty is fantastic at nastying-up leads—but also works great with chords. The PG Dusky Augustus review.
RatingsPros:A very flexible, user-friendly octave fuzz with plenty of aggression and the ability to handle both single-note runs and chords. High-quality build. Cons: Not always as dramatically snarly as some old-school octave-fuzz pedals. Street: $200 Dusky Electronics Augustus duskyamp.com | Tones:  Ease of Use:  Build/Design: Value: |
British pedal pioneer Roger Mayer once explained to me, over pints in a London pub, how his seminal Octavia worked. Employing a visual analogy—using the large mirror on the wall behind us and the reflection of an upheld cardboard beer mat— he said: “You see two of them, but there’s still only one.” Simple, right?
The Augustus octave fuzz pedal from North Carolina maker Dusky Electronics follows Mayer’s principle for an octave effect of “folding” the input frequency into two, to create an octave-up sound at the output. Dusky uses a different circuit to achieve the same effect, but it generates a very flexible and gnarly octave fuzz that’s great for everything from emotive leads to massive, mechanical-sounding power chords and more.
Eight Legs Good
The Augustus (which is presumably named after the Roman emperor Octavian Caesar Augustus—get it?) is a pretty straight-ahead pedal. But it offers extra flexibility in the EQ structure that pays big sonic dividends. The big aluminum “heat” knob at the top-right controls gain and the and “more” knob controls output volume. The other two small, clear, plastic knobs labeled “meat” and “light” control bass and treble, respectively. Inside, the circuit features MOSFET input and output amplifiers, with a high-impedance input buffer to help the pedal perform at any position within your signal chain.
Long Division
The Augustus’ expanded EQ control capabilities (many vintage-flavored octave pedals including the Octavia have just a single tone knob, if they have any tone control at all) and wider frequency response enable the pedal to be used effectively with bass, baritone, and keyboards. But for our evaluation, I stuck with a few classic guitar recipes: a Les Paul and a Stratocaster into a Carr Super Bee 1x12 combo and a Friedman Small Box head and 2x12 cab. And I didn’t have to play for long to get a sense of its abundant creative potential and flexibility.
Many octave-fuzz pedals built on traditional circuit templates tend to freak out (though often in very cool ways) when you try to play more than a single note—or, heaven forbid, play a slow unison bend. But the Augustus happily eats up chords, bends, and dyads, spitting out aggressively effected but representative renderings of the notes that you put in. That makes it very effective for spicing up more complex leads, but it’s mean and monstrous in rhythm guitar applications, too.
Since the octave content is set, the real tone variation comes via the gain and EQ controls. The heat knob alone can take the sound from almost relatively sedate settings, where notes sing distinctly, to thick and jagged or grungy and nasty tones. In most instances, I preferred the character of the sound with heat between 10 and 2 o’clock, where the pedal issued trippy, zippery, synth-like snarl along with impressive sustain. The EQ knobs, meanwhile, provide a lot of flexibility for matching different guitars and amps, and the extra layer of control definitely sets the Dusky apart. The extra EQ power also widens the range of guitars that can be used effectively with the pedal. I find many octave pedals to be a less-than-ideal match for humbuckers, but I was particularly impressed with how Augustus handled the signal from a Les Paul, and the pairing yielded thick, beefy versions of even the freakiest sounds.
The Verdict
The Augustus is enticingly full of tone possibilities, and really grew on me the more I played it. It might not be as jaggedly surreal and extreme as some more traditional octave-fuzz designs, but it feels less chaotic, more controlled, and certainly more versatile than most. You can unleash dramatic leads just as easily as fat rhythm chords, which is no small feat for an octave pedal. And while it might seem just a touch costly for an octave fuzz, the price is very reasonable for a well-built, U.S.-made pedal that offers a genuinely enhanced take on the time-tested octave-fuzz effect.
Watch our demo of the Dusky Augustus Octave Fuzz:
