Thanks to a flexible EQ, this old-school-minded beauty is fantastic at nastying-up leads—but also works great with chords. The PG Dusky Augustus review.
A very flexible, user-friendly octave fuzz with plenty of aggression and the ability to handle both single-note runs and chords. High-quality build.
Not always as dramatically snarly as some old-school octave-fuzz pedals.
Dusky Electronics Augustus
Ease of Use:
British pedal pioneer Roger Mayer once explained to me, over pints in a London pub, how his seminal Octavia worked. Employing a visual analogy—using the large mirror on the wall behind us and the reflection of an upheld cardboard beer mat— he said: “You see two of them, but there’s still only one.” Simple, right?
The Augustus octave fuzz pedal from North Carolina maker Dusky Electronics follows Mayer’s principle for an octave effect of “folding” the input frequency into two, to create an octave-up sound at the output. Dusky uses a different circuit to achieve the same effect, but it generates a very flexible and gnarly octave fuzz that’s great for everything from emotive leads to massive, mechanical-sounding power chords and more.
Eight Legs Good
The Augustus (which is presumably named after the Roman emperor Octavian Caesar Augustus—get it?) is a pretty straight-ahead pedal. But it offers extra flexibility in the EQ structure that pays big sonic dividends. The big aluminum “heat” knob at the top-right controls gain and the and “more” knob controls output volume. The other two small, clear, plastic knobs labeled “meat” and “light” control bass and treble, respectively. Inside, the circuit features MOSFET input and output amplifiers, with a high-impedance input buffer to help the pedal perform at any position within your signal chain.
The Augustus’ expanded EQ control capabilities (many vintage-flavored octave pedals including the Octavia have just a single tone knob, if they have any tone control at all) and wider frequency response enable the pedal to be used effectively with bass, baritone, and keyboards. But for our evaluation, I stuck with a few classic guitar recipes: a Les Paul and a Stratocaster into a Carr Super Bee 1x12 combo and a Friedman Small Box head and 2x12 cab. And I didn’t have to play for long to get a sense of its abundant creative potential and flexibility.
Many octave-fuzz pedals built on traditional circuit templates tend to freak out (though often in very cool ways) when you try to play more than a single note—or, heaven forbid, play a slow unison bend. But the Augustus happily eats up chords, bends, and dyads, spitting out aggressively effected but representative renderings of the notes that you put in. That makes it very effective for spicing up more complex leads, but it’s mean and monstrous in rhythm guitar applications, too.
Since the octave content is set, the real tone variation comes via the gain and EQ controls. The heat knob alone can take the sound from almost relatively sedate settings, where notes sing distinctly, to thick and jagged or grungy and nasty tones. In most instances, I preferred the character of the sound with heat between 10 and 2 o’clock, where the pedal issued trippy, zippery, synth-like snarl along with impressive sustain. The EQ knobs, meanwhile, provide a lot of flexibility for matching different guitars and amps, and the extra layer of control definitely sets the Dusky apart. The extra EQ power also widens the range of guitars that can be used effectively with the pedal. I find many octave pedals to be a less-than-ideal match for humbuckers, but I was particularly impressed with how Augustus handled the signal from a Les Paul, and the pairing yielded thick, beefy versions of even the freakiest sounds.
The Augustus is enticingly full of tone possibilities, and really grew on me the more I played it. It might not be as jaggedly surreal and extreme as some more traditional octave-fuzz designs, but it feels less chaotic, more controlled, and certainly more versatile than most. You can unleash dramatic leads just as easily as fat rhythm chords, which is no small feat for an octave pedal. And while it might seem just a touch costly for an octave fuzz, the price is very reasonable for a well-built, U.S.-made pedal that offers a genuinely enhanced take on the time-tested octave-fuzz effect.
Watch our demo of the Dusky Augustus Octave Fuzz:
Kick off the holiday season by shopping for the guitar player in your life at Guitar Center! Now through December 24th 2022, save on exclusive instruments, accessories, apparel, and more with hundreds of items at their lowest prices of the year.
We’ve compiled this year’s best deals in the 2022 Holiday Gift Guide presented by Guitar Center.
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About Mystery Stocking
Each year, Premier Guitar likes to put out these mystery boxes as a part of bringing some fun to the holiday season. Remember, this is supposed to be a fun holiday treat! If the contents of this box will ruin your holiday, deplete the last of your bank account, or end your ability to see the good in humanity, it may not be for you.
- This year's Mystery Stocking will cost $44.95. ($39.95 + $5 Flat shipping)
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Featuring the Adaptive Circuitry recently introduced on their Halcyon Green Overdrive, Origin Effects have brought us a pedal with a character all of its own and a new flavor of drive.
Origin Effects introduce the new M-EQ DRIVER mid booster & drive pedal. Based on a vintage Pultec studio EQ, this unique pedal offers a range of mid-focused tones, from a subtle mid boost to thick, resonant overdrive. Featuring the Adaptive Circuitry recently introduced on their Halcyon Green Overdrive, Origin Effects have brought us a pedal with a character all of its own and a new flavor of drive.
A choice of three mid-range frequencies ensures that you can boost just the right part of your guitar signal and, when pushed harder, can elicit a range of saturation from a classic “mid-hump” overdrive to fierce “cocked wah” distortion. Thanks to the Adaptive Circuitry, the high-end roll-off of the Cut control is reduced as the pedal cleans up. This allows for a smooth transition from warm overdrive to bright clean tones in response to playing dynamics or guitar volume knob changes.
Introducing... M-EQ DRIVER || Mid Booster & Drive
Built-in the UK to the highest standards, the M-EQ DRIVER continues the Origin Effects tradition of vintage, studio-inspired tones in modern guitar pedals. The Origin Effects M-EQ DRIVER is available now from Origin Effects dealers worldwide.
RRP: 259 GBP (Inc VAT) / 319 USD (Ex TAX)
For more information, please visit origineffects.com.
The new finish, according to Lava Music, is “inspired by the beauty of the golden hour,” a shining time just before sunset and after sunrise when photographers covet to capture stunning pictures.
With bright and warm golden hues, the new finish adds a brilliant metallic glow to the surface of Lava ME 3, complementing its AirSonic 2 carbon fiber unibody which features L3 Preamp with FreeBoost 2.0, delivers industry-leading sounds by breakthrough acoustic technologies, and houses a multi-touch display powered by Lava-developed HILAVA system.
Speaking of the HILAVA system, Lava Music also added four new effects: Nebula, Desert Rose, Cassette, and Edge of Breakup. As unique as their names sound, they are very much different from what we normally know about effects. Programmed into the HILAVA system, each of the four is powered by the company’s latest ArctanDrive algorithm and incorporates effects like Pitch Shift, Delay, and Reverb. And every one of those incorporated sub-effects comes with various parameters that players can adjust to design unique, overdriven sounds by just tapping on the multi-touch display. That said, those effects enable users to play with overdriven tone on an acoustic-electric guitar without even plugging in any external gear.
LAVA ME 3 | Now in Golden Hour | LAVA MUSIC
Lava Me 3 in Golden Hour is now available starting from $999 on LAVA MUSIC, Amazon, and local guitar dealerships near you.
For more information, please visit store.lavamusic.com.