How does the Players Edition upgrade stack up on the brand’s sleek 6-string “Cadillac”?
Bridge pickup, then middle position, then neck.
All guitar controls at max. Recorded through the boost side of a SoundBrut DrVa MkII, a Ground Control Tsukuyomi mid boost, a SolidGoldFx Electroman MkII, and an Anasounds Element into a Goodsell Valpreaux 21 miked with a Royer R-121 going into an Audient iD44 then into GarageBand with no EQ-ing, compression, or effects.
RatingsPros:Matchless style and mojo. Plays, feels, and sounds great. Cons: Expensive. Pickups can feel limited compared to Full’Trons. Some may prefer a tone knob for each pickup. Street: $3,499 Gretsch G6636TSL Players Edition Silver Falcon gretschguitars.com | Tones: Playability: Build/Design: Value: |
When you think of iconic electric guitars, three biggies pop to mind—the Strat, the Tele, and the Les Paul. But for many, a hollow or semi-hollow Gretsch isn’t far behind. From Bo Diddley to Gene Vincent, Duane Eddy, Chet Atkins, George Harrison, Neil Young, Brian Setzer, and more, countless legends have donned these inimitable outlines to create some of the coolest music in our lexicon. And within Gretsch’s own hallowed halls, the Silver and White Falcon are perhaps the most elegantly head-turning—with their sparkle binding and victory-winged headstock rendering them the 6-string equivalent of a sleek ’50s Cadillac. The new G6636TSL Silver Falcon gets all this, plus the modernized Players Edition treatment.
Vintage Minus the Hassle
For a brand whose products are so influential and distinctive, guitar building must often feel like a catch-22—how do you honor a legacy while also appealing to players whose needs and reference points aren’t tied to vintage specs and appointments? Gretsch’s Players Edition aims to bridge that gap with features like Bigsby vibratos modded to facilitate no-fuss stringing, Gotoh locking tuners, Grover strap locks, and treble-bleed master volumes. Appointments particular to this model include a 1 3/4"-deep, semi-hollow maple-laminate body with a slightly smaller-than-vintage 16" width at the lower bout. Unlike 25 1/2"-scale vintage-spec Falcons, the G6636TSL mates Gretsch’s shorter 24.6" scale to a 12"-radius ebony fretboard with thumbnail markers and 22 medium-jumbo frets. To offer a measure of feedback control at high volumes, there’s also a chambered-spruce center block.
In terms of our review model’s craftsmanship and setup, I found little to knock: The action is nice and low, the fretwork is very good, though not completely free of roughness at the edges, internal woodwork is neat and clean, and all aesthetic touches are executed with aplomb.
The Edition/Addition Dilemma
Three years ago, I reviewed the G6609TFM Players Edition Broadkaster—a less-flashy instrument with the same scale, body style, woods, and controls as this Silver Falcon. To help me compare the Broadkaster’s then-new Full’Tron pickups to the High Sensitive Filter’Trons that are synonymous with the classic Gretsch sound, the company also sent an otherwise identically equipped G6636T Players Edition Falcon. The more I compared the two, the more surprised I was that I gravitated toward the Broadkaster. Low-output, vintage-spec pickups are the foundational sounds my ears tend to prefer. Yet, time and again, I found myself favoring the Full’Trons’ more powerful and mid-enhanced tones over the traditional Filter’Trons.
The Silver Falcon reviewed here is stocked with the vintage-style “High Sensitive” Filter’Tron pickups rather than the Full’Trons. Then, as now, I enjoy their gritty, mid-scooped tones. But I found myself wishing Gretsch had outfitted this guitar with the Full’Trons, which, to me, are more fitting for the Professional Series/Players Edition appellation.
It’s not so much that it’s a “vintage vs. modern” thing. Gretsch describes Filter’Tron pickups as being a 7 (on a 10-point scale) for “power and sonic size,” and 9 out of 10 for “articulation, clarity, and dynamic range.” Full’Trons, meanwhile, are rated 8 in both categories. Obviously words and numbers are just that, but what I noticed as I tested the Silver Falcon through various amps—from silver-panel Vibrolux Reverb and Vibro Champ combos to a Goodsell Valpreaux 21 and a Jaguar HC50—was that the High Sensitive Filter’Trons are much more, well, sensitive—but in a different way from what one might expect. They are perfectly capable of prototypical Gretsch sounds—tough bridge-pickup bite and snarl, chimey two-pickup jangle, and warm jazz are all there for the taking. But in addition to their slightly nasal sound, are also apt to yield somewhat brittle highs and high mids, particularly under heavy attack. (And this is coming from a guy who loves buzzing-bee fuzz pedals and jagged vintage Fender Jaguar sounds.) Full’Trons, meanwhile, are capable of traditional Filter’Tron tones plus many others that modern players might find more malleable and versatile.
The Verdict
I’ve lusted after a great Gretsch semi-hollow for a long time—in fact, I’m still kicking myself for not buying that Broadkaster (though I have a hunch Santa might right that wrong for me in the next couple weeks). Ever since reviewing it, I’ve been mystified by the lack of public accolades for its stellar Full’Tron pickups, and the fact that they’re not currently available on any other Gretsch models. The Gretsch G6636TSL Silver Falcon could be all the wonderful things it is and more with the added clarity, airiness, and flexibility of those Full’Trons. To be sure, though, it still plays, looks, and sounds damn good.
A tip-top rockabilly bomber at a bargain price.
0:00 - Bridge pickup, into Twin Reverb clean
0:20 - Neck pickup, Twin Reverb
0:52 - Bridge pickup, into Friedman BE-50 Lead Channel
1:20 - switch to neck pickup.
RatingsPros:Well-built for the price. Fresh angle on timeless Gretsch styling. Versatile tones. Cons: Sharp nut corners. Hot pickups might not suit traditionalists. Street: $549 Gretsch Streamliner G2420T gretsch.com | Tones: Playability: Build/Design: Value: |
Just as the Electromatic Collection took the pricier designs of the Professional series to a wider audience, the even-more-affordable Streamliner line delivers Gretsch looks, sounds, and feel at prices around the mid-three-figure range. But while the Indonesian-made Streamliners are tagged at only 60 percent to 70 percent or so of their Electromatic equivalents (and about a quarter of the most comparable Professional Collection models), a quick assessment will tell you they’re not nearly as down-market in features, fit, and finish as that might imply.
The Streamliner series doesn’t always feature vintage-correct appointments or period-perfect materials and construction. But that’s far from the point. “That Great Gretsch Sound” has already successfully morphed across several different pickup configurations and body styles in six-and-a-half decades. There’s no reason players with tighter budgets should miss out on the fun. Let’s dig in and see just how much of it this smartly revamped Streamliner delivers.
Chet, One-Two
The Streamliner G2420T stylistically nods to the legendary 6120 Chet Atkins hollowbody of the ’50s. It’s also tied to Gretsch’s flagship axe in terms of features and format. The design cornerstones are a 2.75"-deep, fully hollow archtop body made from laminated maple, with trestle (i.e. parallel rail) bracing and a single rounded cutaway. The “T’ in the model name designates inclusion of a Bigsby-licensed vibrato tailpiece—another classic Gretsch element. The candy apple red finish on our test model is one of three available (riviera blue and goldust are the others), and it’s nicely framed by aged-white binding with 3-ply b/w/b purfling front and back. The reddish-brown tortoiseshell pickguard probably wouldn’t be my first choice against the red-metallic of the candy apple finish (parchment, black, silver?). Others will no doubt like the customized look.
Another change is the replacement of full-block inlays with the characteristic Gretsch hump-blocks from the mid ’50s. They’re inlaid in an attractive, medium-brown laurel, 12" radius fretboard with aged-white binding. It caps a nato neck scaled to 24.75", with a nut width of 1.6875". Gretsch calls the neck shape a “thin U,” but in my hands it feels more like a fully rounded C profile. Measurements are .875" deep at the first fret and just shy of 1" at the tenth. In any case, it fills the hand comfortably and plays great up and down its length. My only complaint is that the corners of the synthetic nut are a little sharp. (That’s a problem easily cured with a few swipes of the correct file.)
Other hardware includes an Adjusto-Matic bridge on a pinned laurel base—which helps prevent you from knocking it out of whack in your more enthusiastically rocking moments—and die-cast nickel OEM tuners with Grover-style kidney buttons. The new Broad’Tron BT-2S pickups, which are really the feature attraction in this evolution of the Streamliner line, are bigger than Filter’Trons, but they share a Filter’Tron’s cool styling with their peekaboo covers and 12 adjustable pole pieces. The resistance in this set measure 9.24k ohms in the bridge position and 8.90k ohms in the neck, so they’re also wound hotter than traditional Filter’Trons. But the hotter output might suit the tastes of a lot of guitarists shopping in this range. They’re wired through individual volume controls, a master tone, a master volume, and a 3-way switch.
Revved Up
Visually speaking, the Streamliner G2420T screams “rockabilly.” It lives up to its outward attitude when you plug it in, too. Tested through a TopHat Club Royale 1x12 combo set clean with a touch of breakup, the pickups were still clear and well defined for a set wound to the hotter edge of traditional PAF humbucker specs. The sparkle, chime, and articulation of the bridge pickup and in-between settings are very Filter’Tron-like, and impressive for pickups in this price class. But they also deliver a little more bite and grind at the same time. Traditional rockabilly riffs bounced and snarled. And the twang in lower single-note runs exuded characterful grit that cut with authority. The neck pickup, meanwhile, ably delivers rich, warm jazz tones for players who might need to bop or swing occasionally.
The G2420T delivers in higher-gain situations, too. Dirtied up with overdrive from a Bogner Wessex and a Tube Screamer (used independently and in series), it generated thick rock textures with ease. The bridge pickup delivers great lead tones with good string-to-string separation. The neck pickup sings in round, vocal blues tones. Better still, the feedback howl that plagues most hollowbodies is not nearly as prominent or overwhelming as I would have expected—at least at reasonable volumes and reasonable distances from the amp. And many pickup settings enable creative sustain effects and harmonic swell that’s more controllable than I’ve experienced with other large hollowbody electrics. It’s all pleasantly manageable.
The Verdict
Confidently delivering the spirit and sounds of Brian Setzer, Billy Duffy, and many points in between, the Streamliner G2420T is an impressive guitar for the money. Build quality is good for the price, and playability and tone are even more impressive. At around $550, it’s primed to surprise a lot of players who assumed a versatile hollowbody archtop electric with the Gretsch name on the headstock was beyond their reach.
Our columnist re-friends a classic American brand.
I’ve had a love-hate relationship with Gretsch guitars. On one hand, my first real guitar was a 1966 Gretsch Country Gentleman, George Harrison’s weapon of choice in the early Beatles days. On the other, all of the Gretsches I’ve owned—four or five—have been sold because I just couldn’t bond with them. But I always keep looking.
So, I was looking at Craigslist a few months ago and spotted this guitar. It’s a 2016 Gretsch Streamliner G2420, and the seller wanted $200. The seller only had one grainy picture of it and mentioned that it had a repaired neck break near the headstock. I knew that would scare off most buyers, but the seller also mentioned it had very low action with no other issues. The seller was out of town, but had a girlfriend who could show it to me, so I called her and set up a time to take a look at it.
Ouch! In this photo, we see the not-exactly-seamless neck repair. However, repairs like this rarely affect the playability or tone of a guitar.
Bottom Feeder Tip #2817: Craigslist is a great place to check out gear in your area. You have to make sure you have cash (no checks or credit cards), have a good knowledge of streets in your town, and be careful to go during daylight hours and take a friend along if you can.
I did my homework and knew what these sold for: $399 street. When I went to see the guitar, and the girlfriend opened the case, I was surprised at how good it looked. The grainy picture didn’t do it justice. After I strummed a few chords acoustically, she asked if I wanted to test it through an amp. She had a Fender Blues Junior sitting in the corner, and when I plugged in, the G2420 sounded much brighter than I’d expected. I wasn’t sure how I would like the Broad’Tron humbucking pickups that are standard on these guitars, but within 30 seconds I was sold.
Gretsch’s Broad’Tron humbucking pickups have a distinctive sound, blending mid warmth with some upper-end bite. It was magic to Will Ray’s ears.
I checked out the neck repair. Although it looked a little sloppy, it seemed like a pretty solid repair. Then I went string by string, fret by fret, going all the way up the neck to make sure there was no major buzzing or fretting out. It passed with flying colors. I also checked the neck relief and it was straight as an arrow, and the super-low action on it was testament to the neck’s integrity.
I asked if they would take $175, but after calling her boyfriend she said the price was firm. However, to my way of thinking, because the hardshell case was included, I figured I could sell the case easily for $50 and at that point I would only have $150 in the guitar—a much sweeter deal. So, I bought it and was giddy all the way home.
Die-cast nickel tuners come standard on this model. The controls are a bit more unusual: one master volume dial, two pickup volume dials, one master tone knob, and a 3-way toggle.
I played it for several weeks before declaring it a part of the family. Check out my MP3. The pickups sound somewhere between P-90s and classic old Gretsch Filter’Trons. It’s a keeper for now, plus I’ve made friends with Gretsch again.